19 books match the query 'Shame'
Elissa Minor
Oregon State University Press, 2026
When she walks away from the Mormon church and a twenty-five-year marriage, Elissa Minor abandons the only life she’s ever known to embrace her identity as a queer woman. In this intimate memoir, she explores shame, desire, beauty, and acceptance. Minor realizes that her desire isn’t the problem but the solution. Finding solace outside of the church in the wilderness that surrounds her, she eventually begins to understand what it really means to be pure and worthy.
On the rugged terrain of the northern Oregon coast, Minor discovers passion and harmony in the grip of nature and in the arms of a lover who will become her wife. In the salty sea air, she learns that her own queerness—though less-charted territory—is like her love of backwoods hiking and that to accept her sexuality, she must take full pleasure in the wild that encompasses her. Poignant and powerful, Another Eve re-examines past truths and celebrates honoring oneself and living authentically. For Minor, the end of her transformation is only the beginning.
Kathryn Bond Stockton
Duke University Press, 2006
Stockton engages the domains of African American studies, queer theory, psychoanalysis, film theory, photography, semiotics, and gender studies. She brings together thinkers rarely, if ever, read together in a single study—James Baldwin, Radclyffe Hall, Jean Genet, Toni Morrison, Robert Mapplethorpe, Eldridge Cleaver, Todd Haynes, Norman Mailer, Leslie Feinberg, David Fincher, and Quentin Tarantino—and reads them with and against major theorists, including Georges Bataille, Sigmund Freud, Eve Kosofsky Sedgwick, Jacques Lacan, Roland Barthes, and Leo Bersani. Stockton asserts that there is no clear, mirrored relation between the terms “black” and “queer”; rather, seemingly definitive associations attached to each are often taken up or crossed through by the other. Stockton explores dramatic switchpoints between these terms: the stigmatized “skin” of some queers’ clothes, the description of blacks as an “economic bottom,” the visual force of interracial homosexual rape, the complicated logic of so-called same-sex miscegenation, and the ways in which a famous depiction of slavery (namely, Morrison’s Beloved) seems bound up with depictions of AIDS. All of the thinkers Stockton considers scrutinize the social nature of shame as they examine the structures that make debasements possible, bearable, pleasurable, and creative, even in their darkness.
Elspeth Probyn
University of Minnesota Press, 2005
Pamela Fox
Duke University Press, 1994
Grace M. Cho
University of Minnesota Press, 2008
Leverenz, David
Rutgers University Press, 2012
To make his argument, Leverenz casts an unusually wide net, from ancient and modern cultures of honor to social, political, and military history to American literature and popular culture.
He highlights the convergence of whiteness and honor in the United States from the antebellum period to the present. The Civil War, the civil rights movement, and the election of Barack Obama represent racial progress; the Tea Party movement represents the latest recoil.
From exploring African American narratives to examining a 2009 episode of Hardball—in which two white commentators restore their honor by mocking U.S. Attorney General Eric Holder after he called Americans “cowards” for not talking more about race—Leverenz illustrates how white honor has prompted racial shaming and humiliation. The United States became a nation-state in which light-skinned people declared themselves white. The fear masked by white honor surfaces in such classics of American literature as The Scarlet Letter and Adventures of Huckleberry Finn and in the U.S. wars against the Barbary pirates from 1783 to 1815 and the Iraqi insurgents from 2003 to the present. John McCain’s Faith of My Fathers is used to frame the 2008 presidential campaign as white honor’s last national stand.
Honor Bound concludes by probing the endless attempts in 2009 and 2010 to preserve white honor through racial shaming, from the “birthers” and Tea Party protests to Joe Wilson’s “You lie!” in Congress and the arrest of Henry Louis Gates Jr. at the front door of his own home. Leverenz is optimistic that, in the twenty-first century, racial shaming is itself becoming shameful.
Unni Wikan
University of Chicago Press, 2008
Peter Hennessy
Haus Publishing, 2023
Thomas J. Scheff
University of Chicago Press, 1990
Jill E. Kelly
Ohio University Press, 0
No Ordinary Letter reconstructs the intellectual world of rural South African women who, in 1959, mounted determined campaigns across Natal to resist the expanding policies of apartheid. Challenging Bantu Authorities, detrimental agricultural schemes, restrictions on movement, and the extension of pass laws to women, these organizers drew on knowledge rooted in the lived experience of farmwork, household management, and community governance. The book shows how women assessed their political circumstances and crafted strategies—some peaceful, some destructive—to make themselves heard in a system structured to ignore them.
Foregrounding women as thinkers as well as activists, No Ordinary Letter reveals how rural organizers theorized their positions under apartheid law and within patriarchal households and communities. Their repertoire of political understanding encompassed the daily violence of apartheid, local cultures of honor that enabled them to shame others into action, and finely honed skills for navigating the authority of elders, in-laws, and traditional leaders. When the Camperdown Native Commissioner asked why a group had destroyed government property, they replied, “We were really writing a letter to the authorities which they could read. If we had written an ordinary letter, you would not have replied.” Their explanation captures how an underlying logic of violence became a vehicle for extraordinary political communication.
