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This is volume 75-76 issue 1 of Res: Anthropology and Aesthetics. RES is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by art historians, archaeologists, philosophers, critics, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. In addition, RES seeks to make available textual and iconographic documents of importance for the history and theory of the arts.

This is volume 77-78 issue 1 of Res: Anthropology and Aesthetics. RES is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by art historians, archaeologists, philosophers, critics, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. In addition, RES seeks to make available textual and iconographic documents of importance for the history and theory of the arts.

This is volume 79-80 issue 1 of Res: Anthropology and Aesthetics. RES is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by art historians, archaeologists, philosophers, critics, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. In addition, RES seeks to make available textual and iconographic documents of importance for the history and theory of the arts.

This is volume 81-82 issue 1 of Res: Anthropology and Aesthetics. RES is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by art historians, archaeologists, philosophers, critics, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. In addition, RES seeks to make available textual and iconographic documents of importance for the history and theory of the arts.

This is volume 83 issue 1 of Res: Anthropology and Aesthetics. RES is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by art historians, archaeologists, philosophers, critics, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. In addition, RES seeks to make available textual and iconographic documents of importance for the history and theory of the arts.

This is volume 84 issue 1 of Res: Anthropology and Aesthetics. RES is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by art historians, archaeologists, philosophers, critics, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. In addition, RES seeks to make available textual and iconographic documents of importance for the history and theory of the arts.

This is volume 85 issue 1 of Res: Anthropology and Aesthetics. RES is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by art historians, archaeologists, philosophers, critics, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. In addition, RES seeks to make available textual and iconographic documents of importance for the history and theory of the arts.