Results by title

2 books match the query 'Propaganda, Chinese'

cover of China Pop!: Pop Culture, Propaganda, Pacific Pop-Ups

China Pop!

Pop Culture, Propaganda, Pacific Pop-Ups

Sheng-mei Ma

The Ohio State University Press, 2024

In China Pop! Sheng-mei Ma analyzes the propaganda-laced millennial Chinese pop culture—particularly TV dramas, films, and web novels—that streams online for over one billion Sinophone consumers in China and in diaspora. In part 1, Ma lays bare the “seductive art of propaganda” by reviewing TV series aired during the Chinese Communist Party Centennial in 2021 and the ways pop culture and propaganda are spliced. In part 2, he zeroes in on how the shared traumatic shock of the Cultural Revolution continues to echo. Parts 3 and 4 cross the Pacific to incorporate analysis of media originating outside of China, such as white depictions of revolutionary zeal and Asian American portrayals of immigrant characters that fetishize Asianness and reanimate stereotypes.

With methodological daring, Ma challenges existing scholarship by blending the professional and the personal through a lively and accessible autotheoretical approach. China Pop! walks the East-West cultural tightrope to critique a wide range of pop culture from both sides of the Pacific and sheds new light on the workings of propaganda on its intended audiences and its wider, more subtle reaches in both political and cultural spheres.

[more]
cover of Negative Exposures: Knowing What Not to Know in Contemporary China

Negative Exposures

Knowing What Not to Know in Contemporary China

Margaret Hillenbrand

Duke University Press, 2020

When nations decide to disown their troubled pasts, how does this strategic disavowal harden into social fact? In Negative Exposures, Margaret Hillenbrand investigates the erasure of key aspects of such momentous events as the Nanjing Massacre, the Cultural Revolution, and the Tiananmen Square protests from the Chinese historical consciousness, not due to amnesia or censorship but through the operations of public secrecy. Knowing what not to know, she argues, has many stakeholders, willing and otherwise, who keep quiet to protect themselves or their families out of shame, pragmatism, or the palliative effects of silence. Hillenbrand shows how secrecy works as a powerful structuring force in Chinese society, one hiding in plain sight, and identifies aesthetic artifacts that serve as modes of reckoning against this phenomenon. She analyses the proliferation of photo-forms—remediations of well-known photographs of troubling historical events rendered in such media as paint, celluloid, fabric, digital imagery, and tattoos—as imaginative spaces in which the shadows of secrecy are provocatively outlined.
[more]