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4 books match the query 'Powerlessness'
Power and Powerlessness
Quiescence and Rebellion in an Appalachian ValleyJohn Gaventa
University of Illinois Press, 1980
Using Clear Fork Valley in central Appalachia as an empirical example, Gaventa attempts to discern the "hidden faces of power" - those forces which shape actions and consciousness in ways not readily apparent in formal American political processes. He seeks to clarify and expand upon past theories (by such writers as Bachrach and Lukes) on the nature and maintenance of power.
The region studied here is characterized by stark incongruity - the co-existence of massive natural wealth (coal and land) with pervasive human poverty attended by high unemployment, limited education, malnutrition, and the prevalent hazards of mining coal: black lung, dismemberment, death, and ecological ruin. This has been the region's status quo under the decades of domination by a British company and its absentee owners. Despite these departure conditions and frequently violent union struggles, culminating in the 1969 murder of UMW reformist Jock Yablonski, acquiescence to this status quo has been maintained. Gaventa searches out the answers to how and why wealth and poverty continue to coexist and the powerless continue to accede to the powerful. His astute analysis poses broader questions about the politics of poverty, working-class consciousness, and corporate power in America.
Sadomasochism in Everyday Life
The Dynamics of Power and PowerlessnessChancer, Lynn S.
Rutgers University Press, 1992
Lynn Chancer advances the provocative thesis that sadomasochism is far more prevalent in contemporary societies like the United States than we realize. According to Chancer, sexual sadomasochism is only the best-known manifestation of what is actually a much more broadly based social phenomenon. Moving from personal relationships to school, the workplace, and other interactions, Chancer uses a variety of examples that are linked by a recurrent pattern of behavior. She goes beyond the predominantly individualistic and psychological explanations generally associated with sadomasochism (including those popularized in the "how to" literature of the recent Women Who Love Too Much genre) toward a more sociological interpretation. Chancer suggests that the structure of societies organized along male-dominated and capitalistic lines reflects and perpetuates a sadomasochistic social psychology, creating a culture steeped in everyday experiences of dominance and subordination.
In the first part of the book, Chancer discusses the prevalence of sadomasochistic cultural imagery in contemporary America and examines sadomasochism through several perspectives. She develops a set of definitional traits both through existential analysis of an instance of S/M sex and by incorporating a number of Hegelian and psychoanalytic concepts. In the second part of the book, she places sadomasochism in a broader context by exploring whether and how it appears in the workplace and how it relates to gender and race.
Student Activism in Asia
Between Protest and PowerlessnessMeredith L. Weiss
University of Minnesota Press, 2012
Since World War II, students in East and Southeast Asia have led protest movements that toppled authoritarian regimes in countries such as Indonesia, South Korea, and Thailand. Elsewhere in the region, student protests have shaken regimes until they were brutally suppressed—most famously in China’s Tiananmen Square and in Burma. But despite their significance, these movements have received only a fraction of the notice that has been given to American and European student protests of the 1960s and 1970s. The first book in decades to redress this neglect, Student Activism in Asia tells the story of student protest movements across Asia.
Taking an interdisciplinary, comparative approach, the contributors examine ten countries, focusing on those where student protests have been particularly fierce and consequential: China, Japan, Hong Kong, Taiwan, South Korea, Indonesia, Burma, Malaysia, Thailand, and the Philippines. They explore similarities and differences among student movements in these countries, paying special attention to the influence of four factors: higher education systems, students’ collective identities, students’ relationships with ruling regimes, and transnational flows of activist ideas and inspirations.
The authors include leading specialists on student activism in each of the countries investigated. Together, these experts provide a rich picture of an important tradition of political protest that has ebbed and flowed but has left indelible marks on Asia’s sociopolitical landscape.
Contributors: Patricio N. Abinales, U of Hawaii, Manoa; Prajak Kongkirati, Thammasat U, Thailand; Win Min, Vahu Development Institute; Stephan Ortmann, City U of Hong Kong; Mi Park, Dalhousie U, Canada; Patricia G. Steinhoff, U of Hawaii, Manoa; Mark R. Thompson, City U of Hong Kong; Teresa Wright, California State U, Long Beach.
The Art of Diremption
On the Powerlessness of ArtLeonhard Emmerling
Seagull Books, 2021
One of the most astonishing aspects of the discourse on contemporary art is the firm and unwavering belief that art has the power to transform society for the better. There seems to be a consensus around the idea that art, especially visual art, is greatly suited to addressing all manner of social, political, economic, ecological, and other imbalances. Celebrated as a powerful remedy for social grievances, art finds its justification in the service it seems to provide to society.
But as art historian Leonhard Emmerling contends in this timely volume, this presumptuous heroism shows willful blindness towards art’s subjugation to contradictions inherent in social relations. He argues that the narrative of the power of art has its specific history. In trying to reconstruct this history in Art of Diremption, he discovers instead art’s fundamental powerlessness as the foundation for art’s political relevance. Art is weak, argues Emmerling. It, therefore, requires an ethics of weakness, which rejects the discourse of impact and power to enable a politics of art containing the permanence of reflection, the unreliability of thought, and the emergence of form as the event of the new. With a meticulously studied and well-argued case about the “powerlessness of art,” Art of Diremption will be an important contribution to the field of art, aesthetics, and philosophy.