Results by title
5 books match the query 'Quilter, Jeffrey'
Cobble Circles and Standing Stones
Archaeology at the Rivas Site, Costa RicaJeffrey Quilter
University of Iowa Press, 2004
In this first-person tale of archaeological adventure in the tropical forest, Jeffrey Quilter tells the story of his excavation of Rivas, a great ceremonial center at the foot of the Talamanca Mountain range, which flourished between A.D. 900 and 1300, and its fabled gold-filled cemetery, the Panteón de La Reina. Beginning with the 1992 field season and ending with the last excavations in 1998, Quilter discusses Rivas’ builders and users, theories on chiefdom societies, and the daily interactions and surprises of modern archaeological fieldwork.
Writing in the first person with a balance between informal language and academic theory, Quilter concludes that Rivas was a ceremonial center for mortuary rituals to bury chiefly elite on the Panteón. Through use of his narrative technique, he provides the reader with accounts of discoveries as they occurred in fieldwork and the development of interpretations to explain the ancient refuse and cobble architecture his team uncovered. As his story progresses amid the enchantment of the Costa Rican landscape, research plans are adjusted and sometimes completely overturned as new discoveries, often serendipitous ones, are made. Such changing circumstances lead to new insights into the rise and fall of the people who built the cobble circles and raised the standing stones at Rivas, a thousand years ago.
The only book in English that focuses on a single archaeological site in Costa Rica, which continues to develop as a destination for archaeological tourism, Cobble Stones and Standing Circles will appeal to laypeople and professionals alike.
Writing in the first person with a balance between informal language and academic theory, Quilter concludes that Rivas was a ceremonial center for mortuary rituals to bury chiefly elite on the Panteón. Through use of his narrative technique, he provides the reader with accounts of discoveries as they occurred in fieldwork and the development of interpretations to explain the ancient refuse and cobble architecture his team uncovered. As his story progresses amid the enchantment of the Costa Rican landscape, research plans are adjusted and sometimes completely overturned as new discoveries, often serendipitous ones, are made. Such changing circumstances lead to new insights into the rise and fall of the people who built the cobble circles and raised the standing stones at Rivas, a thousand years ago.
The only book in English that focuses on a single archaeological site in Costa Rica, which continues to develop as a destination for archaeological tourism, Cobble Stones and Standing Circles will appeal to laypeople and professionals alike.
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Enduring Motives
The Archaeology of Tradition and Religion in Native AmericaLinea Sundstrom
University of Alabama Press, 2012
Enduring Motives examines tradition and religious beliefs as they are expressed in landscape, the built environment, visual symbols, stories, and ritual.
Bringing together archaeologists and Native American experts, this volume focuses on long-lived religious traditions of the native peoples of the Americas and how religion codifies, justifies, and reinforces these traditions by placing a high value on continuity of beliefs and practice.
Using clues from the archaeological record to piece together the oldest religions of the Americas, Enduring Motives is organized into four parts. Part 1 creates continuity through structure, iconography, and sacred stories that correspond to culture-specific symbolic representations of the universe. Part 2 explores the encoding of tradition in place and object, or how people use objects to enliven tradition and pass it on to future generations. Part 3 examines stability and change and shows how traditions can evolve over time without losing their core cultural significance. The final part recognizes deep-time traditions through the evidence of ancient cosmology and religious tradition.
Spanning cultures as diverse as the Aztec, Plains Indians, Hopi, Mississippian, and Southwest Pueblo, Enduring Motives brings to light new insights on ancient religious beliefs, practices, methods, and techniques, which allow otherwise intangible facets of culture to be productively explored.
Contributors
Wesley Bernardini / James S. Brown Jr. / Cheryl Claassen / John E. Clark / ArleneColman / Warren DeBoer /
Wesley Bernardini / James S. Brown Jr. / Cheryl Claassen / John E. Clark / ArleneColman / Warren DeBoer /
Robert L. Hall /Kelley Hays-Gilpin / Alice Beck Kehoe /John E. Kelly / Stephen H. Lekson / ColinMcEwan /
John Norder / Jeffrey Quilter /Amy Roe / Peter G. Roe / Linea Sundstrom
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Life And Death At Paloma
Practices In Peruvian VillageJeffrey Quilter
University of Iowa Press, 1989
Gold, pomp, and circumstances surrounded the mummies of Inca emperors, but the elaborate funerary rites at the end of prehistory were only part of a tradition that began thousands of years earlier. Life and Death at Paloma, the first in-depth treatment of burials from a preagricultural South American village, analyzes the life of its people during a revolutionary time in prehistory: the transition from a hunting-gathering-fishing way of life to a more sedentary horticultural society.