At the same time, the book underscores the profound constraints shaping women’s choices: poverty, state repression, and the multiple patriarchies embedded within both the apartheid state and African communities. These overlapping systems meant that the immediate enforcers of apartheid policy were often African men with their own stakes in patriarchal arrangements. No Ordinary Letter offers a groundbreaking account of how rural women understood, navigated, and contested these entangled structures of power, providing a fresh view on political thought and resistance in apartheid South Africa.
David Lloyd
Seagull Books, 2026
A radical rethinking of dark emotion as critical responses to capitalism, colonial violence, and authoritarian power.
Rage, Shame and Dread is a bold and unsettling exploration of three emotions that resist consolation, correction, or easy political use. In this triptych of essays, David Lloyd dwells with rage, shame, and dread not as states to be managed or redeemed, but as objectless, intransitive forces that interrupt social life and expose its underlying wrongness.
Reading rage as “sheer manifestation,” shame as a catastrophic rupture of self-relation, and dread as anticipation without an object, Lloyd traces how these unpromising emotions emerge from—and register—the violences of capitalism, colonialism, racialization, and authoritarian power. Drawing on Walter Benjamin, Sigmund Freud, Jacques Derrida, Frantz Fanon, Aimé Césaire, Joseph Conrad, Oscar Wilde, and Søren Kierkegaard, the book moves between philosophy, literature, and political theory to challenge therapeutic and liberal accounts that treat these feelings as errors to be corrected or tools for socialization.
Rather than pathologizing these states, Lloyd reads them as signals of damaged social relations and as thresholds to alternative forms of life-in-common. At once philosophically rigorous and politically urgent, Rage, Shame and Dread offers a radical rethinking of feeling as a site of critique, resistance, and collective possibility.
Kathleen Cash
Vanderbilt University Press, 2016
Grant Maierhofer
University of Alabama Press, 2022
A kaleidoscopic sequence of autofictional narratives about identity, grief, and narrative itself.
Shame is a daring exploration of the potential and limits of memory and self. Here we meet Grant Maierhofer at various points within his life then, now, and in the future as he investigates the sense of shame that haunts the course of his days. The real and unreal, fact and fiction, blur together in a Kaufmanesque sequence of overlapping narratives about who we really are, how we cope with regret, and the repetitions of our behavior.
Through lists, fragments, recollections, and rants, the story of a son’s vexing grief for his father emerges. A sober addict trying to figure out how to navigate pleasure, diversion, and escape. A father trying to figure out marriage, children, maturity, and responsibility. A confused observer in a world constantly torn apart by media, politics, and aggression. A meditation on the nature of art, and art’s place in contemporary life.
H. Henrietta Stockel
University of Arizona Press, 2004
Eve Kosofsky Sedgwick and Adam Frank, eds.
Duke University Press, 1995
SilvanTomkins (1911–1991) was one of the most radical and imaginative psychologists of the twentieth century. In Affect, Imagery, Consciousness, a four-volume work published over the last thirty years of his life, Tomkins developed an ambitious theory of affect steeped in cybernetics and systems theory as well as in psychoanalysis, ethology, and neuroscience. The implications of his conceptually daring and phenomenologically suggestive theory are only now—in the context of postmodernism—beginning to be understood. With Shame and Its Sisters, editors Eve Kosofsky Sedgwick and Adam Frank make available for the first time an engaging and accessible selection of Tomkins’s work.
Featuring intensive examination of several key affects, particularly shame and anger, this volume contains many of Tomkins’s most haunting, diagnostically incisive, and theoretically challenging discussions. An introductory essay by the editors places Tomkins’s work in the context of postwar information technologies and will prompt a reexamination of some of the underlying assumptions of recent critical work in cultural studies and other areas of the humanities. The text is also accompanied by a biographical sketch of Tomkins by noted psychologist Irving E. Alexander, Tomkins’s longtime friend and collaborator.
Peter Stearns
University of Illinois Press, 2017
Peter N. Stearns draws on his long career as a historian of emotions to provide the foundational text on shame’s history and how this history contributes to contemporary issues around the emotion. Summarizing current research, Stearns unpacks the major debates that surround this complex emotion. He also surveys the changing role of shame in the United States from the nineteenth century to today, including shame’s revival as a force in the 1960s and its place in today’s social media. Looking ahead, he maps the abundant opportunities for future historical research and historically informed interdisciplinary scholarship.
Written for interested readers and scholars alike, Shame combines significant new research with a wider synthesis.
Stephanie Fetta
The Ohio State University Press, 2018
Gerald Loren Fishkin, Ph.D.
Parkhurst Brothers, Inc., 2016
Christin L. Hancock
University of Illinois Press, 2025
Christin L. Hancock looks through the lens of feminist disability to examine the popular but ethically suspect treatment and its consequences. As Hancock shows, the treatment’s purported success rate relied on the disabled minds and bodies of people incarcerated in mental hospitals. The backgrounds and identities of these patients reflected and perpetuated attitudes around poverty, gender, race, and disability while betraying authorities’ desire to protect the public from women and men perceived as abnormal, sexually tainted, and unworthy of community life.
Paying special attention to the patients’ voices and experiences, Unmentionable Madness offers a disability history that confronts the ethics of experimentation.