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“Projectile point” is a collective term for spear and dart points, arrowheads, and hafted knives. The many Native Americans who have inhabited Iowa shaped points primarily of various cherts and chalcedonies found locally or traded regionally. The single point types illustrated in this two-part guide, the first to provide color photographs to scale for all types found in Iowa, show the wide range of variability as forms evolved from the Paleoindian period, 11,100–10,750 BC, to the Late Prehistoric period, AD 1000–1200.

The two beautifully illustrated parts depict a total of sixty-one full-size stone point types in color by archaeological period. References are provided for those wishing to learn more about each type shown. Archaeologist Joseph Tiffany lists the stone type for each point as well as its estimated range of use based on calibrated radiocarbon age, catalog number, and the county where it was found. By providing actual-size color images of the typed points, each part is very easy to use in the field, lab, or classroom.

From the highly finished Clovis points of the Paleoindian period to the delicate notched and stemmed points of the Woodland period, these tangible remnants of vanished cultures reveal the huge changes in the lifeways of Iowa’s native populations over time. Lay and professional archaeologists, collectors, students, and enthusiasts will appreciate the beauty of the photos and the usefulness of the information in this pocket guide to Iowa projectile points.

Archaeology in the Great Basin and Southwest is a compilation of papers by friends and colleagues that honor Don D. Fowler. The volume encompasses the breadth and depth of Fowler’s work in archaeology and sister disciplines with original scholarship on the human past of the arid west. Included are theoretical, methodological, and empirical papers that synthesize and present fresh perspectives on Great Basin and Southwest archaeology and cover a sweep of topics from Paleoindian research to collaboration with Native Americans. Fowler has continually reminded scholars that to understand the past we must know how the local and specific is regionally and transculturally contextualized, how what we know came to be recognized, studied, and interpreted—in short, how the past still affects the present—and how regional and topical archaeology is part of a disciplinary endeavor that is as concerned with rigorous and inclusive knowledge production as it is with site description and cultural syntheses.

Readers will learn about the nature of archaeological careers, how archaeology has been conceptualized and conducted, the strengths and limitations of past and present approaches, and the institution building and political processes in which archaeologists engage. Contributors posit new thoughts designed to stimulate new lines of research and reflect on the state of our current knowledge about a wealth of topics. Each paper asks four questions about what Great Basin and southwestern archaeologists currently know: Where have we been? Where are we now? What do we still need to learn? Where are we going? This comprehensive volume will be of interest to those practicing or teaching archaeology and to students seeking to understand the intricacies of Great Basin and Southwest archaeology.

Art Works, Parts 1 and 2 address how art, theater, performance, film, and visual culture have reshaped the established terms of gender and sexuality and contributed to fashioning a queer world. Bringing together work from both the visual and the performing arts, each collection showcases cutting-edge research on a wide range of queer artists, media, and sexual subcultures. The contributors to these issues—scholars in art history, visual culture, theater and performance studies, and film and media studies—approach art not as a reflection of history but as a creative response to it, a response that imagines alternative forms of social, sexual, and creative life.

Arguing for the primacy of the arts in queer life, the contributors show how art and performance can constitute a form of critical theorizing rather than simply an illustration of it. In different ways, each author demonstrates how art works to invigorate queer critique. The first issue includes a special dossier on AIDS activist film and video, marking the twenty-fifth year of the AIDS pandemic, and essays on late-nineteenth-century male nudes, lesbian surrealism, homoerotic photography in the Deep South, and the transnational, transgender contexts of the Pulitzer Prize–winning play I Am My Own Wife. Essays in the second issue focus on a series of queer case studies, including gay power graphics and psychedelia, female duets on the Broadway stage, Keith Haring and racial politics, British Vogue in the 1920s, and lesbian-feminist magazines of the 1970s. The issue concludes with a dossier of three shorter pieces on queer art and performance: an interview with the Chicano drag street performer Robert Legoretta (“Cyclona”), an essay on blogs and the Five Lesbian Brothers, and a discussion of a rarely exhibited work about cruising and public space by the contemporary artist Glenn Ligon.

Contributors. Deborah Bright, Jill Dolan, Jens Giersdorf, Jason Goldman, Scott Herring, Lucas Hilderbrand, Alexandra Juhasz, Tirza Latimer, Glenn Ligon, Richard Meyer, Rachel Middleman, Ricardo Montez, Erica Rand, Christopher Reed, David Román, Jennifer Flores Sternad, Margo Hobbs Thompson, Stacy Wolf

The two volumes of Good Money concentrate on Hayek's work on money and monetary policy. Published in the centenary of his birth, these volumes bring forth some of the economist's most distinguished articles on monetary policy and offer another vital addition to the collection of Hayek's life work.

Good Money, Part I: The New World includes seven of Hayek's articles from the 1920s that were written largely in reaction to the work of Irving Fisher and W. C. Mitchell. Hayek encountered Fisher's work on the quantity theory of money and Mitchell's studies on business cycles during a U.S. visit in 1923-24. These articles attack the idea that price stabilization was consistent with the stabilization of foreign exchange and foreshadow Hayek's general critique that the whole of an economy is not simply the sum of its parts.

Good Money, Part II: The Standard offers five more of Hayek's articles that advance his ideas about money. In these essays, Hayek investigates the consequences of the "predicament of composition." This principle works on the premise that the entire society cannot simultaneously increase liquidity by selling property or services for cash. This analysis led Hayek to make what was perhaps his most controversial proposal: that governments should be denied a monopoly on the coining of money.

Taken together, these volumes present a comprehensive chronicle of Hayek's writings on monetary policy and offer readers an invaluable reference to some of his most profound thoughts about money.

"Each new addition to The Collected Works of F. A. Hayek, the University of Chicago's painstaking series of reissues and collections, is a gem."— Liberty on Volume IX of The Collected Works of F. A. Hayek

"Intellectually [Hayek] towers like a giant oak in a forest of saplings."—Chicago Tribune

"One of the great thinkers of our age who . . . revolutionized the world's intellectual and political life."—Former President George Herbert Walker Bush

The publication in 1807 of Georg Wilhelm Frederich Hegel’s Phanomenologie des Geistes (translated alternately as “Phenomenology of Mind” or “Phenomenology of Spirit”) marked the beginning of the modern era in philosophy. Hegel’s remarkable insights formed the basis for what eventually became the Existentialist movement. Yet the Phenomenology remains one of the most difficult and forbidding works in the canon of philosophical literature.

This enlightening book offers a collection of histories of underground papers from the Vietnam Era as written and told by key staff members of the time. Their stories, building on those presented in Part 1, represent a wide range of publications: countercultural, gay, lesbian, feminist, Puerto Rican, Native American, Black, socialist, Southern consciousness, prisoners’ rights, New Age, rank-and-file, military, and more. Wachsberger notes that the underground press not only produced a few well-known papers but also was truly national and diverse in scope. His goal is to capture the essence of “the countercultural community.” This book will be a fundamental resource for anyone seeking a deeper understanding of a dramatic era in U.S. history, as well as offering a younger readership a glimpse into a generation of idealists who rose up to challenge and improve government and society.

Routes of Passage provides a conceptual, substantive, and empirical orientation to the study of African people worldwide. Routes of Passage addresses issues of geographical mobility and geosocial displacement; changing cultural, political, and economic relationships between Africa and its diaspora; interdiaspora relations; political and economic agency and social mobilization, including cultural production and psychocultural transformation; existence in hostile and oppressive political and territorial space; and confronting interconnected relations of social inequality, especially class, gender, nationality, and race.