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A timely reexamination of Joseph Wright’s captivating “candlelight” paintings, featuring the recently rediscovered Two Boys with a Bladder.

The dramatic “candlelight” paintings of Joseph Wright of Derby (1734–1797) cast a spell, enthralling viewers with striking scenes that portray human curiosity, the quiet intensity of domestic life, and the excitement of scientific discovery. With a variety of brushstrokes—dabbed here, whiskered there, and dragged elsewhere—Wright pushed boundaries with the transformative power of light. In 2020, the Getty Museum acquired the newly rediscovered Two Boys with a Bladder (1767), a luminous study of innovation, intimacy, and artistic brilliance that challenged established assumptions about Wright and sparked renewed interest in his experiments with light.

A Light in the Dark presents new research to uncover the origins of Two Boys and expand our understanding of Wright's early candlelights, tracing the invention and initial development of his distinctive style. Whereas recent scholarship has maintained an outward approach that ties the artist’s oeuvre to places that he visited, this volume returns the focus to Wright himself—his biography, technique, and hometown of Derby—in a much-needed reexamination. Complete with fresh historical and technical evidence, this is a fascinating look into the inspirations, aspirations, and experiments behind some of the most remarkable paintings in the history of British art.

This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from November 24, 2026, to March 14, 2027.

More than 100 powerful images by noted photographer Russell Lee that document the working conditions and lives of coal mining communities in the postwar United States; publication coincides with an exhibition at the National Archives in Washington, DC.

In 1946 the Truman administration made a promise to striking coal miners: as part of a deal to resume work, the government would sponsor a nationwide survey of health and labor conditions in mining camps. One instrumental member of the survey team was photographer Russell Lee. Lee had made his name during the Depression, when, alongside Dorothea Lange and Walker Evans, he used his camera to document agrarian life for the Farm Security Administration (FSA). Now he trained his lens on miners and their families to show their difficult circumstances despite their essential contributions to the nation's first wave of postwar growth.

American Coal draws from the thousands of photographs that Lee made for the survey—also on view in the US National Archives and Records Administration’s exhibition Power & Light—and includes his original, detailed captions as well as an essay by biographer Mary Jane Appel and historian Douglas Brinkley. They place his work in context and illuminate how Lee helped win improved conditions for his subjects through vivid images that captured an array of miners and their communities at work and at play, at church and in school, in moments of joy and struggle, ultimately revealing to their fellow Americans the humanity and resilience of these underrecognized workers.