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The life of I. J. 'Izzi' Wagner mirrors the development of Salt Lake City during the twentieth century—from poverty and obscurity to affluence and prominence. Wagner was born in poverty, but through hard work, wise management, and good luck, he built a fortune. He also changed the city for the better—leading the movement to eliminate overhead signs on Main Street, opening the southwest quadrant to controlled industrial development, ridding the city center of railroad tracks, funding the Rose Wagner Center for Performing Arts, and using his substantial influence to promote tolerance.

His sense of humor was legendary. His tenacity in pursuit of goals was unwavering. His grasp of past, present, and future opportunities was profound. Bags to Riches shows the personal side of an 'outsider' who became an 'insider' through congeniality, good humor, and integrity.

This collection investigates the culture and history of the Low Countries in the 16th and 17th centuries from both international and interdisciplinary perspectives. The period was one of extraordinary upheaval and change, as the combined impact of Renaissance, Reformation and Revolt resulted in the radically new conditions – political, economic and intellectual – of the Dutch Republic in its Golden Age. While many aspects of this rich and nuanced era have been studied before, the emphasis of this volume is on a series of interactions and interrelations: between communities and their varying but often cognate languages; between different but overlapping spheres of human activity; between culture and history. The chapters are written by historians, linguists, bibliographers, art historians and literary scholars based in the Netherlands, Belgium, Great Britain and the United States. In continually crossing disciplinary, linguistic and national boundaries, while keeping the culture and history of the Low Countries in the Renaissance and Golden Age in focus, this book opens up new and often surprising perspectives on a region all the more intriguing for the very complexity of its entanglements.

Art is very much part of Rupert Craine's life. He is a banker and country squire, but also a connoisseur and collector of art. His beautiful and wealthy wife, Jill, is the widow of John Arnander, an artist of genius killed in Italy in World War II. The Craines live happily on a comfortable country estate with Jill's twelve- and eleven-year-old sons by Arnander and their own two young children. As Jill remarks, an almost Edwardian order reigns in the household. "Of course," she says, "none of it may last."

That afternoon she has received a cable from an old acquaintance, an Italian marchesa. It seems that Arnander fathered an illegitimate son whom the archesa has been looking after. She can no longer do so and wants Jill to come and arrange the boy's future. The Crains hasten to Italy, Rupert going along to the preliminary interview with the marchesa, as he is suspicous that there may not really be an Arnander child, that this is a ruse to extract money.

The truth revealed to him by the marchesa is shattering, and the quintessentially civilized Craines find themselves plunged into an increasingly bizarre drama.

A century ago, Treadwell, Alaska, was a featured stop on steamship cruises, a rich, up-to-date town that was the most prominent and proud in all Alaska. Its wealth, however, was founded on the remarkably productive gold mines on Douglas Island, and when those caved in and flooded in the early decades of the twentieth century, Treadwell sank into relative obscurity. 

Treadwell Gold presents first-person accounts from the sons and daughters of the miners, machinists, hoist operators, and superintendents who together dug and blasted the gold that made Treadwell rich. Alongside these stories are vintage photos that capture both the industrial vigor of the mines and the daily lives that made up Treadwell society. The book will fascinate anyone interested in Alaskan history or the romance of gold mining’s past.