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160 books match the query 'Reflections' and 17 start with a

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A Beautiful Sickness

Thomas Hauser

University of Arkansas Press, 2001

This is the second collection of articles on professional boxing to be published in book form by acclaimed writer Thomas Hauser. It offers unique insights into Muhammad Ali, George Foreman, Shane Mosely, Ray Jones Jr. and many more superstars, as well as an insider's critique of the sweet science today. Satirical, whimsical, and pungent, Hauser deftly maps the politics and poli-tricks of the world's only true universal sport.

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A Curious and Ingenious Art

Reflections on Daguerreotypes at Harvard

Melissa Banta

University of Iowa Press, 2000

Around the time Louis Jacques Mandé Daguerre perfected his method for fixing images on polished metal plates in 1839, Harvard was emerging as a modern research institution. Accordingly, the college began amassing vast collections for teaching and research. Among these collections in the university's libraries, museums, archives, and academic departments are some of the earliest photographic documents of American life: daguerreotypes.

A Curious and Ingenious Art brings together a representative sampling of Harvard's internationally significant but relatively unknown collection of daguerreotypes. Many of these images were made for, by, and of members of the university's community and have been in its holdings for more than 150 years. The collection includes the work of some of America's pioneering daguerreotypists, such as Mathew Brady, Southworth and Hawes, and John Adams Whipple. Most notably, the Harvard collection preserved for posterity such faces of the era as Oliver Wendell Holmes, Ralph Waldo Emerson, Harriet Beecher Stowe, Henry James, James McNeill Whistler, Dorothea Dix, Jenny Lind, and even Tom Thumb.

The university also seized upon photography as a tool of scientific research, stunningly exemplified in one of the first detailed daguerreotypes of the moon taken in 1851 as well as in images capturing the emergence of modern anesthesia. An unfortunate misuse of photography is recalled in the now famous slave daguerreotypes commissioned by natural historian Louis Agassiz, who believed in the theory of separate human species.

The Harvard collection represents the early history of photography and its social meaning. The accompanying essays explore the personal, telling histories behind the images, stories that unveil the reflections of individuals who searched for purpose and promise in the new medium.

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A Mandarin and the Making of Public Policy

Reflections

Tong Dow Ngiam

National University of Singapore Press, 2001

Singapore's success story has increasingly been recognised but few have told it from the perspective of an insider. As a senior civil servant and "mandarin" from 1959 to 1999, Ngiam Tong Dow served with the founding generation of political leaders and contributed to the country's economic growth. In this book, he reflects on these experiences, sharing personal anecdotes and perceptive insights of Singapore's early decades. He also boldly questions some of the policies of government and emerging trends in the country to suggest how Singapore must change to survive and thrive in the future.

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A North Country Almanac

Reflections of an Old-School Conservationist in a Modern World

Thomas C Bailey

Michigan State University Press, 2018

A North Country Almanac: Reflections of an Old-School Conservationist in a Modern World includes the musings of an independent mind on wilderness, the conservation ethic, and the joys of loving the outdoors. Although a lifelong conservationist, Thomas C. Bailey has never unquestioningly accepted environmental dogma. The essays here often challenge familiar assumptions about stewardship of natural resources. The former National Park ranger, fishing guide, and conservancy director offers a rich variety of perspectives on an interesting array of topics, returning always to his fundamental belief that conservation pioneers such as John Muir, Theodore Roosevelt, and Aldo Leopold had it right when they affirmed Walt Whitman’s observation that “the secret of making the best person . . . is to grow in the open air and to eat and sleep with the earth.”

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A People Numerous and Armed

Reflections on the Military Struggle for American Independence

John Shy

University of Michigan Press, 1990

A series of essays about the social, political, and intellectual dimensions of the Revolutionary War

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A Refuge of Lies

Reflections on Faith and Fiction

Cesareo Bandera

Michigan State University Press, 2013

Erich Auerbach’s seminal Mimesis: The Representation of Reality in Western Literature was published more than sixty years ago and is deservedly considered a classic. The book brought into focus the fundamental difference that exists between the two basic approaches to the textual representation of reality in Western culture. These two “styles,” as Auerbach called them, were archetypically displayed in Homer’s poems and in the Old Testament, respectively. Auerbach’s differentiation is the starting point for Bandera’s insightful work, which expands and develops on this theory in several key ways. One of the more significant differences between the two styles transcends and grounds all the others. It concerns the truth of each of the two archetypal texts, or rather, the attitude exhibited in those texts with regard to the truth of what they narrate. Auerbach, Bandera notes, is amazed at the Bible’s “passionate” concern for the truth of what it says—a concern he found absent in Homer. Bandera finds that what the prophet Isaiah called “a refuge of lies” defines Homer’s work. He draws on his own research and René Girard’s theory of the sacred to develop an enhanced perspective of the relationship between these texts.

