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Three short story collections that sink into the lives of characters seeking meaning in a post-war world, available in a boxed set.
 
Sharp as a razor and as subtle as gossamer, Shmuel T. Meyer’s masterfully crafted stories evoke unique individual sensibilities and destinies, resonating with the sensual details, smells, tastes, music, and sounds of a specific time and place. And the War Is Over brings together three collections of short stories set on three continents in the aftermath of war: World War II and the Shoah in Grand European Express, the Korean War in The Great American Disaster, and the Arab-Israeli conflict in Kibbutz.
 
Characters both real and imagined run through a fabric so tightly woven that the threads of history and fiction can barely be separated: the Roman poet Clara who will never write again; Saul, a New York City police detective haunted by memories of the Pusan Perimeter; a brother out to avenge his sister’s murder; the son of a former Nazi who joins the Red Army Faction. Tracing moments of encounter, their paths cross those of Allen Ginsberg, Albert Cossery, John Coltrane, and Duke Ellington. Characters travel by train from Venice to Paris, hike up the Val d’Annivers, listen to jazz in Greenwich Village, and ride a motorcycle along the sandy road to Haifa. Under the shadow of war, with death lurking, these multifaceted, evocative lives move in a space between coincidence and fate.

 

An American literary take on the Nordic noir genre

Unfolding during the moody Pacific Northwest winter of 1951, we follow Bernadette Baston, scholar of child development and language acquisition, as she travels to a penitentiary on the remote island Elita in the Puget Sound to consult on a curious case: two guards have discovered an animal-like adolescent girl living alone in the cold woods beyond the prison’s walls. There are few answers, but many people who know more than they are saying. According to official reports, the girl, dubbed Atalanta, does not speak. Is her silence protecting someone? The prison warden, court-appointed guardian, and police detective embroil Bernadette in resolving a secret that the tight-knit island community has long held, and her investment in the girl’s case soon becomes more personal than professional. As a mother, wife, and woman bound by mid-twentieth-century expectations, Bernadette strategizes to retain the fragile control she has over her own freedom, identity, and future, which becomes inextricably tied to solving Atalanta’s case.

A poignant coming-of-age novel inspired by martial arts films and family lore about powerful ghost brides

Fatty Wong is a streetwise eleven-year-old in 1960s colonial Hong Kong who dreams of ruling the world. She fights daily for a better life, but in an era of great political turmoil, Fatty faces struggles in the streets of her working-class village—and inside her own home. As the city’s youth begins protesting British rule and local communists mimic the Cultural Revolution that has ignited chaos across mainland China, Fatty grapples with her own desire for freedom and spars with the neighborhood kids to discover her strength through kung fu. She takes a job at a convenience store to carve a space of her own, only to be sexually abused by the owner. Increasingly attuned to the spirit world, Fatty is visited by a neighbor boy who was shot and killed during a riot; his ghost offers to help her escape her anguish if she cares for his grieving mother. Now Fatty must embark on an adventure that will demand she discover her true identity—and raise a fist to anyone attempting to stifle her spirit.

A sweeping multigenerational tale complicates traditional narratives as it follows two families—one Moroccan, one Polish—filled with Zionists, anti-Zionists, socialists, and reactionaries.

Spanning from 1932 to 1973, Nothing Vast delves deeply into the circumstances and concerns of Jews in cities across the globe—in Poland, France, Morocco, and the United States—as well as in Israel. Giving voice to characters male and female, young and old, Moshe Zvi Marvit braids together stories of migration and struggle, of custom and superstition, of long-held secrets and lies. This beautifully crafted novel follows a survivor of sexual assault, a member of the French resistance, a dream interpreter, a petty criminal, and a venerated rabbi.

Based on the experiences and traditions of the author’s own half-Arab Jewish family, the book is rife with historical and cultural detail and with the intricacies of faith and identity, both personal and national. At the center of the novel is Israel itself—a place existing first in the collective imagination, then in reality as Marvit slips into nonfiction to document the establishment of the country and the reactions to its birth. The characters’ experiences upon arrival in their new nation are vastly different: one family is given a large orange grove upon which to establish a Yeshiva, while the other, not accorded the same privileges, lives beneath notice. The story takes yet another twist when, years later, a grandchild of one of the founding rabbis, seeking answers, discovers the origin of his family’s land.

Visceral, intellectual, and searching, Nothing Vast is nothing short of a virtuosic debut.
 

    Barbara Jefferson, a young American teaching in Tokyo in the 1960s, is set on a life-changing quest when her Japanese surrogate mother, Michi, dies, leaving her a tansu of homemade plum wines wrapped in rice paper. Within the papers Barbara discovers writings in Japanese calligraphy that comprise a startling personal narrative. With the help of her translator, Seiji Okada, Barbara begins to unravel the mysteries of Michi's life, a story that begins in the early twentieth century and continues through World War II and its aftermath.
     As Barbara and Seiji translate the plum wine papers they form an intimate bond, with Michi a ghostly third in what becomes an increasingly uneasy triangle. Barbara is deeply affected by the revelation that Michi and Seiji are hibakusha, survivors of the atomic bombing in Hiroshima, and even harder for her to understand are the devastating psychological effects wrought by war. Plum Wine examines human relationships, cultural differences, and the irreparable consequences of war in a story that is both original and timeless.

A dissident's deeply personal and unflinching view of Soviet oppression in Czechoslovakia in the wake of the 1968 invasion.

