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10 books match the query 'Secret History'

cover of Improbable Patriot: The  Secret History of  Monsieur de  Beaumarchais, the French  Playwright Who Saved  the American Revolution

Improbable Patriot

The Secret History of Monsieur de Beaumarchais, the French Playwright Who Saved the American Revolution

Harlow Giles Unger

Brandeis University Press, 2026

The compelling story of a little-known figure in the American Revolution, now available in paperback for the first time, with a new foreword by Iris de Rode.
 
In 1776, the playwright and inventor Pierre-Augustin Caron de Beaumarchais (1732–99) conceived an audacious plan to send aid to the American rebels. What’s more, he convinced King Louis XVI to bankroll the project and single-handedly carried it out. By war’s end, he had supplied Washington’s army with most of its weapons and powder, though he was never paid or acknowledged by the United States. To some, he was a dashing hero, a towering intellect who saved the American Revolution. To others, he was a pure rogue, a double-dealing adventurer who stopped at nothing to advance his fame and fortune. In fact, he was both, and more: an advisor to kings, an arms dealer, and an author of some of the most enduring works of the stage, including The Marriage of Figaro and The Barber of Seville. Now in paperback, Improbable Patriot introduces readers to an unrecognized power player in the Revolutionary War.
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cover of Improbable Patriot: The Secret History of Monsieur de Beaumarchais, the French Playwright Who Saved the American Revolution

Improbable Patriot

The Secret History of Monsieur de Beaumarchais, the French Playwright Who Saved the American Revolution

Harlow Giles Unger

University Press of New England, 2011

Pierre-Augustin Caron de Beaumarchais was an eighteenth-century French inventor, famed playwright, and upstart near-aristocrat in the court of King Louis XVI. In 1776, he conceived an audacious plan to send aid to the American rebels. What’s more, he convinced the king to bankroll the project, and singlehandedly carried it out. By war’s end, he had supplied Washington’s army with most of its weapons and powder, though he was never paid or acknowledged by the United States. To some, he was a dashing hero—a towering intellect who saved the American Revolution. To others, he was pure rogue—a double-dealing adventurer who stopped at nothing to advance his fame and fortune. In fact, he was both, and more: an advisor to kings, an arms dealer, and author of some of the most enduring works of the stage, including The Marriage of Figaro and The Barber of Seville.
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cover of Inside the Klavern: The Secret History of a Ku Klux Klan of the 1920s

Inside the Klavern

The Secret History of a Ku Klux Klan of the 1920s

Edited by David A. Horowitz

Southern Illinois University Press, 1999

Inside the Klavern is an annotated collection of the minutes of a thriving Ku Klux Klan in La Grande, Oregon, between 1922 and 1924. The most complete set of Klan minutes ever uncovered, these documents illustrate the inner workings of a Klan chapter of more than three hundred members at a time when the national membership reached into the millions and the Invisible Empire was at the peak of its power. Through an extensive introduction and conclusion as well as brief notes previewing each installment of the minutes, David A. Horowitz places these unique documents in historical perspective.

The La Grande minutes demonstrate Klan hostility to Roman Catholics, Jews, blacks, and "hyphenated" Americans. But they also explain how the chapter exercised requirements for admission, how officers were selected, and how Klansmen encountered difficulties enforcing the moral standards of their order. Because the Klan kligrapp (recording secretary) Harold R. Fosner recorded not only the official proceedings but also volunteered extemporaneous comments and gossip, readers get a genuine feeling for what it was like to attend the meetings. Through his own obvious excitement and commitment to the cause, Fosner re-creates the flavor, tone, and atmosphere of these meetings: "Tis beyond my power of expression to relate the harmony and fellowship which reigned supreme. . . . Suffice to say that these were the golden moments of our lives."

His evaluation of Klan propaganda, too, is telling: "The weekly newsletter from Atlanta, Georgia, contained a little book, the official message of our emperor, one Col. William Joseph Simmons, read before the most noble band of men ever assembled and for the noblest cause in the world. To my firm belief this book is the leading masterpiece of our day and age."

Horowitz concludes that "although it is tempting to judge Jazz Age Klansmen by the standards of later generations, the story provided by the minutes is a complex one—a chronicle of both compassion and complicity in cruelty, of positive social accomplishment and arbitrary and dysfunctional divisiveness."