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A Rough Sort of Beauty

Reflections on the Natural Heritage of Arkansas

Dana Steward

University of Arkansas Press, 2002

What does it mean to have a sense of place? Through history, memoir, poetry, and fiction, the writers of these essays answer this question in a variety of ways, giving us their collective history of natural Arkansas. They speak of the interrelationships of humans and nature, and of the struggles for balance between economic realities and landscape preservation. The book evokes the sheer physical diversity of the Natural State, from the Ozarks and the Boston Mountains to Crowley's Ridge, the Grand Prairie, and the Delta. But far more than mere geography, these are places of intense meaning: sites of enlightenment, conflict, comfort, and vivid experience. Rivers and mountains, plains and forests — these are shorthand terms for specific, beloved, storied places.

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A Suffragette in America

Reflections on Prisoners, Pickets and Political Change

Sylvia Pankhurst

Pluto Press, 2019

In 1911, leading English suffragette Sylvia Pankhurst visited America. Unlike other suffragette leaders, who spent their time in America among the social elite, Pankhurst wasted no time getting right to the heart of America’s social problems. She visited striking laundry workers in New York and female prisoners in Philadelphia and Chicago, and she grappled firsthand with shocking racism in Nashville.
This book gathers Pankhurst’s writings from the year-long visit, in which she reveals her shock at the darkness hidden in American life, and draws parallels to her experiences of imprisonment and misogyny in her own country. Never before published, these writings mark an important stage in the development of the suffragette's thought, which she brought back to Britain to inform the burgeoning suffrage campaign there.

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African Art Reframed

Reflections and Dialogues on Museum Culture

Bennetta Jules-Rosette and J. R. Osborn; Foreword by Simon Njami

University of Illinois Press, 2020

Once seen as a collection of artifacts and ritual objects, African art now commands respect from museums and collectors. Bennetta Jules-Rosette and J.R. Osborn explore the reframing of African art through case studies of museums and galleries in the United States, Europe, and Africa.

The authors take a three-pronged approach. Part One ranges from curiosity cabinets to virtual websites to offer a history of ethnographic and art museums and look at their organization and methods of reaching out to the public. In the second part, the authors examine museums as ecosystems and communities within communities, and they use semiotic methods to analyze images, signs, and symbols drawn from the experiences of curators and artists. The third part introduces innovative strategies for displaying, disseminating, and reclaiming African art. The authors also propose how to reinterpret the art inside and outside the museum and show ways of remixing the results.

Drawing on extensive conversations with curators, collectors, and artists, African Art Reframed is an essential guide to building new exchanges and connections in the dynamic worlds of African and global art.

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After the TRC

Reflections on Truth and Reconciliation

Wilmot James

Ohio University Press, 2001

Has South Africa dealt effectively with the past, and is the country ready to face the future? What are the challenges facing both government and civil society in the years ahead? These and other questions are explored in this collection of essays by international and local commentators on the Truth and Reconciliation Commission.

A range of perspectives on whether the TRC met its objectives of truth and reconciliation is presented. The areas of particular contention-the payment of reparation, the granting of amnesty, and memorialization-are also examined.

Finally, the major challenges facing South Africa are identified, and ways of meeting these challenges and developing the assets of the nation are explored.

Contributors: Haribert Adam, Kanya Adam, Alex Boraine, Colin Bundy, Mary Burton, John de Gruchy, Richard Goldstone, Willem Heath, Wilmot James, Jeffrey Lever, Mahmood Mamdani, Gary Minkley, Njabulo Ndebele, Dumisa Ntsebeza, Kaizer Nyatsumba, Grace Naledi Pandor, Mamphela Ramphele, Ciraj Rassool, Albie Sachs, Patricia Valdez, Linda van de Vijver, Jan van Eck, Frederik Van Zyl Slabbert, Charles Villa-Vicencio, Francis Wilson, and Leslie Witz

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Alaska

Reflections on Land and Spirit

Edited by Robert Hedin and Gary Holthaus

University of Arizona Press, 1989

This aptly named book contains 22 selections by John Muir, John McPhee, Barry Lopez, and others on Alaska and to some extent on the neighboring Yukon, accompanied by a small but evocative collection of photographs of Eskimos. The pieces, most of which are top-notch, vividly describe the harsh climate, the Arctic and sub-Arctic habitats, and the animals of Alaska, and tell the stories of the Native Americans and others who have made their home or worked in the North. This excellent sampler of some of the best writing on Alaska is recommended for academic and, especially, public libraries.

