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11 books match the query 'Post-Soviet'

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After the Invasion

The Soviet Army and Czech Society 1968—1991

Marie Cerná

Karolinum Press, 2024

Analyzes the historical significance of the Soviet invasion of Czechoslovakia.

This book addresses different aspects of the Soviet army’s twenty-year presence in Czechoslovakia between 1968 and 1991. It explores the circumstances of the Soviet settling in the country, immediately related to the invasion of the Warsaw Pact armies in August 1968; its active interference in the political developments in the early stage of the “normalization” era; and the universal support provided by the normalization era regime. It examines the darker side of this support when the constant favoring of Soviet interests—often to the detriment of the local population and the environment—went hand in hand with the resignation of the Czechoslovak state to lawfulness and the execution of effective administration on its territory.

Based on extensive local and national primary sources, the volume describes the often problematic coexistence of the Soviet garrisons and local inhabitants, who did not have sufficient protection at the central level. In this context, it points out the contradictory logic that framed the mutual coexistence: the official policy of friendship on the one hand and the counter-intelligence protection of Soviet military premises on the other. Marie Cerná records the traces that the presence of the Soviet army left in the collective memory and examines the circumstances of its departure from the country in 1990 and 1991, which began immediately after the change of the political regime. She presents the long-term presence of the Soviet army as a fundamentally political and politicized matter, which was first the subject of power controversies and later of propaganda and intentional manipulation.

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Biopower in Putin’s Russia

From Taking Care to Taking Lives

Sergei Medvedev

Central European University Press, 2024

In this book, Makarychev and Medvedev examine the importance of biopolitics in fueling Russia’s confrontation with the West. In their view, the development of Putin’s illiberal authoritarianism was largely triggered by what they call a biopolitical turn. This shift is exemplified by the use of an increasing number of regulatory mechanisms to discipline and constrain the human body. Such political practices concern issues of sexuality, reproductive behavior, adoption, fertility, family planning, public hygiene, and demography. This turn created a new disciplinary framework for the population and the elite. Bans and restrictions of a biopolitical nature, became one of the main tools for articulating the rules of belonging in the political community and drawing its political boundaries. Biopolitical discourses have taken up the core of the Russian identity formation, which contrasts a positive “conservative Russia” with a supposedly vicious “liberal West.”

The presentation of the political genealogy of the body-centric structures of power and hegemony in Russia implies their transformation from bio- to necropolitics. Necropolitical (repressive and life-depriving) components are inscribed in the biopolitical regimes of power: they form the core of Putin’s rule over Russia and are a key factor behind the war against Ukraine.

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From Metaphor to Direct Speech

Contemporary Russophone Drama and Performance Theory

E. Susanna Weygandt

University of Wisconsin Press, 2025

New Drama—a collection of actors, directors, and playwrights in Russia, Ukraine, and Belarus—is one of the most active and vibrant artistic movements in the Russophone world today yet remains understudied in the West. E. Susanna Weygandt demonstrates that the major innovation of New Drama is a sonic turn, an aesthetic development that moves away from traditional, Stanislavskian embodied performance to something almost purely aural. New Drama, which began in the tumult following the collapse of the Soviet Union and continues even in an increasingly censorious Russia today, emphasizes contemporary social issues and privileges disadvantaged voices, using documentary modes to literally bring the voices of the dispossessed to the ears of the audience members.

As a result, the Russophone New Dramatists speak dissent and dramatize resistance. Ultimately, they shift theatrical productions from something constrained and limited, in both place and time, to an ephemeral but unbounded gateway for social activism. The sonic stage thus effectively functions as a social forum, transposing action from the actors to the audience. From Metaphor to Direct Speech therefore contributes to cultural as well as performance studies, offering a compelling look not just at developments in theatrical modes but also at dissent and cultural aesthetics in Russia today.