Drawing upon the data that he collected as part of the University of Missouri's excavations at Paloma, Jeffrey Quilter gives us the first study of preceramic Peruvian life through his analysis of this site's graves and contents. His extensively illustrated book is also the first attempt to infer social organization from such data for this period—circa 5000 to 2500 B.C.—in Peru. In addition, he presents the only available summary and discussion of the known preceramic interments from western South America.
Coastal Peru is one of the few New World regions where the early development of complex societies can be studied. Life and Death at Paloma will greatly assist such research by specialists in mortuary studies, in Andean prehistory, and in hunter-gatherer societies.
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Narrative Threads
Accounting and Recounting in Andean KhipuEdited by Jeffrey Quilter and Gary Urton
University of Texas Press, 2002
The Inka Empire stretched over much of the length and breadth of the South American Andes, encompassed elaborately planned cities linked by a complex network of roads and messengers, and created astonishing works of architecture and artistry and a compelling mythology—all without the aid of a graphic writing system. Instead, the Inkas' records consisted of devices made of knotted and dyed strings—called khipu—on which they recorded information pertaining to the organization and history of their empire. Despite more than a century of research on these remarkable devices, the khipu remain largely undeciphered.
In this benchmark book, twelve international scholars tackle the most vexed question in khipu studies: how did the Inkas record and transmit narrative records by means of knotted strings? The authors approach the problem from a variety of angles. Several essays mine Spanish colonial sources for details about the kinds of narrative encoded in the khipu. Others look at the uses to which khipu were put before and after the Conquest, as well as their current use in some contemporary Andean communities. Still others analyze the formal characteristics of khipu and seek to explain how they encode various kinds of numerical and narrative data.
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Picture Worlds
Storytelling on Greek, Moche, and Maya PotteryDavid Saunders
J. Paul Getty Trust, The, 2024
This abundantly illustrated volume is the first to explore the painted pottery of the ancient Greek, Moche, and Maya cultures side by side.
Satyrs and sphinxes, violent legumes, and a dancing maize deity figure in the stories painted on the pottery produced by the ancient Greek, Moche, and Maya cultures, respectively. Picture Worlds is the first book to examine the elaborately decorated terracotta vessels of these three distinct civilizations. Although the cultures were separated by space and time, they all employed pottery as a way to tell stories, explain the world, and illustrate core myths and beliefs. Each of these painted pots is a picture world. But why did these communities reach for pottery as a primary method of visual communication? How were the vessels produced and used? In this book, experts offer introductions to the civilizations, exploring these foundational questions and examining the painted imagery. Readers will be rewarded with a better understanding of each of these ancient societies, fascinating insights into their cultural commonalities and differences, and fresh perspectives on image making and storytelling, practices that remain vibrant to this day.
This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Villa from April 10 to July 29, 2024, and at the Michael C. Carlos Museum at Emory University from September 14 to December 15, 2024.
Satyrs and sphinxes, violent legumes, and a dancing maize deity figure in the stories painted on the pottery produced by the ancient Greek, Moche, and Maya cultures, respectively. Picture Worlds is the first book to examine the elaborately decorated terracotta vessels of these three distinct civilizations. Although the cultures were separated by space and time, they all employed pottery as a way to tell stories, explain the world, and illustrate core myths and beliefs. Each of these painted pots is a picture world. But why did these communities reach for pottery as a primary method of visual communication? How were the vessels produced and used? In this book, experts offer introductions to the civilizations, exploring these foundational questions and examining the painted imagery. Readers will be rewarded with a better understanding of each of these ancient societies, fascinating insights into their cultural commonalities and differences, and fresh perspectives on image making and storytelling, practices that remain vibrant to this day.
This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Villa from April 10 to July 29, 2024, and at the Michael C. Carlos Museum at Emory University from September 14 to December 15, 2024.
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