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13 books match the query 'Russian'

cover of Configuring Topic and Focus in Russian

Configuring Topic and Focus in Russian

Tracy Holloway King

CSLI, 1995

This work examines word order. More accurately, it is the ordering of constituents that is discussed since prepositional phrases and most noun phrases form syntactic constituents and the encoding of topic and focus in Russian. As has long been observed, word order in Russian encodes specific discourse information: with neutral intonation, topics precede discourse-neutral constituents which precede foci. King extends this idea to show that word order encodes different types of topic and focus in a principled manner.
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cover of Dreaming in Russian: The Cuban Soviet Imaginary

Dreaming in Russian

The Cuban Soviet Imaginary

By Jacqueline Loss

University of Texas Press, 2013

The specter of the Soviet Union lingers in Cuba, yet until now there has been no book-length work on the ways Cubans process their country’s relationship with the Soviet bloc. Dreaming in Russian at last brings into the light the reality that for nearly three decades, the Soviet Union subsidized the island economically, intervened in military matters, and exported distinct pedagogical and cultural models to Cuba. Drawing on interviews with Cuban artists and intellectuals, as well as treasures from cinematographic and bibliographic archives, Jacqueline Loss delivers the first book to show that Cuba remembers and retains many aspects of the Soviet era, far from shedding those cultural facets as relics of the Cold War.

Weaving together intriguing, seldom-seen images, Dreaming in Russian showcases the ways in which Cuba’s relationship to its Soviet benefactors lingered after the disintegration of the U.S.S.R. in 1991. Analyzing numerous literary texts and works of visual art, Loss also incorporates aspects of architecture, popular culture, the space race, and other strands to create a captivating new perspective on Cuban society. Among the luminaries featured are poet Reina María Rodríguez, writer Antonio José Ponte, visual artist Tonel, and novelist Wendy Guerra. A departure from traditional cultural history, Loss’s approach instead presents a kaleidoscopic series of facets, reflecting the hybrid nature of the self-images that emerged in the aftermath of the Soviet aegis. As speculations about Cuba’s future under Fidel Castro’s heir apparent continue, the portrait that emerges in Dreaming in Russian is both timely and mesmerizing.

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cover of Exploring and Mapping Alaska: The Russian America Era, 1741-1867

Exploring and Mapping Alaska

The Russian America Era, 1741-1867

Alexey Postnikov and Marvin Falk

University of Alaska Press, 2015

Russia first encountered Alaska in 1741 as part of the most ambitious and expensive expedition of the entire eighteenth century. For centuries since, cartographers have struggled to define and develop the enormous region comprising northeastern Asia, the North Pacific, and Alaska. The forces of nature and the follies of human error conspired to make the area incredibly difficult to map.
Exploring and Mapping Alaska focuses on this foundational period in Arctic cartography.  Russia spurred a golden era of cartographic exploration, while shrouding their efforts in a veil of secrecy. They drew both on old systems developed by early fur traders and new methodologies created in Europe. With Great Britain, France, and Spain following close behind, their expeditions led to an astounding increase in the world’s knowledge of North America.
Through engrossing descriptions of the explorations and expert navigators, aided by informative illustrations, readers can clearly trace the evolution of the maps of the era, watching as a once-mysterious region came into sharper focus. The result of years of cross-continental research, Exploring and Mapping Alaska is a fascinating study of the trials and triumphs of one of the last great eras of historic mapmaking.
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cover of From Pushkin to Tolstoy: An Advanced Russian Reader

From Pushkin to Tolstoy

An Advanced Russian Reader

Konstantin Reichardt

University of Minnesota Press, 1944

From Pushkin to Tolstoy was first published in 1944. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.These selections, showing a wide variety of style, will acquaint advanced students of the Russian language with characteristics of the language used by some of the leading representatives of nineteenth-century Russian literature. All of these selections are either complete or can be understood or identified easily. Because the editor believes the student of Russian should try to become accustomed to the Russian accentuation and the use of larger dictionaries, word accents and a special glossary have not been given.
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cover of Hot Coal, Cold Steel: Russian and Ukrainian Workers from the End of the Soviet Union to the Post-Communist Transformations