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Legitimating Nationalism

Political Identity in Russia's Ethnic Republics

Katie L. Stewart

University of Wisconsin Press, 2024

Russia is a large, diverse, and complicated country whose far-flung regions maintain their own histories and cultures, even as President Vladimir Putin increases his political control. Powerful, autocratic regimes still need to establish their legitimacy; in Russia, as elsewhere, developing a compelling national narrative and building a sense of pride and belonging in a national identity is key to maintaining a united nation. It can also legitimate political power when leaders present themselves as the nation’s champions. Putin’s hold thus requires effective nation building— propagating the ever-evolving and often contested story of who, exactly, is Russian and what, exactly, that means.

Even in the current autocratic system, however, Russia’s multiethnic nature and fractured political history mean that not all political symbols work the same way everywhere; not every story finds the same audience in the same way. The message may emanate from Moscow, but regional actors—including local governments, civic organizations, and cultural institutions—have some agency in how they spread the message: some regionalization of identity work is permitted to ensure that Russian national symbols and narratives resonate with people, and to avoid protest. This book investigates how nation building works on the ground through close studies of three of Russia’s ethnic republics: Karelia, Tatarstan, and Buryatia. Understanding how the project of legitimating nationalism, in support of a unified country and specifically Putin’s regime, works in practice offers crucial context in understanding the shape and story of contemporary Russia.

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Media Cultures of the Russian 1990s

Inventing the Post-Soviet Public Sphere

Edited by Maya Vinokour

Amherst College Press, 2025

Examining Russian-language media from the “long 1990s”—the period beginning with Mikhail Gorbachev’s policy of glasnost (“openness”) and ending with the election of President Vladimir Putin—Media Cultures of the Russian 1990s shows how post-Soviet civil society emerged simultaneously with the explosion of new media, especially a newly liberated television and internet. A brief and contested period of media independence ensued as explosive creativity collided with rank commercialism, journalistic integrity with burgeoning political ambitions, and fringe with mainstream. By the late 1990s, however, the media landscape had succumbed to economic and political exploitation. The causes and nature of this shift, which set the stage for Putin’s crackdown on independent media after 2000—as well as Russia’s slide into aggressive authoritarianism—are embedded in the era’s media artifacts.

Written by an interdisciplinary group of experts, this edited collection addresses the mutual influence among disparate spheres of public life that enabled the media “Wild West” of the first post-Soviet decade. As a joint platform, the volume and the associated Multimedia Sourcebook of the Russian 1990s present the decade’s media cultures in a manner that reflects their historical interconnectedness and relationship to the global present.

Edited by Maya Vinokour with contributions from Bradley Gorski, Courtney Doucette, Fabrizio Fenghi, Rita Safariants, Daniil Leiderman, Thomas Keenan, and Pavel Khazanov.

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On Our Way Home from the Revolution

Reflections on Ukraine

Sonya Bilocerkowycz

The Ohio State University Press, 2019

One of USA Today's “10 books to help understand what's happening in Russia and Ukraine”
In 2014 Sonya Bilocerkowycz is a tourist at a deadly revolution. At first she is enamored with the Ukrainians’ idealism, which reminds her of her own patriotic family. But when the romantic revolution melts into a war with Russia, she becomes disillusioned, prompting a return home to the US and the diaspora community that raised her. As the daughter of a man who studies Ukrainian dissidents for a living, the granddaughter of war refugees, and the great-granddaughter of a gulag victim, Bilocerkowycz has inherited a legacy of political oppression. But what does it mean when she discovers a missing page from her family’s survival story—one that raises questions about her own guilt?

In these linked essays, Bilocerkowycz invites readers to meet a swirling cast of post-Soviet characters, including a Russian intelligence officer who finds Osama bin Laden a few weeks after 9/11; a Ukrainian poet whose nose gets broken by Russian separatists; and a long-lost relative who drives a bus into the heart of Chernobyl. On Our Way Home from the Revolution muddles our easy distinctions between innocence and culpability, agency and fate.

