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Throughout the 1960s and 1970s, Ivory Coast was touted as an African miracle, a poster child for modernization and the ways that Western aid and multinational corporations would develop the continent. At the same time, Marxist scholars—most notably Samir Amin—described the capitalist activity in Ivory Coast as empty, unsustainable, and incapable of bringing real change to the lives of ordinary people. To some extent, Amin’s criticisms were validated when, in the 1980s, the Ivorian economy collapsed.

In African Miracle, African Mirage, Abou B. Bamba incorporates economics, political science, and history to craft a bold, transnational study of the development practices and intersecting colonial cultures that continue to shape Ivory Coast today. He considers French, American, and Ivorian development discourses in examining the roles of hydroelectric projects and the sugar, coffee, and cocoa industries in the country’s boom and bust. In so doing, he brings the agency of Ivorians themselves to the fore in a way not often seen in histories of development. Ultimately, he concludes that the “maldevelopment” evident by the mid-1970s had less to do with the Ivory Coast’s “insufficiently modern” citizens than with the conflicting missions of French and American interests within the context of an ever-globalizing world.

At the heart of evolution lies a bewildering paradox. Natural selection favors above all the individual that leaves the most offspring—a superorganism of sorts that Jonathan Silvertown here calls the "Darwinian demon." But if such a demon existed, this highly successful organism would populate the entire world with its own kind, beating out other species and eventually extinguishing biodiversity as we know it. Why then, if evolution favors this demon, is the world filled with so many different life forms? What keeps this Darwinian demon in check? If humankind is now the greatest threat to biodiversity on the planet, have we become the Darwinian demon?

Demons in Eden considers these questions using the latest scientific discoveries from the plant world. Readers join Silvertown as he explores the astonishing diversity of plant life in regions as spectacular as the verdant climes of Japan, the lush grounds of the Royal Botanical Gardens at Kew, the shallow wetlands and teeming freshwaters of Florida, the tropical rainforests of southeast Mexico, and the Canary Islands archipelago, whose evolutionary novelties—and exotic plant life—have earned it the sobriquet "the Galapagos of botany." Along the way, Silvertown looks closely at the evolution of plant diversity in these locales and explains why such variety persists in light of ecological patterns and evolutionary processes. In novel and useful ways, he also investigates the current state of plant diversity on the planet to show the ever-challenging threats posed by invasive species and humans.

Bringing the secret life of plants into more colorful and vivid focus than ever before, Demons in Eden is an empathic and impassioned exploration of modern plant ecology that unlocks evolutionary mysteries of the natural world.

Edward P. Dozier was the first American Indian to establish a career as an academic anthropologist. In doing so, he faced a double paradox—academic and cultural. The notion of objectivity that governed academic anthropology at the time dictated that researchers be impartial outsiders. Scientific knowledge was considered unbiased, impersonal, and public. In contrast, Dozier’s Pueblo Indian culture regarded knowledge as privileged, personal, and gendered. Ceremonial knowledge was protected by secrecy and was never intended to be made public, either within or outside of the community. As an indigenous ethnologist and linguist, Dozier negotiated a careful balance between the conflicting values of a social scientist and a Pueblo Indian.

Based on archival research, ethnographic fieldwork at Santa Clara Pueblo, and extensive interviews, this intellectual biography traces Dozier’s education from a Bureau of Indian Affairs day school through the University of New Mexico on federal reimbursable loans and graduate school on the GI Bill. Dozier was the first graduate of the new post–World War II doctoral program in anthropology at the University of California at Los Angeles in 1952. Beginning with his multicultural and linguistic heritage, the book interprets pivotal moments in his career, including the impact of Pueblo kinship on his indigenous research at Tewa Village (Hano); his rising academic standing and Indian advocacy at Northwestern University; his achievement of full academic status after he conducted non-indigenous fieldwork with the Kalinga in the Philippines; and his leadership in establishing American Indian Studies at the University of Arizona. Norcini interprets Dozier’s career within the contexts of the history of American anthropology and Pueblo Indian culture. In the final analysis, Dozier is positioned as a transitional figure who helped transform the historical paradox of an American Indian anthropologist into the contemporary paradigm of indigenous scholarship in the academy.