Hot Coal, Cold Steel

Russian and Ukrainian Workers from the End of the Soviet Union to the Post-Communist Transformations

Stephen Crowley

University of Michigan Press, 1997

Well after the disintegration of the Communist Party and the Soviet state--and through several years of economic collapse--industrial workers in almost every sector of the former Soviet Union have remained quiescent and the same ineffective and unpopular trade unions still hold a virtual monopoly on worker's representation. Why? While many argue that labor is a central variable in the development of economic and political systems, little is known about workers in the states of the former Soviet Union since the fall of Communism. In a comparative study of two groups of industrial workers--the coal miners and steelworkers--at the end of the Soviet era, Stephen Crowley sheds light on where these workers have been and where they are going.
Coal miners in the final years of the Soviet Union effectively organized and led strikes which supported the end of Communism, even though their heavy subsidies would be threatened by capitalism. Steel workers, in contrast, did not effectively organize and strike. This pattern has continued under the new governments, with the coal miners effectively organized and seeking protection from the worst consequences of marketization, while the steel workers remain weakly organized despite deteriorating economic conditions.
Based on extensive on-site research including interviews with miners and steelworkers, labor leaders and plant managers, Crowley develops a detailed picture of the conditions under which workers organize. His findings have application beyond the conditions of post-Communist Russia and Ukraine to other societies undergoing fundamental change.
This book will be of interest to sociologists and political scientists interested in the role of labor in transitional societies, the patterns of organization of labor, as well as area specialists.
Stephen Crowley is Associate Professor of Political Science, Oberlin College.
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cover of Interpreting America: Russian and Soviet Studies of the History of American Thought

Interpreting America

Russian and Soviet Studies of the History of American Thought

John Ryder

Vanderbilt University Press, 1999

More scholarly works on the history of American philosophy have been completed in Russian than in any other language outside of our own; yet most of that body of work has not been translated or studied comprehensively. Consequently, Soviet-era efforts to understand American thought have remained almost entirely unknown to Western scholars.

In his pioneering new book Interpreting America John Ryder makes available for the first time to English-speaking readers Russian views of the full range of American philosophical thought: from seventeenth-century Puritanism through the colonial and revolutionary periods, nineteenth- century idealism, pragmatism, naturalism, and other twentieth-century movements and figures. Using his own accurate translations, he clearly reconstructs a chain of core ideas, emphasizes the most essential concepts of each writer's work, and gives a multidimensional reconstruction of the arguments of each author.

By taking mainstream Soviet philosophical commentators like Baskin, Bogomolov, Karimsky, Melvil, Pokrovsky, Sidorov, and Yulina seriously and letting them speak for themselves, Ryder shows not only what Soviet philosophers and scholars thought of American philosophy (and why they were so interested in the first place) but also the nuances of the internal disagreements among Soviet thinkers about what American philosophers were saying. He also reveals a strong continuity between contemporary, post-Soviet Russian philosophy and earlier Soviet work.

Perhaps no other book has ever explored in such a systematic manner the ways in which one philosophical system has regarded another. Ryder's revealing study of how others have viewed us helps to clarify the depth, richness, and complexity of our own American philosophical heritage.

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cover of Only Among Women: Philosophies of Community in the Russian and Soviet Imagination, 1860–1940

Only Among Women

Philosophies of Community in the Russian and Soviet Imagination, 1860–1940

Anne Eakin Moss

Northwestern University Press, 2020

Only Among Women reveals how the idea of a community of women as a social sphere ostensibly free from the taint of money, sex, or self-interest originated in the classic Russian novel, fueled mystical notions of unity in turn-of-the-century modernism, and finally assumed a privileged place in Stalinist culture, especially cinema.
 
