Results by title

2 books match the query 'Perry, Ellen'

cover of Classical Receptions in the Struggle for Justice

Classical Receptions in the Struggle for Justice

Ellen Perry, Dominic Machado, Marina Haworth

University of Michigan Press, 2027

History is written and constructed by many, not just those few who proclaim themselves “the victors.” Classical Receptions in the Struggle for Justice examines how activists, artists, and writers of the past have found studying ancient Greece and Rome to be hopeful avenues for justice or personal liberation. These individuals, while sometimes critiquing the classical tradition, also saw in it ways to intervene in their contemporary reality for their struggle for justice. 

Each contribution to this volume contains original research that highlights how ancient Greece or Rome informed and inspired an individual or movement between the eighteenth and twenty-first centuries, such as the struggles against structural racism, sexism, and homophobia. These engagements included visual arts, poetry, political activism, rhetoric, philosophy, environmentalism, and fiction. Individuals profiled in this volume include Mary Shelley, Henry David Thoreau, and Martin Luther King, Jr., as well as figures whose work remains underrepresented in the study of classical reception. Classical Receptions in the Struggle for Justice speaks to the enduring power of the humanities and the ancient world in difficult times.

[more]
cover of Roman Artists, Patrons, and Public Consumption: Familiar Works Reconsidered

Roman Artists, Patrons, and Public Consumption

Familiar Works Reconsidered

Brenda Longfellow and Ellen E. Perry, editors

University of Michigan Press, 2018

In recent decades, the study of Roman art has shifted focus dramatically from issues of connoisseurship, typology, and chronology to analyses of objects within their contemporary contexts and local environments. Scholars challenge the notion, formerly taken for granted, that extant historical texts—the writings of Vitruvius, for example—can directly inform the study of architectural remains. Roman-era statues, paintings, and mosaics are no longer dismissed as perfunctory replicas of lost Greek or  Hellenistic originals; they are worthy of study in their own right. Further, the scope of what constitutes Roman art has expanded to include the vast spectrum of objects used in civic, religious, funerary, and domestic contexts and from communities across the Roman Empire.

The work gathered in Roman Artists, Patrons, and Public Consumption displays the breadth and depth of scholarship in the field made possible by these fundamental changes. The first five essays approach individual objects and artistic tropes, as well as their cultural contexts and functions, from fresh and dynamic angles. The latter essays focus on case studies in Pompeii, demonstrating how close visual analysis firmly rooted in local and temporal contexts not only strengthens understanding of ancient interactions with monuments but also sparks a reconsideration of long-held assumptions reinforced by earlier scholarship.

These rigorous essays reflect and honor the groundbreaking scholarship of Elaine K. Gazda. In addition to volume editors Brenda Longfellow and Ellen E. Perry, contributors include Bettina Bergmann, Elise Friedland, Barbara Kellum, Diana Y. Ng, Jessica Powers, Melanie Grunow Sobocinski, Lea M. Stirling, Molly Swetnam-Burland, Elizabeth Wolfram Thill, and Jennifer Trimble.
[more]