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cover of Pulp Empire: The Secret History of Comic Book Imperialism

Pulp Empire

The Secret History of Comic Book Imperialism

Paul S. Hirsch

University of Chicago Press, 2021

Winner of the Popular Culture Association's Ray and Pat Browne Award for Best Book in Popular or American Culture

In the 1940s and ’50s, comic books were some of the most popular—and most unfiltered—entertainment in the United States. Publishers sold hundreds of millions of copies a year of violent, racist, and luridly sexual comics to Americans of all ages until a 1954 Senate investigation led to a censorship code that nearly destroyed the industry. But this was far from the first time the US government actively involved itself with comics—it was simply the most dramatic manifestation of a long, strange relationship between high-level policy makers and a medium that even artists and writers often dismissed as a creative sewer. In Pulp Empire, Paul S. Hirsch uncovers the gripping untold story of how the US government both attacked and appropriated comic books to help wage World War II and the Cold War, promote official—and clandestine—foreign policy and deflect global critiques of American racism.

As Hirsch details, during World War II—and the concurrent golden age of comic books—government agencies worked directly with comic book publishers to stoke hatred for the Axis powers while simultaneously attempting to dispel racial tensions at home. Later, as the Cold War defense industry ballooned—and as comic book sales reached historic heights—the government again turned to the medium, this time trying to win hearts and minds in the decolonizing world through cartoon propaganda.

Hirsch’s groundbreaking research weaves together a wealth of previously classified material, including secret wartime records, official legislative documents, and caches of personal papers. His book explores the uneasy contradiction of how comics were both vital expressions of American freedom and unsettling glimpses into the national id—scourged and repressed on the one hand and deployed as official propaganda on the other. Pulp Empire is a riveting illumination of underexplored chapters in the histories of comic books, foreign policy, and race.
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cover of Red Leviathan: The Secret History of Soviet Whaling

Red Leviathan

The Secret History of Soviet Whaling

Ryan Tucker Jones

University of Chicago Press, 2022

A revealing and authoritative history that shows how Soviet whalers secretly helped nearly destroy endangered whale populations, while also contributing to the scientific understanding necessary for these creatures’ salvation.
 
The Soviet Union killed over six hundred thousand whales in the twentieth century, many of them illegally and secretly. That catch helped bring many whale species to near extinction by the 1970s, and the impacts of this loss of life still ripple through today’s oceans. In this new account, based on formerly secret Soviet archives and interviews with ex-whalers, environmental historian Ryan Tucker Jones offers a complete history of the role the Soviet Union played in the whales’ destruction. As other countries—especially the United States, Great Britain, Japan, and Norway—expanded their pursuit of whales to all corners of the globe, Stalin determined that the Soviet Union needed to join the hunt. What followed was a spectacularly prodigious, and often wasteful, destruction of humpback, fin, sei, right, and sperm whales in the Antarctic and the North Pacific, done in knowing violation of the International Whaling Commission’s rules. Cold War intrigue encouraged this destruction, but, as Jones shows, there is a more complex history behind this tragic Soviet experiment. Jones compellingly describes the ultimate scientific irony: today’s cetacean studies benefited from Soviet whaling, as Russian scientists on whaling vessels made key breakthroughs in understanding whale natural history and behavior. And in a final twist, Red Leviathan reveals how the Soviet public began turning against their own country’s whaling industry, working in parallel with Western environmental organizations like Greenpeace to help end industrial whaling—not long before the world’s whales might have disappeared altogether.
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cover of Secret History

Secret History

Procopius

University of Michigan Press, 1961

Written with passion and personal malice, the Secret History of Procopius is a scathing indictment of the emperor Justinian and his sixth-century Byzantine court. Never has there been a more calculated attempt to ruin an entire reign in the eyes of posterity. Procopius writes of:
. . . How the Great General Belisarius was hoodwinked by his wife, whose lover became a monk.
. . . How Theodora, most depraved of all empresses, won Justinian's love.
. . . How she saved five hundred harlots from a life of sin, made off with her own natural son, and other curious incidents of her passion.
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cover of Secret History: Poems

Secret History

Poems

David Barber

Northwestern University Press, 2020

In David Barber’s third collection of poetry, the past makes its presence felt from first to last. Drawing on a wealth of eclectic sources and crafted in an array of nonce forms, these poems range across vast stretches of cultural and natural history in pursuit of the forsaken, long-gone, and unsung. 

Here is the stuff of lost time unearthed from all over: ballyhoo and murder ballad, the lacrimarium and the xylotheque, the Game of Robbers and the Indian Rope Trick, the obsolete o’o, the old-school word hoard, sunshowers and beaters and breaker boys. Here, to mark the twilight of print and type, are gleanings and borrowings from a mixed bag of throwback bound volumes: The Magic Moving Picture Book, Mandeville’s Travels, The Golden Bough, Franklin Arithmetic, The Millennial Laws of the Shakers, A Conjuror’s Confessions. 

Here too are guiding spirits whose like will not pass this way again: Cab Calloway at the Cotton Club; Henry Walter Bates in darkest Amazon; George Catlin among the Choctaw; Little Nemo in Slumberland; Yogi Berra in all his oracular glory. Reveling in vernacular lingo of every vintage even while brooding on dark ages without end, Secret History chronicles a world of long shadows and distant echoes that bears more than a passing resemblance to our own.

