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Cinco Becknell is the story of a homeless man with no memory. Locked in the emptiness of his mind is a secret, a past, which will either keep him alive or get him killed. 

As Cinco staggers through a dangerous journey of rediscovery, he is hunted by psychopaths who want to kill him, and he has no idea why; he is shadowed by a woman who may keep him alive—or not; and he is finally helped by another woman who can bring back to him the light he looks for—if he can stay alive. But he is running out of time, and people around him are dying, always violently. 

Gradually, he begins to understand the true, brutal, nature of himself and of the darkness of his past. But it is a past, and a present, that he may never fully understand. 

This novel, based on generations of violent, local family history, is set in the underbelly of the pseudo-glitzy streets of Santa Fe, New Mexico.

In the early twentieth century, a group of elite East coast women turned to the American Southwest in search of an alternative to European-derived concepts of culture. In Culture in the Marketplace Molly H. Mullin provides a detailed narrative of the growing influence that this network of women had on the Native American art market—as well as the influence these activities had on them—in order to investigate the social construction of value and the history of American concepts of culture.
Drawing on fiction, memoirs, journalistic accounts, and extensive interviews with artists, collectors, and dealers, Mullin shows how anthropological notions of culture were used to valorize Indian art and create a Southwest Indian art market. By turning their attention to Indian affairs and art in Santa Fe, New Mexico, she argues, these women escaped the gender restrictions of their eastern communities and found ways of bridging public and private spheres of influence. Tourism, in turn, became a means of furthering this cultural colonization. Mullin traces the development of aesthetic worth as it was influenced not only by politics and profit but also by gender, class, and regional identities, revealing how notions of “culture” and “authenticity” are fundamentally social ones. She also shows how many of the institutions that the early patrons helped to establish continue to play an important role in the contemporary market for American Indian art.

This book will appeal to audiences in cultural anthropology, art history, American studies, women’s studies, and cultural history.

From 2004 to 2009, the Albuquerque Journal North ran the ¡ÓRALE! SANTA FE column by Santa Fe native and veteran journalist Arnold Vigil. The editor gave carte blanche to Vigil in his selection of topics ranging from encounters with locals and tourists to social commentary about changes that have taken place over the years. Vigil’s local perspective and humorous insights about Santa Fe, its inhabitants, and visitors struck a chord with readers—native Nuevomexicanos and long-time residents alike. Despite its popularity, the column was discontinued as a result of the economic downturn.