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As companions to the first and second volumes in the American Food in History series we offer selections of recipes, updated and tested by food editor Jennifer Billock, using measurements and techniques that modern readers can use in their own kitchen. Arranged by main meal occasions (breakfast, picnic or lunch, dinner, dessert) these recipes—some familiar, some curious, all intriguing—will allow family and friends to get a “taste of the times” with their own “Civil War era” meals. The original versions of these recipes (and many more) can be found in Food in the Civil War Era: The North and Food in the Civil War Era: The South, edited by Helen Zoe Veit, along with fascinating essays about the history and the times.

As companions to the first and second volumes in the American Food in History series we offer selections of recipes, updated and tested by food editor Jennifer Billock, using measurements and techniques that modern readers can use in their own kitchen. Arranged by main meal occasions (breakfast, picnic or lunch, dinner, dessert) these recipes—some familiar, some curious, all intriguing—will allow family and friends to get a “taste of the times” with their own “Civil War era” meals. The original versions of these recipes (and many more) can be found in Food in the Civil War Era: The North and Food in the Civil War Era: The South, edited by Helen Zoe Veit, along with fascinating essays about the history and the times.

A selection of Leroi-Gourhan’s most important texts—many translated into English for the first time.

André Leroi-Gourhan is undoubtedly one of the most acclaimed figures of twentieth-century anthropology and archaeology. In France, his intellectual importance rivals that of the Claude Lévi-Strauss, yet Leroi-Gourhan’s major contributions are almost entirely unknown in the Anglophone world. This collection seeks to change that. This selection highlights some of his chief influences, such as elaborating a theory of technology, which argues that material culture focuses on the object in use and how use is a dynamic feature that has specific consequences for human evolution and human society. With serious ramifications for our understanding of material culture, putting Leroi-Gourhan’s thinking about technology into English will have an immediate and transformative impact on material culture studies.

This collection of texts is designed to supplement those currently available for use in courses on Hellenistic poetry. Most have never before appeared in a similar collection; several have only recently been discovered. The individual commentaries have been written by the leading international scholars on Hellenistic poetry, and are designed to help the reader with more difficult aspects of the language, as well as to provide some basic guidance to each poem’s literary value and relevant scholarship.

The text of each poem is presented, together with basic help on obscure vocabulary, morphology, dialect, meter, syntax, and similar philological issues. The modern commentators also offer guidance on a poem’s literary significance and a brief introduction to the scholarship.

Among the 44 named and anonymous poets represented here are Apollonius of Rhodes, Archimedes, Aristotle, Callimachus, Cercidas, Corinna, Eratosthenes, Erinna, Ezekiel, Hermesianax, Herodas, Lycophron, and Phanocles.

Contributors to the volume in addition to David Sider include: Silvia Barbantani, James Clauss, Dee Clayman, Christophe Cusset, Claudio De Stefani, Marco Fantuzzi, Andrew Ford, Kathryn Gutzwiller, Johanna Hanink, Regina Hoeschele, Richard Hunter, David Konstan, Pauline LeVen, Kelly MacFarlane, Enrico Magnelli, Jackie Murray, Pura Nieto, Maria Noussia, Douglas Olson, Floris Overduin, Richard Rawles, Ralph Rosen, Chad Schroeder, Alexander Sens, Evina Sistakou, Michael Tueller, and Athanassios Vergados.

Although designed primarily as a textbook for graduate students and upper-level undergraduates, the book offers texts and subsidiary information not easily found (if at all) elsewhere. Since Latin poets made constant allusion to Hellenistic poetry, it will also be an important resource for Latinists.

Commonly viewed as a revolutionary and propagandist Herman Gorter (1864–1927) is often overlooked despite his lasting contribution to Dutch poetry. This selection of thirty-one poems, translated by Paul Vincent, focuses on Gorter’s experimental love and nature lyrics in Poems of 1890, and the Introduction sets the poems in the context of his earlier seminal work 'Mei' (May) as well as his often neglected Socialist verse. The lyrical expansiveness, consistent use of rhyme and vivid imagery of the Dutch landscape that characterises 'Mei' evolves into more fragmentary verse in Poems of 1890, and the joyful celebratory tone of Gorter’s poetry increasingly co-exists with a sense of isolation and introspection. This can be viewed in the context of a rapidly changing political scene in Europe in the prelude to the First World War and the Russian Revolution. This is a valuable collection that revisits Gorter’s literary and political legacy, and introduces English-speaking readers to a selection of his most accessible and lyrical poems