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cover of The Secret History of Emotion: From Aristotle's Rhetoric to Modern Brain Science

The Secret History of Emotion

From Aristotle's Rhetoric to Modern Brain Science

Daniel M. Gross

University of Chicago Press, 2006

Princess Diana’s death was a tragedy that provoked mourning across the globe; the death of a homeless person, more often than not, is met with apathy. How can we account for this uneven distribution of emotion? Can it simply be explained by the prevailing scientific understanding? Uncovering a rich tradition beginning with Aristotle, The Secret History of Emotion offers a counterpoint to the way we generally understand emotions today.
 
Through a radical rereading of Aristotle, Seneca, Thomas Hobbes, Sarah Fielding, and Judith Butler, among others, Daniel M. Gross reveals a persistent intellectual current that considers emotions as psychosocial phenomena. In Gross’s historical analysis of emotion, Aristotle and Hobbes’s rhetoric show that our passions do not stem from some inherent, universal nature of men and women, but rather are conditioned by power relations and social hierarchies. He follows up with consideration of how political passions are distributed to some people but not to others using the Roman Stoics as a guide. Hume and contemporary theorists like Judith Butler, meanwhile, explain to us how psyches are shaped by power. To supplement his argument, Gross also provides a history and critique of the dominant modern view of emotions, expressed in Darwinism and neurobiology, in which they are considered organic, personal feelings independent of social circumstances.
 
The result is a convincing work that rescues the study of the passions from science and returns it to the humanities and the art of rhetoric.

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cover of The Water Kingdom: A Secret History of China

The Water Kingdom

A Secret History of China

Philip Ball

University of Chicago Press, 2017

From the Yangtze to the Yellow River, China is traversed by great waterways, which have defined its politics and ways of life for centuries. Water has been so integral to China’s culture, economy, and growth and development that it provides a window on the whole sweep of Chinese history. In The Water Kingdom, renowned writer Philip Ball opens that window to offer an epic and powerful new way of thinking about Chinese civilization.

Water, Ball shows, is a key that unlocks much of Chinese culture. In The Water Kingdom, he takes us on a grand journey through China’s past and present, showing how the complexity and energy of the country and its history repeatedly come back to the challenges, opportunities, and inspiration provided by the waterways. Drawing on stories from travelers and explorers, poets and painters, bureaucrats and activists, all of whom have been influenced by an environment shaped and permeated by water, Ball explores how the ubiquitous relationship of the Chinese people to water has made it an enduring metaphor for philosophical thought and artistic expression. From the Han emperors to Mao, the ability to manage the waters ― to provide irrigation and defend against floods ― was a barometer of political legitimacy, often resulting in engineering works on a gigantic scale. It is a struggle that continues today, as the strain of economic growth on water resources may be the greatest threat to China’s future.

The Water Kingdom offers an unusual and fascinating history, uncovering just how much of China’s art, politics, and outlook have been defined by the links between humanity and nature.
 
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cover of Time-Fetishes: The Secret History of Eternal Recurrence

Time-Fetishes

The Secret History of Eternal Recurrence

Ned Lukacher

Duke University Press, 1999

For over two and a half millennia human beings have attempted to invent strategies to “discover” the truth of time, to determine whether time is infinite, whether eternity is the infinite duration of a continuous present, or whether it too rises and falls with the cycles of universal creation and destruction. Time-Fetishes recounts the history of a tradition that runs counter to the dominant tradition in Western metaphysics, which has sought to purify eternity of its temporal character. From the pre-Socratics to Ovid and Plotinus, and from Shakespeare to Hegel, Schelling, Nietzsche, Heidegger, and Derrida, Time-Fetishes traces the secret tradition of the idea of eternal recurrence and situates it as the grounding thought of Western philosophy and literature.
The thinkers in this counter-history of the eternal return lingered long enough on the question of time to learn how to resist separating eternity from time, and how to reflect on the possible identity of time and eternity as a way of resisting all prior metaphysical determinations. Drawing out the implications of Nietzsche’s reinvention of the doctrine of return, Lukacher ranges across a broad spectrum of ancient and modern thinkers. Shakespeare’s role in this history as the “poet of time” is particularly significant, for not only does Shakespeare reactivate the pre-Christian arguments of eternal return, he regards them, and all arguments and images concerning the essence of time and Being, from an inimitably ironic perspective.
As he makes transitions from literature to philosophy and psychoanalysis, Lukacher displays a theoretical imagination and historical vision that bring to the forefront a host of pre- and post-Christian texts in order to decipher in them an encounter with the thought of eternal recurrence that has been too long buried under layers of rigid metaphysical interpretation.


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