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3 books match the query 'Politics at'
Life and Politics at the Royal Court of Aguateca
Artifacts, Analytical Data, and SynthesisTakeshi Inomata
University of Utah Press, 2014
Because of the surprise nature of the attack, most artifacts were left in their original locations, providing unprecedented views of the daily life of the Classic Maya. Detailed analyses of these objects and their distribution has shown that Mayan elites stored some of their food in their residences and that they also conducted various administrative duties there. The presence of numerous precious ornaments indicates that many of the Maya elite were also skilled craft producers.
Life and Politics at the Royal Court of Aguateca is the third and final volume of the monograph series on Aguateca. It presents the analyses of items not covered in the first two volumes, including figurines, ceramic laminates and masks, spindle whorls, ground stone, and bone artifacts, as well as hieroglyphic texts and plant and animal remains. It discusses the broad implications of this remarkable data set and provides a summation of the project.
Politics at the Airport
Mark B. Salter
University of Minnesota Press, 2008
Establishes the airport as a crucial site in the rise of the surveillance state
Few sites are more symbolic of both the opportunities and vulnerabilities of contemporary globalization than the international airport.
Politics at the Airport brings together leading scholars to examine how airports both shape and are shaped by current political, social, and economic conditions. Focusing on the ways that airports have become securitized, the essays address a wide range of practices and technologies—from architecture, biometric identification, and CCTV systems to “no-fly lists” and the privatization of border control—now being deployed to frame the social sorting of safe and potentially dangerous travelers. This provocative volume broadens our understanding of the connections among power, space, bureaucracy, and migration while establishing the airport as critical to the study of politics and global life.Contributors: Peter Adey, Colin J. Bennett, Gillian Fuller, Francisco R. Klauser, Gallya Lahav, David Lyon, Benjamin J. Muller, Valérie November, Jean Ruegg.
The Actor’s Revolution
Art and Politics at the Moscow Kamerny TheatreDassia N. Posner
Northwestern University Press, 2027
Reclaims the lost history of one of the twentieth century’s most innovative theaters
The Moscow Kamerny Theatre created stage worlds of movement, color, and light. Cofounded in 1914 by Alexander Tairov, a Jewish director from Ukraine, and Alisa Koonen, a Moscow-born actress from an immigrant family, the company celebrated the actor’s virtuosic inventiveness during an era when most theaters imitated daily life or prioritized the autocratic director’s vision. By the 1920s, it had become the most famous Soviet theater in the world, renowned for its actors’ acrobatic grace, its bold collaborations with avant-garde artists, and its revolutionary redefinition of what theater can be. But the accusations of Soviet disloyalty that were used to destroy the Kamerny during Stalin’s post–World War II antisemitic purge have rendered it little known outside Russia today and frequently misunderstood even there.
The Actor’s Revolution vividly reclaims this lost history by reconstructing the theater’s most illustrious premieres, analyzing them within the turbulent artistic and political context of the early Soviet era. Drawing on a decade of archival research, Dassia N. Posner restores Tairov’s legacy as one of history’s most significant directors and celebrates Koonen’s liberatory creative expressiveness as a vital alternative to Konstantin Stanislavsky’s better-known acting system. Building on rich archival sources, from unpublished memoirs to vibrant scenic and costume designs, this timely volume grapples with the entangled histories of art, politics, and erasure and celebrates the radical power of human creativity under—and in spite of—totalitarianism.