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18 books match the query 'Shanghai'
An Amorous History of the Silver Screen
Shanghai Cinema, 1896-1937Zhang Zhen
University of Chicago Press, 2005
Shanghai in the early twentieth century was alive with art and culture. With the proliferation of popular genres such as the martial arts film, the contest among various modernist filmmakers, and the advent of sound, Chinese cinema was transforming urban life. But with the Japanese invasion in 1937, all of this came to a screeching halt. Until recently, the political establishment has discouraged comprehensive studies of the cultural phenomenon of early Chinese film, and this momentous chapter in China's history has remained largely unexamined.
The first sustained historical study of the emergence of cinema in China, An Amorous History of the Silver Screen is a fascinating narrative that illustrates the immense cultural significance of film and its power as a vehicle for social change. Named after a major feature film on the making of Chinese cinema, only part of which survives, An Amorous History of the Silver Screen reveals the intricacies of this cultural movement and explores its connections to other art forms such as photography, architecture, drama, and literature. In light of original archival research, Zhang Zhen examines previously unstudied films and expands the important discussion of how they modeled modern social structures and gender roles in early twentieth-century China.
The first volume in the new and groundbreaking series Cinema and Modernity, An Amorous History of the Silver Screen is an innovative—and well illustrated—look at the cultural history of Chinese modernity through the lens of this seminal moment in Shanghai cinema.
The first sustained historical study of the emergence of cinema in China, An Amorous History of the Silver Screen is a fascinating narrative that illustrates the immense cultural significance of film and its power as a vehicle for social change. Named after a major feature film on the making of Chinese cinema, only part of which survives, An Amorous History of the Silver Screen reveals the intricacies of this cultural movement and explores its connections to other art forms such as photography, architecture, drama, and literature. In light of original archival research, Zhang Zhen examines previously unstudied films and expands the important discussion of how they modeled modern social structures and gender roles in early twentieth-century China.
The first volume in the new and groundbreaking series Cinema and Modernity, An Amorous History of the Silver Screen is an innovative—and well illustrated—look at the cultural history of Chinese modernity through the lens of this seminal moment in Shanghai cinema.
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Cinema and the Cosmopolitan City
Colonial Encounters in Shanghai, 1900–1930Qiliang He
University of Michigan Press, 2027
In early twentieth-century Shanghai, cinema was more than entertainment—it reshaped the city itself. As movie theaters appealed to city dwellers of all backgrounds, colonial authorities struggled to manage this new public space and introduced new safety rules, censorship, and anti-crime measures. Movie theaters unintentionally brought the unofficial way of racial segregation to an end. Moreover, imported films, though emblematic of Western modernity, paradoxically eroded the myth of Western civilizational superiority. These films revealed social ills in Euro-American societies, exposed Hollywood’s racist depictions of Chinese people, and galvanized anti-imperialist and nationalist sentiments among local audiences.
Cinema and the Cosmopolitan City adopts a “cinema off-screen” approach—stitching together urban history and film studies and foregrounding circulation, consumption, and spatial practice. Qiliang He draws on municipal archives, police records, censorship reports, trade journals, film reviews, and news stories to reconstruct the regulatory regimes imposed by the Shanghai Municipal Council and Shanghai Municipal Police, which was targeting both Bolshevism and “immoral” content. This book reveals how cinema didn’t just reflect modern life—it actively changed urban governance, fueled anticolonial feelings, and linked cosmopolitan culture with rising nationalism in China.
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Cosmopolitan Publics
Anglophone Print Culture in Semi-Colonial ShanghaiShen, Shuang
Rutgers University Press, 2009
Early twentieth-century China paired the local community to the world--a place and time when English dominated urban-centered higher and secondary education and Chinese-edited English-language magazines surfaced as a new form of translingual practice.
Cosmopolitan Publics focuses on China's "cosmopolitans," Western-educated intellectuals who returned to Shanghai in the late 1920s to publish in English and who, ultimately, became both cultural translators and citizens of the wider world. Shuang Shen highlights their work in publications such as The China Critic and T'ien Hsia, providing readers with a broader understanding of the role and function of cultural mixing, translation, and multilingualism in China's cultural modernity.
Decades later, as nationalist biases and political restrictions emerged within China, the influence of the cosmopolitans was neglected and the significance of cosmopolitan practice was underplayed. Shen's encompassing study revisits and presents the experience of Chinese modernity as far more heterogeneous, emergent, and transnational than it has been characterized until now.
Cosmopolitan Publics focuses on China's "cosmopolitans," Western-educated intellectuals who returned to Shanghai in the late 1920s to publish in English and who, ultimately, became both cultural translators and citizens of the wider world. Shuang Shen highlights their work in publications such as The China Critic and T'ien Hsia, providing readers with a broader understanding of the role and function of cultural mixing, translation, and multilingualism in China's cultural modernity.