Late one night in July, 1963, a South African police unit surrounded the African National Congress headquarters in Rivonia and arrested a group of Movement leaders gathered inside. Eventually eight of them, including Nelson Mandela, who was already serving a sentence, Walter Sisulu, Dennis Goldberg, Govan Mbeki, Raymond Mhlaba, Elias Motsoledi, Andrew Mangeni, and Ahmed Kathrada, were convicted of sabotage and, on June 12, 1964, sentenced to life in prison. Soon, these men became widely known as the "Rivonia Trialists." Despite their imprisonment, the Trialists played active roles in the struggle against South Africa's racist regime. Instead of being forgotten, as apartheid officials had hoped, they became enduring symbols in a struggle against injustice and racism. 
     Kathrada and his colleagues were classified as high security prisoners, segregated from others and closely watched. Every activity was regulated and monitored. Among the many indignities visited upon them, the prisoners were prohibited from keeping copies of incoming and outgoing correspondence. Kathrada, or "Kathy" as he is known, successfully hid both. 
     Letters From Robben Island contains a selection of 86 of the more than 900 pieces of correspondence Ahmed Kathrada wrote during his 26 years on Robben Island and at Pollsmoor Prison. Some were smuggled out by friends; others were written in code to hide meaning and content from prison censors. These are among his most poignant, touching, and eloquent communications. They are testimonies to Kathrada, his colleagues, and to their commitment to obtaining human dignity and freedom for all South Africans.

In a literature where recognition is hard earned, this anthology demonstrates what distinguishes contemporary Bolivian fiction and poetry from the rest of Latin American writing and shows clearly how Bolivian writers relate to that tradition.

Bolivia is a landlocked nation of mountains and high, arid plains, a place native writer Jesús Urzagasti calls the “Land of Silence.” This crucible of indigenous and European influences has contributed to the creation of a writing style that is always down-to-earth, often grittily realistic.

From this fundamental base, Bolivian writers express provincial customs and values, decry political oppression, and sound universal themes of isolation, even resignation; but, more often, they show the will to move forward as a people. This rich thematic mix encourages what critic Edgar Lora has called the “dynamic and vigorous social dis course” and the resulting “subversive, militant, and revolutionary” qualities of Bolivian literature.

Editor Sandra Reyes has gathered a panoramic sampling of twenty two poets and eighteen fiction writers. Focusing predominantly on living, practicing writers, this anthology defines the current literary voice of Bolivia and gives us a distillation of the contemporary Bolivian consciousness.

Finalist, 1998 National Book Critics Circle Awards 



A Library Journal Best Poetry of 1998 Selection

Pamela White Hadas won enthusiastic recognition for her early books of poetry, Designing Women and Beside Herself. In Self-Evidence, she selects the best of her published work and combines it with poems never before collected. This collection contains legendary, mythic, historical, and imaginary characters--Lilith, Pocahontas, Simone Weil, the wives of Watergate, a circus performer, and others. With playful originality and virtuoso voicing, Hadas weaves breathtaking tapestries of women's loves and labors.

The Nature of Selection is a straightforward, self-contained introduction to philosophical and biological problems in evolutionary theory. It presents a powerful analysis of the evolutionary concepts of natural selection, fitness, and adaptation and clarifies controversial issues concerning altruism, group selection, and the idea that organisms are survival machines built for the good of the genes that inhabit them.

"Sober's is the answering philosophical voice, the voice of a first-rate philosopher and a knowledgeable student of contemporary evolutionary theory. His book merits broad attention among both communities. It should also inspire others to continue the conversation."-Philip Kitcher, Nature

"Elliott Sober has made extraordinarily important contributions to our understanding of biological problems in evolutionary biology and causality. The Nature of Selection is a major contribution to understanding epistemological problems in evolutionary theory. I predict that it will have a long lasting place in the literature."-Richard C. Lewontin

Harking from the golden age of fiction set in American suburbia—the school of John Updike and Cheever—this work from the great American humorist Peter De Vries looks with laughter upon its lawns, its cocktails, and its slightly unreal feeling of comfort. Without a Stitch in Time, a selection of forty-six articles and stories written for the New Yorker between 1943 and 1973, offers pun-filled autobiographical vignettes that reveal the source of De Vries’s nervous wit: the cognitive dissonance between his Calvinist upbringing in 1920s Chicago and the all-too-perfect postwar world. Noted as much for his verbal fluidity and wordplay as for his ability to see humor through pain, De Vries will delight both new readers and old in this uproarious modern masterpiece.