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The Case for Critical Literacy explores the history of reading within writing studies and lays the foundation for understanding the impact of this critical, yet often untaught, skill. Every measure of students’ reading comprehension, whether digital or analog, demonstrates that between 50 and 80 percent of students are unable to capture the substance of a full discussion or evaluate material for authority, accuracy, currency, relevancy, appropriateness, and bias.
 
This book examines how college-level instruction reached this point and provides pedagogical strategies that writing instructors and teachers can use to address the problem. Alice Horning makes the case for the importance of critical reading in the teaching of writing with intentionality and imagination, while sharing glimpses of her own personal history with reading and writing. Horning provides the context for understanding what college faculty face in their classrooms and offers a history of critical literacy that explains why, to date, it has mostly neglected or ignored the diverse statuses of students’ reading challenges.
 
The Case for Critical Literacy explores actionable options to better meet students’ literacy needs. College and university faculty, especially writing instructors, will benefit from an understanding of what has happened in the field and what needs to change.
 

Attuned to the subtle choreographies of the classroom, Gestural Listening In and Beyond the Classroom investigates how students and instructors show that they are listening to each other—and, sometimes, that they are not. While rhetorical scholarship traditionally focuses on speaking and writing, listening can also be understood as a rhetorical force that makes things happen. Listening has the power to move, bring about, cause, and catalyze. This conductive aspect of listening is its embodied manifestation—termed “gestural listening.”

Laura Feibush first traces the roots of embodied listening through cultural and rhetorical history and then uses findings from a classroom study to inform an insightful discussion of respect, resistance, and self-regulation as the key dynamics that characterize listening in contemporary educational spaces. She reveals how the gestures of listening refract across identity categories in ways that have surprising effects on how classroom participants respond to one another. This accessibly written book attends to hands and faces, nodding and note-taking, and the presence of phones and laptops, as well as other forms of nonverbal backchanneling, such as where people sit, when they interrupt, and when they engage in impactful quietness.

The power of gestural listening is not limited to the classroom. Its quiet yet profound influence can elucidate many sites of interaction: in-person and virtual academic settings as well as those far beyond the educational space, such as scenes of protest, worship, and performance. Gestural Listening In and Beyond the Classroom shows how, when understood as possessing its own repertoire of impressive and expressive capacities, listening emerges as a fascinating site of study and offers exercises, activities, and other materials to help educators, counselors, and all those engaging in communicative work enact a new awareness of gestural listening as a rhetorical force.

Reaching All Writers brings together decades of writing studies experience, research, and scholarship to help organize first-year writing courses around inclusive teaching practices and foundational concepts that support disciplinary learning for all college writers, including students who have been excluded from more selective higher-education institutions.
 
Using threshold concepts and transfer as a foundation, the authors provide an invaluable resource for multiple contexts: instructors working off the tenure track and/or at multiple institutions; two-year college programs without a writing program administrator; and writing program graduate teaching assistant training courses. Each chapter includes an overview of a threshold concept, disciplinary background readings, practical teaching strategies, assignment and learning activity ideas, assessment principles, examples from student and instructor perspectives, and questions for reflection and discussion.
 
Reaching All Writers describes effective teaching practices to help all college writing instructors, regardless of their institutional contexts, make changes that support equitable and inclusive learning opportunities—with a focus on teaching students whose backgrounds and learning experiences are different from those with more educational or economic privilege. Both new and experienced teachers adapting first-year college writing courses will find the book’s blend of practical strategies and disciplinary knowledge a useful companion for facilitating new classroom and program needs or designing new teaching assistant training courses.
 

A practical guide to teaching literacy in all its varied contexts.
 
Literacy education doesn’t just happen in schools, with young children. It can take place in many locations, and at many different points in people’s lives. Literacy educators, therefore, need flexibility and a deep toolbox to meet their students’ diverse needs, regardless of whether they work in traditional school and college settings or in other environments with varied populations. Teaching Literacy in Diverse Contexts shows how practical experiences can be used in creative ways to support educator development for teaching literacy in a global context. Mentorship between a developing literacy educator and an experienced teacher educator is central to the book, and to the practical experiences in training or professional development that it focuses on. Chapters share the creative solutions discovered during mentorship that supported developing literacy educators to teach with authenticity in a number of contexts, including the adult learning sector, a rural community in Africa, and alongside parents of very sick children. Together, the chapters build a crucial resource for preparing a broad range of literacy educators to teach literacy in many contexts where policy on how best to teach reading and writing to diverse student bodies ebbs and flows.

The Radical Case for Teaching Skim Reading in First-Year Writing encourages faculty, particularly in writing studies, to check internal biases toward deep reading and teach skim reading in first-year writing courses. Written by Ellen C. Carillo, who has previously published on the importance of teaching deep reading, this small book is a controversial prompt for further discussion and exploration.
 
Data from studies of the lived experiences of undergraduates indicate that students do not need deep reading practices in the majority of their classes across the disciplines and, moreover, that students succeed in their classes by skim reading. Rather than imagining an idealized set of circumstances that allow for sustained deep reading, as does a great deal of the scholarship on reading in writing studies, The Radical Case for Teaching Skim Reading in First-Year Writing argues for teaching students reading practices that will support their success in their college writing assignments rather than those strategies the field believes should support their success.
 
In our information landscape and our fragile democracy, encouraging skimming as opposed to deep reading may seem like a gamble—this very tendency toward the quick rather than the critical has undoubtedly contributed to the current crisis of mass misinformation. However, teaching students to use skim reading as a strategic tool for purposeful engagement and efficient yet thoughtful information filtering better equips them to navigate the rapidly changing information landscape and manage the fast-paced flow of content from diverse media sources.