Into the Vortex challenges and rethinks feminist film theory's brilliant but often pessimistic reflections on the workings of sound and voice in film. Including close readings of major film theorists such as Kaja Silverman and Mary Ann Doane, Britta H. Sjogren offers an alternative to image-centered scenarios that dominate feminist film theory's critique of the representation of sexual difference. 
Sjogren focuses on a rash of 1940s Hollywood films in which the female voice bears a marked formal presence to demonstrate the ways that the feminine is expressed and difference is sustained. She argues that these films capitalize on particular particular psychoanalytic, narratological and discursive contradictions to bring out and express difference, rather than to contain or close it down. Exploring the vigorous dynamic engendered by contradiction and paradox, Sjogren charts a way out of the pessimistic, monolithic view of patriarchy and cinema's representation of women's voices.
 

Americans have always believed that economic growth leads to job growth. In this groundbreaking analysis, Stanley Aronowitz argues that this is no longer true. Just Around the Corner examines the state of the American economy as planned by Democrats and Republicans over the last thirty years. Aronowitz finds that economic growth has become "delinked" from job creation, and that unemployment and underemployment are a permanent condition of our economy. He traces the historical roots of this state of affairs and sees under the surface of booms and busts a continuum of economic austerity that creates financial windfalls for the rich at the expense of most Americans. Aronowitz also explores the cultural and political processes by which we have come to describe and accept economics in the United States. He concludes by presenting a concrete plan of action that would guarantee employment and living wages for all Americans. With both measured analysis and persuasive reasoning, Just Around the Corner provides an indispensable guide to our current economic predicament and a bold challenge to economists and policymakers.

Single or married, working mothers are, if not the norm, no longer exceptional. These days, women who stay at home to raise their children seem to be making a radical lifestyle choice. Indeed, the women at the center of The Paradox of Natural Mothering have renounced consumerism and careerism in order to reclaim home and family. These natural mothers favor parenting practices that set them apart from the mainstream: home birth, extended breast feeding, home schooling and natural health care. Regarding themselves as part of a movement, natural mothers believe they are changing society one child, one family at a time.

Author Chris Bobel profiles some thirty natural mothers, probing into their choices and asking whether they are reforming or conforming to women's traditional role. Bobel's subjects say that they have chosen to follow their nature rather than social imperatives. Embracing such lifestyle alternatives as voluntary simplicity and attachment parenting, they place family above status and personal achievement. Bobel illuminates the paradoxes of natural mothering, the ways in which these women resist the trappings of upward mobility but acquiesce to a kind of biological determinism and conventional gender scripts.

Jazz was born on the streets, grew up in the clubs, and will die—so some fear—at the university. Facing dwindling commercial demand and the gradual disappearance of venues, many aspiring jazz musicians today learn their craft, and find their careers, in one of the many academic programs that now offer jazz degrees. School for Cool is their story. Going inside the halls of two of the most prestigious jazz schools around—at Berklee College of Music in Boston and the New School for Jazz and Contemporary Music in New York—Eitan Y. Wilf tackles a formidable question at the heart of jazz today: can creativity survive institutionalization? 

Few art forms epitomize the anti-institutional image more than jazz, but it’s precisely at the academy where jazz is now flourishing. This shift has introduced numerous challenges and contradictions to the music’s practitioners. Solos are transcribed, technique is standardized, and the whole endeavor is plastered with the label “high art”—a far cry from its freewheeling days. Wilf shows how students, educators, and administrators have attempted to meet these challenges with an inventive spirit and a robust drive to preserve—and foster—what they consider to be jazz’s central attributes: its charisma and unexpectedness. He also highlights the unintended consequences of their efforts to do so. Ultimately, he argues, the gap between creative practice and institutionalized schooling, although real, is often the product of our efforts to close it. 

Observing the activities of urban folk dance enthusiasts in Slovakia, Joseph Grim Feinberg sets out to scrutinize the processes by which "authentic folklore" is identified, talked about, represented, reconstructed, reenacted, and revived.

In Slovakia and elsewhere in Eastern Europe after World War II, Communist governments promoted folklore revivals and staged performances of song and dance as representations of "the people." When the Communists fell from power in Slovakia in 1989, folklore was also discredited in the eyes of many. By the early twenty-first century, however, a new generation launched a movement to revive folklore's reputation and reintroduce it to a broad public.

Weaving together personal narrative, ethnographic analysis, and philosophical reflection, Feinberg examines the aspirations and difficulties of young folk dance devotees as they recognize that authenticity is more easily prized than achieved. He sheds new light on the problems of specialized performance and broad participation, the uneasy relationship between folklore and the public sphere, and the paradoxical pursuit of authenticity in the modern world.