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cover of Politicizing Magic: An Anthology of Russian and Soviet Fairy Tales

Politicizing Magic

An Anthology of Russian and Soviet Fairy Tales

Balina/Goscilo/Lipovetsky

Northwestern University Press, 2005

A compendium of folkloric, literary, and critical texts that show how the Russian fairy tale acquired political and historical meanings during the Soviet era

We were born to make fairy tales come true. As one of Stalinism's more memorable slogans, this one suggests that the fairy tale figured in Soviet culture as far more than a category of children's literature. How much more-and how cannily Russian fairy tales reflect and interpret Soviet culture, especially in its utopian ambitions-becomes clear for the first time in Politicizing Magic, a compendium of folkloric, literary, and critical texts that demonstrate the degree to which ancient fairy-tale fantasies acquired political and historical meanings during the catastrophic twentieth century.
Introducing Western readers to the most representative texts of Russian folkloric and literary tales, this book documents a rich exploration of this colorful genre through all periods of Soviet literary production (1920-1985) by authors with varied political and aesthetic allegiances. Here are traditional Russian folkloric tales and transformations of these tales that, adopting the didacticism of Soviet ideology, proved significant for the official discourse of Socialist Realism. Here, too, are narratives produced during the same era that use the fairy-tale paradigm as a deconstructive device aimed at the very underpinnings of the Soviet system. The editors' introductory essays acquaint readers with the fairy-tale paradigm and the permutations it underwent within the utopian dream of Soviet culture, deftly placing each-from traditional folklore to fairy tales of Socialist Realism, to real-life events recast as fairy tales for ironic effect-in its literary, historical, and political context.
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cover of Russians in Alaska: 1732-1867

Russians in Alaska

1732-1867

Lydia Black

University of Alaska Press, 2004

Black's work challenges the standard perspective on the Russian period in Alaska as a time of unbridled exploitation of Native inhabitants and natural resources. Without glossing over the harsher aspects of the period, Black acknowledges the complexity of relations between Russians and Native peoples.

She chronicles the lives of ordinary men and women, the merchants and naval officers, laborers and clergy, who established Russian outposts in Alaska. These early colonists carried with them the Orthodox faith and the Russian language; their legacy endures in architecture and place names from Baranof Island to the Pribilofs.

This deluxe volume features fold-out maps and color illustrations of rare paintings and sketches from Russian, American, Japanese, and European sources, many have never before been published. An invaluable source for historians and anthropologists, this accessible volume brings to life a dynamic period in Russian and Alaskan history. A tribute to Black's life as a scholar and educator, Russians in Alaska will become a classic in the field.

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cover of Slavic Excursions: Essays on Russian and Polish Literature

Slavic Excursions

Essays on Russian and Polish Literature

Donald Davie

University of Chicago Press, 1991

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cover of Until Death Do Us Part: The Letters and Travels of Anna and Vitus Bering

Until Death Do Us Part

The Letters and Travels of Anna and Vitus Bering

Edited by Peter Ulf Møller and Natasha Okhotina Lind

University of Alaska Press, 2008

Eighteenth-century Danish explorer Vitus Bering led historic expeditions to the Russian Far East and Alaska under the patronage of Peter the Great, and his wife Anna Christina accompanied him on his expedition to Okhotsk in 1739. The sixteen letters that they wrote over the following year make up the core of this volume, which features facing-page translations from the original German. The documents offer an intimate look into eighteenth-century customs, as well as the explorer’s family life and daily routine. Also featured is an inventory of goods that Anna Christina brought back to Moscow after Bering’s death in 1742, revealing key insights into the types of goods available in Russia at the time. Until Death Do Us Part is a richly informative volume that will be essential for all those interested in European history and travel writing.
 
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cover of Up from Bondage: The Literatures of Russian and African American Soul