Seven Days to the Funeral is the fictionalized memoir of Ján Rozner, a leading Slovak journalist, critic, dramaturg, and translator. Rozner and his wife Zora Jesenská were champions of the Prague Spring and were blacklisted after the Soviet-led invasion of Czechoslovakia in 1968. When Jesenská died in 1972, her funeral became a political event and attendees faced recriminations.

A painstaking account of the week after his wife’s death, Seven Days to the Funeral is a historical record of the devastating impact of the period after the invasion. Through ruthless portraits of key figures in Slovak culture, the book provides a fascinating cultural history of Slovakia from 1945 to 1972. It is also a moving love story of an unlikely couple. Although Rozner began the book in 1976, it was left unfinished upon his death. The book was published posthumously in 2009 by his second wife Sláva Roznerová.

Readers first meet Simone Lerrante, a Belgian war orphan, as a child refugee in Sussex, England, her memory damaged by trauma. This novel offers a kaleidoscopic vision of her fractured life and piecemeal understanding of self across multiple points of view. Following her from Cambridge to New York City and across the United States—through a disastrous marriage, thwarted desire, and the purgatory of academic backwaters—the novel charts Simone’s unexpected reconnection with her past, which provides both autonomy and inspiration for her future. Janet Burroway slowly reveals a multifaceted, fascinating protagonist, who observes her own life without always allowing herself to be immersed in it. Spanning seven decades, this story is both epic and contained, rewarding readers at every turn.

A piercing portrait of the Egyptian nation in upheaval in the 1960s—and a powerful critique of progress made at a human cost.

In the summer of 1965, a journalist newly released from prison finds himself stranded at the sprawling site of the Aswan High Dam, the flagship project of Gamal Abdel Nasser’s modern Egypt. Amid oppressive heat, unreliable transport, a mysterious epidemic, and the oppressive gaze of state surveillance, he confronts a dramatic transformation underway: villages erased, communities displaced, and a rich past disappearing beneath the waters of a new lake. As the journalist journeys south along the Nile, his observations illuminate a key moment in Cold War politics and a society wrestling with the promises and perils of progress.

Originally published in Arabic in 1974, Star of August is a masterwork by Sonallah Ibrahim—a writer who lived through these upheavals firsthand—and a timeless exploration of ideology, power, and the price of change.

The haunting, multigenerational saga of a family of Sámi women fighting the devastation of their way of life

Nothing is true, and everything is true; poetry will never hurt more than what has happened. Every summer, Iŋgá, her mother Rávdná, and her Aunt Ánne travel west to their village on the lake. But the summer Iŋgá is thirteen, they arrive to find their home and possessions have disappeared under water, the land flooded by a dam built to supply hydropower to a society that has continually stolen from them.

The Home of the Drowned follows these women’s fortunes over forty years—from 1942 to 1982—as the water their people have lived near for centuries is transformed into a menacing force that threatens all they hold dear. Defying the authorities, Rávdná decides to build a proper house on the lake to replace what was lost, becoming an unlikely activist even as her actions isolate her family from the rest of the community. Meanwhile, Ánne’s health is in decline, and a concerned Iŋgá merely longs to live like everyone else—an impossible wish when the Swedish state is relentlessly drowning her world.

Drawing on her own family’s history of forced relocation and violent colonial dispossession, Elin Anna Labba’s debut novel brings Sámi history to the fore through this intimate story. In poetic prose deftly translated by Elizabeth Clark Wessel, she reveals connections between land, water, and people that hauntingly reverberate with the question: what is it that makes a home?

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With their courageous and engaging critique of Communism in the 1950s, these critically acclaimed Slovak classics demask one of the founding myths of modern Slovakia.

The Hours and The Minutes was first published in Bratislava in 1956, the year of Nikita Khrushchev’s “secret speech,” in which the Soviet leader formally acknowledged Stalin’s tyranny and opened the way for political reform throughout the Eastern Bloc. Alfonz Bednár’s writing was one of the first free of nationalist and communist propaganda, rejecting earlier ideologization of life by both the fascist right and Stalinist left and finding more empathetic ways to explore the complexity of human experience. His novellas defy traditional heroic depictions and portray the human individual, his relations, and morality as the subject of history rather than a utopian, collectivist ideology.

In these five novellas, Bednár is preoccupied with the insensitive, even inhuman, rootless, and amoral modernity that the war and Communist Party import into traditional Slovak life. The destruction of the traditional Slovak countryside during the twentieth century through modernization and urbanization, and with it a particular approach to life, forms his central theme. His spare, epic style and devotion to plot and dynamic narration render The Hours and The Minutes a genuine and gripping read.

A doomed love story unfolds alongside the production of Psycho in 1950s Bakersfield, California

Muñoz’s debut novel tells the story of Teresa, an aspiring singer too far away from Los Angeles to share the city’s glamour. In Dan Watson, the most desirable man in town, she believes she has found someone to help her realize those dreams. But when a famous actress arrives from Hollywood with a legendary director in tow, local gossip about Teresa and Dan turns to speculation about the celebrity visitors there to work on what will become an iconic, groundbreaking film of madness and murder at a roadside motel: Alfred Hitchcock’s Psycho. Framed by a foreword from film critic Charles Taylor, Muñoz’s haunting tale reflects “the slow winding down of everything that once seemed certain.”