One of the first books to examine representations of black vampires exclusively, The Paradox of Blackness in African American Vampire Fiction not only refutes the tacit assumption that there is a lack of quality African American vampire fiction worthy of study or reading but also proposes that the black vampires help to answer an important question: Is there more to being black than having a black body? As symbols of immortality, the black vampires in Jewelle Gomez’s The Gilda Stories, Tananarive Due’s My Soul to Keep, Brandon Massey’s Dark Corner, Octavia Butler’s Fledgling,and K. Murry Johnson’s Image of Emeralds and Chocolate help to identify not only the notions of blackness that should be kept alive or resurrected in the African American community for the twenty-first century but also the notions of blackness that should die or remain dead. 

Americans have long recognized the central importance of the nineteenth-century Republican party in preserving the Union, ending slavery, and opening the way for industrial capitalism. On the surface, the story seems straightforward -- the party's “free labor” ethos, embracing the opportunity that free soil presented for social and economic mobility, and condemning the danger that slavery in the territories posed for that mobility, foreshadowed the GOP's later devotion to unfettered enterprise and industrial capitalism. In reality, however, the narrative thread is not so linear. This work examines the contradiction that lay at the heart of the supremely influential ideology of the early Republican party. The Paradox of Progress explores one of the most profound changes in American history -- the transition from the anti-market, anti-monopoly, and democratic ideology of Jacksonian America to the business-dominated politics and unregulated excesses of Gilded Age capitalism.

Guiding this transformation was the nineteenth-century Republican party. Drawing heavily from both the pro-market commitments of the early Whig party and the anti-capitalist culture of Jackson's Democratic party, the early Republican party found itself torn between these competing values. Nowhere was this contested process more obvious or more absorbing than in Civil War-era Michigan, the birthplace of the Republican party.

In The Paradox of Progress, a fascinating look at the central factors underlying the history of the GOP, Martin Hershock reveals how in their determination to resolve their ideological dilemma, Republicans of the Civil War era struggled to contrive a formula that wo uld enable them to win popular elections and to model America's acceptance of Gilded Age capitalism.

The Paradox of Progressive Thought was first published in 1958. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

This book describes and analyzes an important aspect of American intellectual history, the climate of opinion in which nine leaders of progressive thought in America in the late nineteenth and early twentieth centuries were important creators and spokesmen. By closely examining the central ideas of these men, Professor Noble presents an illuminating view of a significant phase of the liberal tradition in America. At the same time, he questions many of the generally accepted views about the philosophical basis of traditional liberalism and demonstrates the paradox of progressive thought.

The social philosophers whose writings and teachings he scrutinizes are Herbert Croly, long-time editor of the New Republic; James Mark Baldwin, psychologist and philosopher; Charles H. Cooley, author of Social Organization; F. H. Johnson, theologian whose name was linked with Darwinism; Henry Demarest Lloyd, reformer and newspaperman who attacked the evils of monopoly in his book Wealth and Commonwealth; Richard T. Ely, economist and early advocate of Christian socialism; Simon N. Patten, whose work The Premises of Political Economy lifted him to fame; Thorstein Veblen, whose Theory of the Leisure Class is a household word today; and Walter Rauschenbusch, the Baptist clergyman who wrote Christianity and the Social Crisis and Christianity and the Social Order. In addition, there is extensive consideration of the thought and influence of Carl L. Becker, the noted historian and analyst of thought and philosophy in action.

In The Ruling Passion, Christopher Lane examines the relationship between masculinity, homosexual desire, and empire in British colonialist and imperialist fictions at the turn of the twentieth century. Questioning the popular assumption that Britain’s empire functioned with symbolic efficiency on sublimated desire, this book presents a counterhistory of the empire’s many layers of conflict and ambivalence.
Through attentive readings of sexual and political allegory in the work of Kipling, Forster, James, Beerbohm, Firbank, and others—and deft use of psychoanalytic theory—The Ruling Passion interprets turbulent scenes of masculine identification and pleasure, power and mastery, intimacy and antagonism. By foregrounding the shattering effects of male homosexuality and interracial desire, and by insisting on the centrality of unconscious fantasy and the death drive, The Ruling Passion examines the startling recurrence of colonial failure in narratives of symbolic doubt and ontological crisis. Lane argues compellingly that Britain can progress culturally and politically only when it has relinquished its residual fantasies of global mastery.

