Results by title

This collection seeks to place Pudd’nhead Wilson—a neglected, textually fragmented work of Mark Twain’s—in the context of contemporary critical approaches to literary studies. The editors’ introduction argues the virtues of using Pudd’nhead Wilson as a teaching text, a case study in many of the issues presently occupying literary criticism: issues of history and the uses of history, of canon formation, of textual problematics, and finally of race, class, and gender.

In a variety of ways the essays build arguments out of, not in spite of, the anomalies, inconsistencies, and dead ends in the text itself. Such wrinkles and gaps, the authors find, are the symptoms of an inconclusive, even evasive, but culturally illuminating struggle to confront and resolve difficult questions bearing on race and sex. Such fresh, intellectually enriching perspectives on the novel arise directly from the broad-based interdisciplinary foundations provided by the participating scholars. Drawing on a wide variety of critical methodologies, the essays place the novel in ways that illuminate the world in which it was produced and that further promise to stimulate further study.

Contributors. Michael Cowan, James M. Cox, Susan Gillman, Myra Jehlen, Wilson Carey McWilliams, George E. Marcus, Carolyn Porter, Forrest Robinson, Michael Rogin, John Carlos Rowe, John Schaar, Eric Sundquist

Established barely a decade ago, the New Western History has retold the story of the American West from the point of view of the oppressed, colonized, and conquered. Scholars led by William Cronon, Patricia Nelson Limerick, Richard White, and Donald Worster have challenged the Turnerian myth of the frontier and have forced scholars to reexamine their understanding of the region. Now seven scholars in American Studies, English, women's studies, philosophy, and environmental studies take a closer look at the work of the New Western Historians. While recognizing that these revisionists have broken important new ground, they observe that many of their claims to uniqueness may be overstated and identify areas of investigation that may have been overlooked. These articles discuss the need to expand the horizons of the New Western History to include fiction, women's literature, racial categories, and works of writers such as Wallace Stegner who presaged the movement. They also argue for more serious consideration of popular culture as represented in western fiction and films and include an analysis of the New Western History's treatment of nature by two natural resource managers. The New Western History was first published as a special issue of the Arizona Quarterly: A Journal of American Literature, Culture, and Theory and is now being made available to a wider audience for the first time. It was named Best Special Issue in the 1997 Council of Editors of Learned Journals International Awards Competition and was cited for its interest to general readers. This collection of essays clearly shows that the response to the New Western History is both vigorous and mixed. It advances the lively and important discussion that the New Western Historians have set in motion and makes that debate accessible to anyone with an interest in the history of the West. CONTENTS
Introduction / Jerome Frisk and Forrest G. Robinson
The Theoretical (Re)Positions of the New Western History / Jerome Frisk
Clio Bereft of Calliope: Literature and the New Western History / Forrest G. Robinson
Literature, Gender Studies, and the New Western History / Krista Comer
Haunting Presences and the New Western History: Reading Repetition, Negotiating Trauma / Carl Gutiérrez Jones
The Problem of the "Popular" in the New Western History / Stephen Tatum
The New Western History: An Essay from the Woods (and Rangelands) / Sally K. Fairfax and Lynn Huntsinger