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Popular culture remembers the settling of the Midwest as a golden era of unbounded opportunity, a time when every farm was a family farm and every farmer glowed with health. Pioneers in nineteenth-century Iowa, however, had to battle a formidable host of diseases during this golden era—malaria was endemic, smallpox and dysentery occurred in widespread epidemics, and typhoid, cholera, scarlet fever, and diphtheria had their seasons. Physicians in the growing Hawkeye State had little of the status and skill they command today, and herbalists, hydropaths, eclectics, Thomsonians, and homeopaths competed with purveyors of home remedies and patent medicines for their services.

The druggists of pioneer Iowa were artisan producers who compounded and prescribed botanical and chemical medicines, sold a variety of other merchandise from perfumes to paints, and dispensed the secret concoctions known as patent medicines, guaranteed to cure any condition, however alarming. In this compelling study, Lee Anderson tells the story of these early pharmacists and their hard-fought quest to legitimize their profession. While he confronts the politics of professionalism and the purpose of the pharmaceutical science and education, he also illuminates the mutual role of physicians and pharmacists in frontier health care.

With skill and humor, Anderson recreates an exciting time in midwestern history and provides insights into national issues of professionalism in medicine. His study will appeal to scholars in the history of medicine, pharmacy, and professionalism and to everyone interested in the history of the Midwest.

Must judges be trained as lawyers in order to be effective in office, or can nonlawyers serve equally well? This question has long provoked controversy among lawyers, judges, legislators, and the public. In her empirical study of the place of the nonlawyer judge in the American legal system, Doris Marie Provine concludes that, despite the opposition of the legal profession to nonlawyer judges, they are as competent as lawyers in carrying out judicial duties in courts of limited jurisdiction.

Provine presents a persuasive argument that the case against nonlawyer judges has been weighted in favor of the professional interests of lawyers, not public concerns. Her examination reveals as much about the presuppositions of legal professionals as it does about the competency of nonlawyer judges to old judicial office. To substantiate her claims, Provine has conducted the most comprehensive survey of nonlawyer and lawyer judges yet undertaken, augmenting this material with court observations and extensive interviews of judges. She integrates the results of this survey into the historical context of the lay versus lawyer judge debate, showing how the legally trained judge came to predominate in the American judicial system and analyzing in detail the campaign both in and out of the courts to make legal training a prerequisite for being a judge. Ultimately, Provine suggests, Americans are too committed to the significance of credentials and to the legal profession's vision of the judicial process to respond very favorably to nonlawyer judges, however well they might perform.

Judging Credentials will force lawyers, judges, scholars, and the public to reconsider the role nonlawyer judges play in the American judicial system. Provine's provocative views and exhaustive research adds new dimensions to our understanding of the ethics of professionalism and its consequences.

This new work explores the meaning and implications of professionalism as a form of social organization. Eliot Freidson formalizes professionalism by treating it as an ideal type grounded in the political economy; he presents the concept as a third logic, or a more viable alternative to consumerism and bureaucracy. He asks us to imagine a world where workers with specialized knowledge and the ability to provide society with especially important services can organize and control their own work, without directives from management or the influence of free markets.

Freidson then appraises the present status of professionalism, exploring how traditional and national variations in state policy and organization are influencing the power and practice of such professions as medicine and law. Widespread attacks by neoclassical economists and populists, he contends, are obscuring the social value of credentialism and monopolies. The institutions that sustain professionalism in our world are simply too useful to both capital and state to dismiss.

"A welcome contribution to the history of science in the South during the period since the Civil War. . . . By considering the academies in the larger context of scientific professionalism, South and North, Midgette has produced a surprisingly wide-ranging and informative study. This is overall a judicious and carefully researched work. The writing is straightforward and admirably clear, while the topic is effectively organized and presented. The book is a commendably original addition to local and regional history as well as history of American Science."
—Journal of American History

"Midgette’s study is thorough and well organized and should be consulted by anyone interested in American science and American higher education."
—Florida Historical Quarterly

"A very useful survey."
—Choice

In Tolerable Entertainment, Herman Melville's life and literary work serve as windows on the tumultuous world of antebellum New York City. Charting Melville's writings from Typee (1846) to Pierre (1852) as responses to his experience of living in the city, this book reveals the dramatic shifts in American life occurring at the time.

Perhaps more than any other nineteenth-century writer, Melville has been read and understood in the context of his career, embodied in a narrative of the trajectory from immature emergence, through brilliant ascendance, to collapse into neglect. Moving beyond these stereotypes, John Evelev uses Melville's writings to place the concept of "career" within a historical framework, as part of the ideological project of a new middle-class professionalism. He describes a meritocratic ethos of competitive specialization and expertise that distanced itself from both the deskilling of industrialized labor and the older professional arrangement of elite patronage. By exploring the intersections of class and culture in antebellum America, Evelev offers a new perspective on Melville's literary career.

Tolerable Entertainment reads Melville's life and work in relation to such cultural developments as the famous "high/low" theater riots at Astor Place and the rise of the lyceum circuit, a forum for celebrity lecturers to reach the new urban "middlebrow" audience. The book also considers such transformations in antebellum social attitudes as urban workers' protests against industrialization and the growth of the "self-culture" of the new urban middle class, with the emergence of vocational associations and professional specialization.

Evelev's readings run against the grain of modern Melville scholarship by emphasizing not the values of individualism and democracy that have led critics to construe Melville's writings as central to the American canon, but rather the ambivalent cultural and vocational distinctions of the developing middle class to which Melville belonged.

Through his columns in the New York Times and his numerous best-selling books, Stanley Fish has established himself as our foremost public analyst of the fraught intersection of academia and politics. Here Fish for the first time turns his full attention to one of the core concepts of the contemporary academy: academic freedom.
 
Depending on who’s talking, academic freedom is an essential bulwark of democracy, an absurd fig leaf disguising liberal agendas, or, most often, some in-between muddle that both exaggerates its own importance and misunderstands its actual value to scholarship. Fish enters the fray with his typical clear-eyed, no-nonsense analysis. The crucial question, he says, is located in the phrase “academic freedom” itself: Do you emphasize “academic” or “freedom”? The former, he shows, suggests a limited, professional freedom, while the conception of freedom implied by the latter could expand almost infinitely. Guided by that distinction, Fish analyzes various arguments for the value of academic freedom: Is academic freedom a contribution to society's common good? Does it authorize professors to critique the status quo, both inside and outside the university? Does it license and even require the overturning of all received ideas and policies? Is it an engine of revolution? Are academics inherently different from other professionals? Or is academia just a job, and academic freedom merely a tool for doing that job?
 
No reader of Fish will be surprised by the deftness with which he dismantles weak arguments, corrects misconceptions, and clarifies muddy arguments. And while his conclusion—that academic freedom is simply a tool, an essential one, for doing a job—may surprise, it is unquestionably bracing. Stripping away the mystifications that obscure academic freedom allows its beneficiaries to concentrate on what they should be doing: following their intellectual interests and furthering scholarship.