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Prefaces to Unwritten Works is a collection of five essays, prefaces to books that Nietzsche never went on to write. Nietzsche himself put these prefaces together in the form of a small leather-bound, handwritten book, and gave that book to Cosima Wagner as a Christmas present in 1872. The dedicatory letter indicates that Nietzsche sent this little book to Cosima "in heartfelt reverence and as an answer to verbal and epistolary questions." As such, this work is a window into Nietzsche's relations with the Wagners at the height of their association, but it is also a continuation of Nietzsche's radical confrontation with Greek antiquity that had begun with the then-recently published Birth of Tragedy. The Wagners read Nietzsche's book of prefaces on the evening of New Year's Day 1873, and Cosima records in her diary five days later that at night, "again" she reflected about the essence of art as a consequence of Nietzsche's work. A month later, Cosima sent Nietzsche a letter encouraging him to write at least two of the books promised by his prefaces. 

Nietzsche did not go to write the books heralded by these prefaces, but the prefaces themselves provide substantial challenges of their own and intriguing clues as to the form and content of the books Nietzsche may have intended. Some of these prefaces are better known to students of Nietzsche than others and have attracted significant attention from scholars. The first essay is entitled On the Pathos of Truth, and it considers the relative value of truth and art for human life. The second essay, Thoughts on the Future of Our Educational Institutions, is the only preface in this collection regarding which Nietzsche did actually go on to write a book, albeit a book he did not publish (entitled On the Future of Our Educational Institutions, now available from St. Augustine's Press). This essay is a revised version of the preface Nietzsche wrote for that book, and the changes Nietzsche made are indicative of the plans he had for an improved version. The topic of the essay is almost entirely the art of careful reading. The third essay is entitled The Greek State, and it treats of the relation of slavery to culture and of the genius to the state. This essay is also an interpretation of Plato's Republic, in which Nietzsche claims to reveal everything he has "divined of this secret writing." The fourth essay, The Relation of Schopenhauerian Philosophy to a German Culture, neither assumes that there is in fact, at present, a German Culture, nor hardly mentions Schopenhauer at all, except to suggest that he is one about whom a culture could be built. The final essay is entitled Homer's Contest and is an exploration of the place of jealousy, strife, and agonistic competition in Greek culture. 

Together these five essays show Nietzsche's continuing exploration into the differences between modern human beings and the Greeks of classical antiquity. He boldly asks, "Why did the whole Greek world exult at the images of battle of the Iliad?" The answers he offers reveal the dark and harrowing insights of the ancient world and also the sometimes cruel and violent, but also perhaps psychically healthy, character of the ancient Greek. Nietzsche's attention to and concern with classical antiquity raises in each of these essays broad and universal questions about the relation of society and culture to genius. Culture, he says, "rests upon a terrifying ground." And underneath it all, and present with varying explicitness in all of the essays, lies the problem of humanity's relation to time. We see "every disappearing and perishing . . . with dissatisfaction" and yet, "Every moment devours the one that went before, every birth is the death of countless beings." 

This volume benefits from presenting all five prefaces together, translated literally and consistently. The appendices present preliminary drafts of various portions of the respective prefaces and a prolonged fragment Nietzsche wrote extending his thoughts from the Birth of Tragedy and containing text intimately related to some of the five prefaces.

An updated and expanded version of the original edition, published in 1998. That original edition went up through 1245. This new version extends to 1317 and adds two important prefaces. Praise for the First Edition “Both students and specialists can be grateful to the authors for this major contribution in English to the study of medieval canon law. It is a clear statement--one emphasized by the late John Gilchrist-that because of its critical importance in medieval life and culture canon law should not remain the obscure domain of specialists, but should be shared with students and non-specialists alike.” – The American Journal of Legal History “[A] learned and useful book, which for the first time assembles a body of canonistic prefaces, presents them in an accessible form, and provides students of medieval canonical thought with a valuable new resource for study and teaching.” – The Catholic Historical Review “This volume is an important and welcome addition to a field of studies where translations into English are few and far between. The breadth of the works selected, the quality of the translations, and the attention to detail that has long characterized the work of both editors make this a valuable resource for specialist and student alike.” – Church History “A welcome combination: a text that is informative for students and professionals alike. The translations succeed in rendering accessible to a general audience some otherwise highly inaccessible material. Somerville and Brasington are to be greatly commended for undertaking this very original enterprise and bringing it to successful parturition.” – Journal of Law and Religion “Somerville and Brasington have chosen to let their compilers and commentators speak for themselves. In doing so, they have had to wrestle with often obscure Latin and frequently less than satisfactory editions. That they succeed in making these texts intelligible through translation and annotation is no small feat.” – Sixteenth Century Journal “This is a significant, elegantly presented contribution to the field of theology, cultural history, and canon law.” – Theological Studies