Pamela Finnegan provides a detailed criticism of a major novel written by one of Chile’s leading literary figures. She analyzes the symbolism and the use of language in The Obscene Bird of Night, showing that the novel’s world becomes an icon characterized by entropy, parody, and materiality. Her study concludes that all linguistic ordering fictionalizes, that the lack of spirituality within the novel’s world is symptomatic of language gone stale, and that blindness to this fact leads to dogma or solipsism, each counter-productive to communication and human endeavor. To revive the linguistic system, she argues, we must revive the creative power of language.

Haydn’s music has been performed continuously for more than two hundred years. But what do we play, and what do we listen to, when it comes to Haydn? Can we still appreciate the rich rhetorical nuances of this music, which from its earliest days was meant to be played by professionals and amateurs alike?

With The Virtual Haydn, Tom Beghin—himself a professional keyboard player—delves deeply into eighteenth-century history and musicology to help us hear a properly complex Haydn. Unusually for a scholarly work, the book is presented in the first person, as Beghin takes us on what is clearly a very personal journey into the past. When a discussion of a group of Viennese sonatas, for example, leads him into an analysis of the contemporary interest in physiognomy, Beghin applies what he learns about the role of facial expressions during his own performance of the music. Elsewhere, he analyzes gesture and gender, changes in keyboard technology, and the role of amateurs in eighteenth-century musical culture.

The resulting book is itself a fascinating, bravura performance, one that partakes of eighteenth-century idiosyncrasy while drawing on a panoply of twenty-first-century knowledge.

Arrests of women for assault increased more than 40 percent over the past decade, while male arrests for this offense have fallen by about one percent. Some studies report that for the first time ever the rate of reported intimate partner abuse among men and women is nearly equal. Susan L. Miller’s timely book explores the important questions raised by these startling statistics.

            Are women finally closing the gender gap on violence? Or does this phenomenon reflect a backlash shaped by men who batter? How do abusive men use the criminal justice system to increase control over their wives? Do police, courts, and treatment providers support aggressive arrest policies for women?  Are these women “victims” or “offenders”? 

             In answering these questions, Miller draws on extensive data from a study of police behavior in the field, interviews with criminal justice professionals and social service providers, and participant observation of female offender programs. She offers a critical analysis of the theoretical assumptions framing the study of violence and provides insight into the often contradictory implications of the mandatory and pro-arrest policies enacted in the 1980s and 1990s. Miller argues that these enforcement strategies, designed to protect women, have often victimized women in different ways. Without sensationalizing, Miller unveils a reality that looks very different from what current statistics on domestic violence imply.

"This pathbreaking study sets forth the history of attempts to implement pay equity and evaluates the hidden costs of achieving equity. With candor and intelligence, the authors clearly detail the political, organizational, and personal consequences of comparable worth reform strategies. Using extensive data from Minnesota, where pay equity has proceeded further than in any other state in the nation, as well as comparative information from other states and localities, the authors expose the crucial initial steps which define public policy.

"A perceptive and judicious analysis of comparable worth."—Wendy Kaminer, New York Times Book Review

"Very well-crafted. . . . Wage Justice has admirably launched the scholarly evaluation of pay equity, revealing the unforeseen complexities of this key feminist public policy innovation."—Maurine Weiner Greenwald, Journal of American History

"An insightful glimpse of the policy process."—Marian Lief Palley, American Political Science Review

A project of the Utah Women's History Association and cosponsored by the Utah State Historical Society, Paradigm or Paradox provides the first thorough survey of the complicated history of all Utah women. Some of the finest historians studying Utah examine the spectrum of significant social and cultural topics in the state's history that particularly have involved or affected women. The contents are as follows:
A Comparison of Utah Mormon Polygamous and Monogamous Women Jessie L. Embry and Lois Kelley

Innovation and Accommodation: the Legal Status of Women in Territorial Utah, 1847-96 Lisa Madsen Pearson and Carol Cornwall Madsen

Conflict and Contributions: Women in Utah Churches, 1847-1920 John Sillito

Utah's Ethnic Women Helen Z. Papanikolas

The Professionalization of Utah's Farm Women, 1890-1940 Cynthia Sturgis

Gainfully Employed Women in Utah Miriam B. Murphy

From Schoolmarm to State Superintendent: The Changing Role of Women in Utah Education, 1847-2004 Mary Clark and Patricia Lyn Scott

Scholarship, Service, and Sisterhood: Utah Women's Clubs and Associations, 1847-1977 Jill Mulvay Derr

Women of Letters in Utah Gary Topping

Utah Women in the Arts Martha Sontag Bradley-Evans

Women in Politics: Power in the Public Sphere Kathryn L. MacKay

Utah Women's Life Stages: 1850-1940 Jessie L. Embry