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When upstate New Yorker Mary Sojourner reluctantly agreed to visit the Grand Canyon of Arizona, she little suspected that she was about to lose her heart to the beauty of the Southwest, or that she would shortly find a passion for the land, and a cause in protecting it. She has since gained notoriety as an environmental writer and as a grass-roots activist protesting the heedless development of the Southwest's increasingly precious and embattled open spaces. The essays collected here reflect Sojourner's journey from greenhorn to old-timer, from tourist to committed defender of the land and the human communities that share it. She writes of exploring the deserts, forests, mountains, and river rapids of the Southwest, and of her love for this austere and ravishing landscape; of family, friends, and lovers; of the ways that development is destroying the Southwest's fragile beauty; and of the greed and spiritual emptiness that motivate much of this development. There is humor here, and adventure, and the intensity of a writer who confronts the world around her with bold candor and a lover's tender gaze.

Before the 1930s, landscapes of the American Southwest represented the migrant’s dream of a stable and bountiful homeland. Around the time of the Great Depression, however, the Southwest suddenly became integrated into a much larger economic and cultural system. Audrey Goodman examines how—since that time—these southwestern landscapes have come to reveal the resulting fragmentation of identity and community.

Through analyzing a variety of texts and images, Goodman illuminates the ways that modern forces such as militarization, environmental degradation, internal migration, and an increased border patrol presence have shattered the perception of a secure homeland in the Southwest. The deceptive natural beauty of the Southwest deserts shields a dark history of trauma and decimation that has remained as a shadow on the region’s psyche. The first to really synthesize such wide-ranging material about the effects of the atomic age in the Southwest, Goodman realizes the value of combined visual and verbal art and uses it to put forth her own original ideas about reconstructing a new sense of homeland.

Lost Homelands reminds us of the adversity and dislocation suffered by people of the Southwest by looking at the ways that artists, photographers, filmmakers, and writers have grappled with these problems for decades. In assessing the ruination of the region, however, Goodman argues that those same artists and writers have begun to reassemble a new sense of homeland from these fragments.

Ruin is an acclaimed 1954 novel by Italian Beppe Fenoglio. It's the story of Augustine Braida, a boy who serves the Rabino family, whose first-person account of life in Langhe paints a vivid portrait of  early twentieth-century Italian peasant life. Told with terrible humility and great force, it is a compassionate and harrowing narrative of peasant endurance in the face of overwhelming hardship.

Born into a working-class family in the town of Alba lying in that part of the Piedmont called LeLanghe, Beppe Fenoglio (1922-1963) belonged to the generation of young Italian writers whose works were molded by their World War II experience and the anti-Fascist Resistance many took part in. Fenoglio fought as a partisan against the German troops occupying Italy, and the major part of his literature is connected with the events of the time.

These poems consider the history of the Americas and their uncertain future, particularly regarding the danger of climate change, and suggest a line from colonialism toward a shattering “Apocalipsixtlán.”

A century ago, Treadwell, Alaska, was a featured stop on steamship cruises, a rich, up-to-date town that was the most prominent and proud in all Alaska. Its wealth, however, was founded on the remarkably productive gold mines on Douglas Island, and when those caved in and flooded in the early decades of the twentieth century, Treadwell sank into relative obscurity. 

Treadwell Gold presents first-person accounts from the sons and daughters of the miners, machinists, hoist operators, and superintendents who together dug and blasted the gold that made Treadwell rich. Alongside these stories are vintage photos that capture both the industrial vigor of the mines and the daily lives that made up Treadwell society. The book will fascinate anyone interested in Alaskan history or the romance of gold mining’s past.