Up from Bondage

The Literatures of Russian and African American Soul

Dale E. Peterson

Duke University Press, 2000

During the nineteenth century, literate Russians and educated American blacks encountered a dominant Western narrative of world civilization that seemed to ignore the histories of Slavs and African Americans. In response, generations of Russian and black American intellectuals have asserted eloquent counterclaims for the cultural significance of a collective national “soul” veiled from prejudiced Western eyes. Up from Bondage is the first study to parallel the evolution of Russian and African American cultural nationalism in literary works and philosophical writings.
Illuminating a remarkably widespread cross-pollination between the two cultural and intellectual traditions, Dale E. Peterson frames much of his argument around W. E. B. DuBois’s concept of “double-consciousness,” wherein members of an oppressed section of society view themselves simultaneously through their own self-awareness and through the internalized standards of the dominant culture. He shows how the writings of Dostoevsky, Hurston, Chesnutt, Turgenev, Ellison, Wright, Gorky, and Naylor—texts that enacted and described this sense of double awareness—were used both to perform and to contest the established genres of Western literacy. Woven through Peterson’s textual analyses is his consideration of cultural hybridism and its effects: The writers he examines find multiple ways to testify to and challenge the symptoms of postcolonial trauma. After discussing the strong and significant affinity expressed by contemporary African American cultural theorists for the dialogic thought of Russian linguist Mikhail Bakhtin, Peterson argues that a fuller appreciation of the historic connection between the two cultures will enrich the complicated meanings of being black or Russian in a world that has traditionally avoided acknowledging pluralistic standards of civilization and cultural excellence.
This investigation of comparable moments in the development of Russian and African American ethnic self-consciousness will be valuable to students and scholars of comparative literature, philosophy, cultural theory, ethnicity, linguistics, and postcolonialism, in addition to Slavic and African American studies.
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cover of Vocabulary of Soviet Society and Culture: A Selected Guide to Russian Words, Idioms, and Expressions of the Post-Stalin Era, 1953–1991

Vocabulary of Soviet Society and Culture

A Selected Guide to Russian Words, Idioms, and Expressions of the Post-Stalin Era, 1953–1991

Irina H. Corten

Duke University Press, 1992

Irina H. Corten's Vocabulary of Soviet Society and Culture is an experiment in what Soviet scholars call lingvostranovedenie—the study of a country and its culture through the peculiarities of its language. Not a conventional dictionary, Corten's lexicon is selective, offering a broad sampling of culturally significant words in the areas of politics, ideology, the economy, education, arts and letters, social problems and everyday life as well as language associated with the personalities and activities of individual Soviet leaders.
The entries are listed alphabetically in English transliteration followed by the Cyrillic, although readers familiar with Russian may prefer to use the Cyrillic alphabet listing included in this volume. In each entry, the author provides a succinct but full explanation of the term and, whenever possible, cross-references to other entries, authentic examples of its use, and samples of relevant Soviet jokes. A reader may approach the lexicon either sequentially or with the aid of a subject thesaurus that divides the material into specific topics. A listing of complementary sources of reference appears in a useful bibliography.
With this fascinating lexicon of "Sovietisms," Corten provides an invaluable and easily accessible medium for those general readers and scholars of the Russian language and Soviet culture interested in understanding contemporary Soviet life.

Selected entries from the Vocabulary of Soviet Society and Culture

Anekdótchik (anekdótchitsa) (cyrillic spelling) (n.)
1: A person who tells jokes (anekdoty); 2: coll. since the late Stalin era, a person arrested and given a prison sentence for the telling of political jokes. The phenomenon indicates the important role of the political joke in Soviet culture and, specifically, in the dissident movement. See iazychnik; sident.

The following jokes were popular during the Brezhnev era:
1. "Comrade Brezhnev, what is your hobby?"
"Collecting jokes about myself."
"And how many have you collected so far?"
"Two and a half labor camps."
2. Question: What is a marked-down joke?
Answer: A joke which, under Stalin, got you ten years in a labor camp, and now gets you only five.

egoístiki (cyrillic) (n.; pl.). Lit., little egotists; coll. since the 1970s referring to headsets worn by music lovers, especially teenage fans of rock music. The idea is that, by wearing headsets, one shuts out the world and becomes indifferent to everything except oneself.

zhrál'nia (cyrillic) (n.). Der. zhrat', to gorge, devour (vulg.); coll. since the 1970s denoting an eating establishment with inexpensive and often bad-tasting food. In the late 1980s, the term also has been applied to new fast-food restaurants which have been built in Soviet cities by Western concerns, for example, McDonald's. See amerikanka; stekliashka; stoiachka.

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