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An exploration of the regulatory and coercive roles played by church courts in England during the seventeenth century.

Religion meant far more in early modern England than church on Sundays, a baptism, a funeral, or a wedding ceremony. The Church was fully enmeshed in the everyday lives of the people, their morals, and religious observance. It imposed comprehensive regulations on its flock focused on such issues as sex before marriage, adultery, and receiving the sacrament, and it employed an army of informers and bureaucrats, headed by a diocesan chancellor, to enable its courts to enforce the rules. Church courts lay, thus, at the very intersection of Church and people. This book offers a detailed survey of three dioceses across the whole of the century, examining key aspects such as attendance at court, completion of business, and, crucially, the scale of guilt to test the performance of the courts. For students and researchers of the seventeenth century, it provides a full account of court operations, measuring the extent of control, challenging orthodoxies about ex-communication, penance, and juries, contextualizing ecclesiastical justice within major societal issues of the times, and, ultimately, presents powerful evidence for a “church in danger” by the end of the century.
 

Many would find it difficult to name a woman writer in England before Jane Austen, even though women were writing as early as the time of Chaucer. It was during the seventeenth century, however, that women writers ceased to be viewed as odd or remarkable and became accepted as regular and often respected members of the literary world. The enormous commercial and artistic success of Aphra Behn's plays on the London stage of the 1670s and '80s marked the end of the time where only men were literary luminaries. Major Women Writers of Seventeenth-Century England brings together in one volume a rich assortment of writing by the women Behn influenced, as well as those who preceded her. Collected are works by Aphra Behn, Elizabeth Cary, Margaret Cavendish, Anne Finch, Aemelia Lanyer, Katherine Philips, Ester Sowernam, Rachel Speght, and Mary Wroth. The texts included are newly edited and rely on the best manuscripts and editions of the time. They are accompanied by clear introductions, helpful explanatory notes, and a range of illustrations from the period. Major Women Writers not only brings together the most significant women writers but also clearly shows the connections that exist between those who wrote without recognition in the earlier portions of this period and those who went on to celebrity status and sometimes financial success.

A fresh and complex analysis of the identity of the woman reader in seventeenth-century England.

This ambitious and interdisciplinary book redraws the history of early modern Englishwomen’s reading, exploring the connections between gender, reading habits, and genre throughout the seventeenth century. Reading, Gender and Identity in Seventeenth-Century England challenges accepted historiographical narratives about reading that have privileged male experience and the impact of the Civil War; the book highlights the multiplicity and complexity of women’s reading practices, focusing on how women used reading in constructing their gender identity. Reading was a gendered act in the early modern period; across genres, women were depicted negotiating a range of gendered behavioral norms. From religious texts, romances, and cookbooks, to news, household records, and scientific and medical treatises, Jeans draws on archival sources across a wide range of writing types to offer a more complete picture of women’s reading experiences, ultimately questioning the accepted notion of the woman reader itself.

Ryan J. Stark presents a spiritually sensitive, interdisciplinary, and original discussion of early modern English rhetoric. He shows specifically how experimental philosophers attempted to disenchant language