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Pushkin, the Decembrists, and Civic Sentimentalism

Emily Wang

University of Wisconsin Press, 2023

In December 1825, a group of liberal aristocrats, officers, and intelligentsia mounted a coup against the tsarist government of Russia. Inspired partially by the democratic revolutions in the United States and France, the Decembrist movement was unsuccessful; however, it led Russia’s civil society to new avenues of aspiration and had a lasting impact on Russian culture and politics. Many writers and thinkers belonged to the conspiracy while others, including the poet Alexander Pushkin, were loosely or ambiguously affiliated. While the Decembrist movement and Pushkin’s involvement has been well covered by historians, Emily Wang takes a novel approach, examining the emotional and literary motivations behind the movement and the dramatic, failed coup.

Through careful readings of the literature of Pushkin and others active in the northern branch of the Decembrist movement, such as Kondraty Ryleev, Wilhelm Küchelbecker, and Fyodor Glinka, Wang traces the development of “emotional communities” among the members and adjacent writers. This book illuminates what Wang terms “civic sentimentalism”: the belief that cultivating noble sentiments on an individual level was the key to liberal progress for Russian society, a core part of Decembrist ideology that constituted a key difference from their thought and Pushkin’s. The emotional program for Decembrist community members was, in other ways, a civic program for Russia as a whole, one that they strove to enact by any means necessary.

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Russia Under Yeltsin and Putin

Neo-Liberal Autocracy

Boris Kagarlitsky

Pluto Press, 2002

Russia has undergone more seismic changes over the last 100 years than almost any other country. The 1917 Revolution, the rapid industrialisation of the 1930s, the following devastation of the Second World War, and the present return to Capitalism has seen the deep impoverishment of the entire population.

Kagarlitsky shows how to understand these changes, and how to characterise the complex process of reform, revolution and counter revolution.

Looking in detail at the nature of Russian society and politics since 1990, Kagarlitsky offers an introductory political analysis of the major political and economic developments that have taken place under President Yeltsin, and the legacy he bequeathed so unexpectedly to his successor Putin. He focuses on the role of the media in post-Soviet Russia, corporate structures and their influence on social conflict, the formation of the oligarchy and the role of the left in modern Russia.

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Russian Style

Performing Gender, Power, and Putinism

Julie A. Cassiday

University of Wisconsin Press, 2023

As the West liberalized its stance on sexuality and gender between 2000 and 2020, Vladimir Putin’s Russia moved in the opposite direction, remolding the performance of Russian citizenship according to a neoconservative agenda characterized by increasingly exaggerated gender roles. By connecting gendered and sexualized citizenship to developments in Russian popular culture, Julie A. Cassiday argues that heteronormativity and homophobia became a kind of politicized style under Putin’s leadership. However, the multiple modes of gender performativity simultaneously helped citizens resist and protest the state’s mandate of heteronormativity. Examining everything from memes to the Eurovision Song Contest and self-help literature, Cassiday untangles the discourse of gender to argue that drag, or travesti, became the performative trope par excellence in Putin’s Russia. Provocatively, Cassiday further argues that the exaggerated expressions of gender demanded by Putin’s regime are best understood as a form of cisgender drag. This smart and lively study provides critical, nuanced analysis of the relationship between popular culture and politics in Russia during Putin’s first two decades in power.

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The Russian Archipelago at War Against Ukraine

Culture and Contexts 2022–2025

Tomáš Glanc

Karolinum Press, 2026

The first sustained cultural analysis of Russia at war that reveals how art, artists, and institutions become actors in conflict.

This book was conceived in wartime, and war stands at its center. It proceeds through an analysis of cultural phenomena and processes that, in one way or another, originated in Russia and bear on the present situation—regardless of where their actors may now reside.

Through a series of case studies, The Russian Archipelago at War Against Ukraine traces how war has entered the realm of art—literature, the visual arts, theater, film, and beyond—and examines the ways in which culture itself becomes a participant in war. What emerges are narratives of resistance and protest, of persecution and prohibition, and emergent forms of underground, but also postures of indifference, resignation, and compliance, including overt loyalty to and support for the ideology and practice of war, its perpetrators, and its objectives.

Underlying this content is a more unsettling question: what aesthetic, cultural-political, moral, and intellectual challenges, consequences, and perhaps even fragile hopes does the horror of war contain?

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