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An intimate portrayal of the college experiences of queer and non-binary millennials and what they tell us about the shifting shape of desires and identities in the twenty-first century. 

College has long been considered a distinct place for self-discovery. This is particularly true when it comes to gender and sexual identities. In Queer Millennials on Campus, Leila J. Rupp draws on a host of remarkably open and honest interviews with queer women and nonbinary assigned-female-at-birth students at the University of California, Santa Barbara. The accessible narrative wends its way through their lives, from their first experiences of queer desires, through their intimacies and relationships, negotiating their identities, and coming out (or not) to friends and family members. Rupp sheds new light on the Millennial generation, who played a pivotal role in popularizing and embracing the concept of sexual fluidity, helping to challenge older notions of stable sexual and gender identities. 

Ultimately, the voices in the book argue that self-awareness about one’s desires, intimate relationships, and identities should be acknowledged and celebrated. Written with deep empathy and understanding, Queer Millennials on Campus honors queer sexual awareness and joy.

In Queer Tidalectics, Emilio Amideo investigates how Anglophone writers James Baldwin, Jackie Kay, Thomas Glave, and Shani Mootoo employ the trope of fluidity to articulate a Black queer diasporic aesthetics. Water recurs as a figurative and material site to express the Black queer experience within the diaspora, a means to explore malleability and overflowing sexual, gender, and racial boundaries. Amideo triangulates language, the aquatic, and affect to delineate a Black queer aesthetics, one that uses an idiom of fluidity, slipperiness, and opacity to undermine and circumvent gender normativity and the racialized heteropatriarchy embedded in English. The result is an outline of an ever-expanding affective archive of experiential knowledge.
 
Amideo engages and extends the work of Black queer studies, Oceanic studies, ecocriticism, phenomenology, and new materialism through the theorizations of Sara Ahmed, Omise’eke Natasha Tinsley, M. Jacqui Alexander, Édouard Glissant, José Esteban Muñoz, and Edward Kamau Brathwaite, among others. Ambitious in scope and captivating to read, Queer Tidalectics brings Caribbean writers like Glissant and Brathwaite into queer literary analysis—a major scholarly contribution.