Results by title

Considers Gilman’s place in American literary and social history by examining her relationships to other prominent intellectuals of her era

By placing Charlotte Perkins Gilman in the company of her contemporaries, this collection seeks to correct misunderstandings of the feminist writer and lecturer as an isolated radical. Gilman believed and preached that no life is ever led in isolation; indeed, the cornerstone of her philosophy was the idea that “humanity is a relation.”
 
Gilman's highly public and combative stances as a critic and social activist brought her into contact and conflict with many of the major thinkers and writers of the period, including Mary Austin, Margaret Sanger, Ambrose Bierce, Grace Ellery Channing, Lester Ward, Inez Haynes Gillmore, William Randolph Hearst, Karen Horney, William Dean Howells, Catharine Beecher, George Bernard Shaw, and Owen Wister. Gilman wrote on subjects as wide ranging as birth control, eugenics, race, women's rights and suffrage, psychology, Marxism, and literary aesthetics. Her many contributions to social, intellectual, and literary life at the turn of the 20th century raised the bar for future discourse, but at great personal and professional cost.
 

A compelling critical investigation into Gilman’s conception of setting and place

Charlotte Perkins Gilman and a Woman’s Place in America is a pioneering collection that probes how depictions of space, confinement, and liberation establish both the difficulty and necessity of female empowerment. Turning Victorian notions of propriety and a woman’s place on its ear, this finely crafted essay collection studies Gilman’s writings and the manner in which they push back against societal norms and reject male-dominated confines of space.

The contributors present fascinating and innovative readings of some of Gilman’s most significant works. By examining the settings in “The Yellow Wallpaper” and Herland, for example, the volume analyzes Gilman’s construction of place, her representations of male dominance and female subjugation, and her analysis of the rules and obligations that women feel in conforming to their assigned place: the home.
 
Additionally, this volume delineates female resistance to this conformity. Contributors highlight how Gilman’s narrators often choose resistance over obedient captivity, breaking free of the spaces imposed upon them in order to seek or create their own habitats. Through biographical interpretations of Gilman’s work that focus on the author’s own renouncement of her “natural” role of wife and mother, contributors trace her relocation to the American West in an attempt to appropriate the masculinized spaces of work and social organization.
 
Engaging, well-researched, and deftly written, the essays in this collection will appeal to scholars of Gilman, literature, and gender issues alike.

Julian Hawthorne (1846-1934), Nathaniel Hawthorne's only son, lived a long and influential life marked by bad circumstances and worse choices. Raised among luminaries such as Thoreau, Emerson, and the Beecher family, Julian became a promising novelist in his twenties, but his writing soon devolved into mediocrity.

What talent the young Hawthorne had was spent chasing across the changing literary and publishing landscapes of the period in search of a paycheck, writing everything from potboilers to ad copy. Julian was consistently short of funds because--as biographer Gary Scharnhorst is the first to reveal--he was supporting two households: his wife in one and a longtime mistress in the other.

The younger Hawthorne's name and work ethic gave him influence in spite of his haphazard writing. Julian helped to found Cosmopolitan and Collier's Weekly. As a Hearst stringer, he covered some of the era's most important events: McKinley's assassination, the Galveston hurricane, and the Spanish-American War, among others.

When Julian died at age 87, he had written millions of words and more than 3,000 pieces, out-publishing his father by a ratio of twenty to one. Gary Scharnhorst, after his own long career including works on Mark Twain, Oscar Wilde, and other famous writers, became fascinated by the leaps and falls of Julian Hawthorne. This biography shows why.

Twain scholar Michael J. Kiskis opens this fascinating new exploration of Twain with the observation that most readers have no idea that Samuel Clemens was the father of four and that he lived through the deaths of three of his children as well as his wife. In Mark Twain at Home: How Family Shaped Twain’s Fiction, Kiskis persuasively argues that not only was Mark Twain not, as many believe, “antidomestic,” but rather that home and family were the muse and core message of his writing.
 
Mark Twain was the child of a loveless marriage and a homelife over which hovered the constant specter of violence. Informed by his difficult childhood, orthodox readings of The Adventures of Tom Sawyer and Adventures of Huckleberry Finn frame these canonical literary figures as nostalgic—autobiographical fables of heroic individualists slipping the bonds of domestic life.
 
Kiskis, however, presents a wealth of biographical details about Samuel Clemens and his family that reinterpret Twain’s work as a robust affirmation of domestic spheres of life. Among Kiskis’s themes are that, as the nineteenth century witnessed high rates of orphanhood and childhood mortality, Clemens’s work often depicted unmoored children seeking not escape from home but rather seeking the redemption and safety available only in familial structures. Similarly, Mark Twain at Home demonstrates that, following the birth of his first daughter, Twain began to exhibit in his writing an anxiety with social ills, notably those that affected children.
 
In vigorous and accessible descriptions of Twain’s life as it became reflected in his prose, Kiskis offers a compelling and fresh understanding of this work of this iconic American author. 

Whether he was taking us along for a journey down the Mississippi with a couple of runaways or delivering speeches on the importance of careful lying, Mark Twain had an innate ability to captivate readers and listeners alike with his trademark humor and sarcasm. Twain never lacked for material, either, as his strong opinions regarding most issues gave him countless opportunities to articulate his thoughts in the voice that only he could provide.

The great writer’s irascible wit shines in this comprehensive collection

Mark Twain: The Complete Interviews is an annotated and indexed scholarly edition of every known interview with Mark Twain. In these interviews that span his entire career, Twain discusses matters as varied as his lecture style, his writings, and his bankruptcy, while holding forth on such timeless issues as human nature, politics, war and peace, government corruption, humor, race relations, imperialism, international copyright, the elite, and his impressions of other writers.