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Alien

Reflections on Being an Immigrant

Sandro Galea

University of Chicago Press, 2026

A personal treatise from distinguished social scientist Sandro Galea on the indelible effects of being an immigrant—and what it means for the greater good.

“I am one of the lucky ones,” writes Sandro Galea. Galea left home in Malta at fourteen with his parents and sister as the island was rocked by political turmoil. The family made their way to Canada and Galea, in turn, eventually made his way to the United States. This is the story of Galea’s long, surreal journey of forging a life in a series of new and unfamiliar places.

With spare and deeply affecting prose, Alien is a poignant exploration of what it means to build a life across borders—and why it’s important for all of us. Galea’s intimate and personal story frames the experience of being an immigrant in terms of its indelible lessons on adaptation, identity, belonging, and shared generosity. Galea also captures at once the joys and the uncertainties that define the process of uprooting one life to begin another abroad. His is a reflection on empathy, on precarity, and on the effect of immigrating, in which one becomes keenly aware of how quickly life—and the world—can change.

Blending philosophical inquiry and personal story, Alien bridges the gap between storytelling and scholarship and, in doing so, gifts us an essential aperture on the world not everyone experiences—and the value of having those who do.

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An Exile on Planet Earth

Articles and Reflections

Brian Aldiss

Bodleian Library Publishing, 2012

Brian Aldiss is one of the great figures in science fiction. Classics in the genre, his books serve as portals to other worlds, captivating readers with strange and shocking narratives that have been a force for further experimentation within the genre. In addition to a highly successful career as a writer of both fiction and science fiction, Aldiss is also an accomplished artist and literary critic.

An Exile on Planet Earth presents a selection of Aldiss’s essays that look back at the landmark events in his life. Writing with eloquence and raw honesty, Aldiss reveals unexpected connections between his life and literary work. From boarding school and boyhood summers spent alone at the shore comes the lonely boy playing on the beach in Walcot. The bitter break-up of Aldiss’s first marriage is revealed to be the inspiration behind the post-apocalyptic Greybeard, in which a nuclear accident results in a world without children. Exile is a recurring theme throughout Aldiss’s work, and the essays shed light on the ways in which he identified with this theme and constructed elaborate metaphors informed by it. Also included is Aldiss’s introduction to H. G. Wells’s War of the Worlds and an imagined conversation with English novelist Thomas Hardy.

For the many fans of Aldiss’s weird and wonderful work, An Exile on Planet Earth offers a look at the man behind the books and short stories, including new insights into the events that fueled his creative talent, as well as reflections on his place in the genre and the cultural significance of science fiction as a whole.

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An Outdoor Journal

Adventures and Reflections

Jimmy Carter

University of Arkansas Press, 1994

An Outdoor Journal, first published in 1988, is President Carter’s memoir of hunting and fishing and the meaning of nature, revealing much about a man who embodies “so much of what Americans claim to admire—self-reliance, honesty, humor, modesty, intelligence—the stuff of heroes” (The New York Times Book Review).

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Animal Passions and Beastly Virtues

Reflections on Redecorating Nature

Marc Bekoff, foreword by Jane Goodall

Temple University Press, 2005

What is it really like to be a dog? Do animals experience emotions like pleasure, joy, and grief? Marc Bekoff's work draws world-wide attention for its originality and its probing into what animals think about and know as well as what they feel, what physical and mental skills they use to live successfully within their social community. Bekoff's work, whether addressed to scientists or the general public, demonstrates that investigations into animal thought, emotions, self-awareness, behavioral ecology, and conservation biology can be compassionate as well as scientifically rigorous.In Animal Passions and Beastly Virtues, Bekoff brings together essays on his own ground-breaking research and on what scientists know about the remarkable range and flexibility of animal behavior. His fascinating and often amusing observations of dogs, wolves, coyotes, prairie dogs, elephants, and other animals playing, leaving and detecting scent-marks ("yellow snow"), solving problems, and forming friendships challenge the idea that science and the ethical treatment of animals are incompatible.

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Artist Scholar

Reflections on Writing and Research

G. James Daichendt

Intellect Books, 2012

Artist Scholar: Reflections on Writing and Research is part history, introduction, and discussion for artists and designers entering, graduating, and employed by the contemporary art academy in the United States. The evolution of art education in the university continues to expand in the 21st century as the variables of craft, skill, technique, theory, history and criticism shift and expand as the perspective of arts-based research is introduced into this professionalized environment. Given this context: what can M.F.A. students do to improve their understanding of writing and research without sacrificing their commitment to their studio art process?

Through a series of essays, the text argues for better writing at the M.F.A. level with the purpose of becoming better artists. By contextualizing art practice in the university and providing a foundation for future artist scholarship, it serves as an invitation to artist scholars to push their work further and develop the confidence to situate their art in the university context.

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