These interviews are oral performances in their own right and a new basis for evaluating contemporary responses to Twain’s writings. The interviews are records of verbal conversations rather than texts written in Twain’s hand. Four interviews are new to scholarship; fewer than a fifth have ever been reprinted.
.

 

After a troubled career as a student at Yale, Sinclair Lewis turned to literature as his livelihood, publishing numerous works of popular fiction that went unnoticed by critics. With the 1920s, however, came Main Street, Lewis’s first critical success, which was soon followed by Babbitt, Arrowsmith, Elmer Gantry, and Dodsworth—five of the most influential social novels in the history of American letters, all written within one decade.

 

Nevertheless, Lewis’s Nobel Prize for Literature in 1930 led to controversy. Writers such as Theodore Dreiser, William Faulkner, and Thomas Mann expressed their dissent with the decision. Unable to match his previous success, Lewis suffered from alcoholism, alienated colleagues, and embraced unpopular political positions. The nadir for Lewis’s literary reputation was Mark Schorer’s 1961 biography, Sinclair Lewis: An American Life, which helped to legitimize the dismissal of Lewis’s entire body of work.

 

Recent scholarly research has seen a resurgence of interest in Lewis and his writings. The multiple and varied perspectives found in Sinclair Lewis Remembered, edited by Gary Scharnhorst and Matthew Hofer, illustrate uncompromised glimpses of a complicated writer who should not be forgotten. The more than 115 contributions to this volume include reminiscences by Upton Sinclair, Edna Ferber, Alfred Harcourt, Samuel Putnam, H. L. Mencken, John Hersey, Hallie Flanagan, and many others.

This book begins the first multi-volume biography of Samuel Clemens to appear in over a century. In the succeeding years, Clemens biographers have either tailored their narratives to fit the parameters of a single volume or focused on a particular period or aspect of Clemens’s life, because the whole of that epic life cannot be compressed into a single volume. In The Life of Mark Twain, Gary Scharnhorst has chosen to write a complete biography plotted from beginning to end, from a single point of view, on an expansive canvas.
 
With dozens of Mark Twain biographies available, what is left unsaid? On average, a hundred Clemens letters and a couple of Clemens interviews surface every year. Scharnhorst has located documents relevant to Clemens’s life in Missouri, along the Mississippi River, and in the West, including some which have been presumed lost. Over three volumes, Scharnhorst elucidates the life of arguably the greatest American writer and reveals the alchemy of his gifted imagination.

Choice Outstanding Academic Title for 2020

The second volume of Gary Scharnhorst’s three-volume biography chronicles the life of Samuel Langhorne Clemens between his move with his family from Buffalo to Elmira (and then Hartford) in spring 1871 and their departure from Hartford for Europe in mid-1891.

During this time he wrote and published some of his best-known works, including Roughing It, The Gilded Age, The Adventures of Tom Sawyer, A Tramp Abroad, The Prince and the Pauper, Life on the Mississippi,Adventures of Huckleberry Finn, and A Connecticut Yankee in King Arthur’s Court.

Significant events include his trips to England (1872–73) and Bermuda (1877); the controversy over his Whittier Birthday Speech in December 1877; his 1878–79 Wanderjahr on the continent; his 1882 tour of the Mississippi valley; his 1884–85 reading tour with George Washington Cable; his relationships with his publishers (Elisha Bliss, James R. Osgood, Andrew Chatto, and Charles L. Webster); the death of his son, Langdon, and the births and childhoods of his daughters Susy, Clara, and Jean; as well as the several lawsuits and personal feuds in which he was involved. During these years, too, Clemens expressed his views on racial and gender equality and turned to political mugwumpery; supported the presidential campaigns of Grover Cleveland; advocated for labor rights, international copyright, and revolution in Russia; founded his own publishing firm; and befriended former president Ulysses S. Grant, supervising the publication of Grant’s Memoirs.

The Life of Mark Twain is the first multi-volume biography of Samuel Clemens to appear in more than a century and has already been hailed as the definitive Twain biography.

Never one to suffer fools gladly, especially if they wore crinolines, Mark Twain lost as many friends as he made, and he targeted them all indiscriminately. The first major American writer born west of the Mississippi River, he enjoys a reputation unrivaled in American literary history, and from the beginning of his career he tried to control that reputation by fiercely protecting his public persona. Not a debunking account of Twain’s life but refreshingly immune from his relentless image making, Gary Scharnhorst’s Twain in His Own Time offers an anecdotal version of Twain’s life over which the master spin-doctor had virtually no control.

The ninety-four recollections gathered in Twain in His Own Time form an unsanitized, collaborative biography designed to provide a multitude of perspectives on the iconic author. Opening with an interview with his mother that has never been reprinted, it includes memoirs by his daughters and by men who knew him when he was roughing it in Nevada and California, an interview with the pilot who taught him to navigate the Mississippi River, reminiscences from his illustrators E. M. Kemble and Dan Beard and two of his so-called adolescent angelfish, contributions from politicians and from such literary figures as Dan De Quille and George Bernard Shaw, and one of the most damning assessments of his character—by the author Frank Harris—ever published.

Each entry is introduced by a brief explanation of its historical and cultural context; explanatory notes provide further information about people and places; and Scharnhorst’s introduction and chronology of Twain’s eventful life are comprehensive and detailed. Dozens of lively primary sources published incrementally over more than eighty years, most recorded after his death, illustrate the complexities of this flamboyant, outspoken personality in a way that no single biographer could.