Decades later, as nationalist biases and political restrictions emerged within China, the influence of the cosmopolitans was neglected and the significance of cosmopolitan practice was underplayed. Shen's encompassing study revisits and presents the experience of Chinese modernity as far more heterogeneous, emergent, and transnational than it has been characterized until now.
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Cultural Industries in Shanghai
Policy and Planning inside a Global CityEdited by Rong Yueming and Justin O’Connor
Intellect Books, 2018
This volume gathers articles by Chinese scholars dealing with developments in Shanghai’s cultural industries over the past thirty years. Like many cities in China and elsewhere, Shanghai has explicitly stated that fostering the creative economy is its top economic and political priority over the next decade. This book examines, among other aspects of Shanghai’s approach to culture, the effects of this policy focus on the city’s creative growth in economic terms.
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Like Cattle and Horses
Nationalism and Labor in Shanghai, 1895-1927S. A. Smith
Duke University Press, 2002
In Like Cattle and Horses Steve Smith connects the rise of Chinese nationalism to the growth of a Chinese working class. Moving from the late nineteenth century, when foreign companies first set up factories on Chinese soil, to 1927, when the labor movement created by the Chinese Communist Party was crushed by Chiang Kai-shek, Smith uses a host of documents—journalistic accounts of strikes, memoirs by former activists, police records—to argue that a nationalist movement fueled by the effects of foreign imperialism had a far greater hold on working-class identity than did class consciousness.
While the massive wave of labor protest in the 1920s was principally an expression of militant nationalism rather than of class consciousness, Smith argues, elements of a precarious class identity were in turn forged by the very discourse of nationalism. By linking work-related demands to the defense of the nation, anti-imperialist nationalism legitimized participation in strikes and sensitized workers to the fact that they were worthy of better treatment as Chinese citizens. Smith shows how the workers’ refusal to be treated “like cattle and horses” (a phrase frequently used by workers to describe their condition) came from a new but powerfully felt sense of dignity. In short, nationalism enabled workers to interpret the anger they felt at their unjust treatment in the workplace in political terms and to create a link between their position as workers and their position as members of an oppressed nation. By focusing on the role of the working class, Like Cattle and Horses is one of very few studies that examines nationalism “from below,” acknowledging the powerful agency of nonelite forces in promoting national identity.
Like Cattle and Horses will interest historians of labor, modern China, and nationalism, as well as those engaged in the study of revolutions and revolt.
While the massive wave of labor protest in the 1920s was principally an expression of militant nationalism rather than of class consciousness, Smith argues, elements of a precarious class identity were in turn forged by the very discourse of nationalism. By linking work-related demands to the defense of the nation, anti-imperialist nationalism legitimized participation in strikes and sensitized workers to the fact that they were worthy of better treatment as Chinese citizens. Smith shows how the workers’ refusal to be treated “like cattle and horses” (a phrase frequently used by workers to describe their condition) came from a new but powerfully felt sense of dignity. In short, nationalism enabled workers to interpret the anger they felt at their unjust treatment in the workplace in political terms and to create a link between their position as workers and their position as members of an oppressed nation. By focusing on the role of the working class, Like Cattle and Horses is one of very few studies that examines nationalism “from below,” acknowledging the powerful agency of nonelite forces in promoting national identity.
Like Cattle and Horses will interest historians of labor, modern China, and nationalism, as well as those engaged in the study of revolutions and revolt.
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Opening Up
Youth Sex Culture and Market Reform in ShanghaiJames Farrer
University of Chicago Press, 2002
From teen dating to public displays of affection, from the "fishing girls" and "big moneys" that wander discos in search of romance to the changing shape of sex in the Chinese city, this is a book like no other. James Farrer immerses himself in the vibrant nightlife of Shanghai, draws on individual and group interviews with Chinese youth, as well as recent changes in popular media, and considers how sexual culture has changed in China since its shift to a more market-based economy.
More and more men and women in China these days are having sex before marriage, creating a new youth sex culture based on romance, leisure, and free choice. The Chinese themselves describe these changes as an "opening up" in response to foreign influences and increased Westernization. Farrer explores these changes by tracing the basic elements in talk about sex and sexuality in Shanghai. He then shows how Chinese youth act out the sometimes-contradictory meanings of sex in the new market society. For Farrer, sexuality is a lens through which we can see how China imagines and understands itself in the wake of increased globalization. Through personal storytelling, neighborhood gossip, and games of seduction, young men and women in Shanghai balance pragmatism with romance, lust with love, and seriousness with play, collectively constructing and individually coping with a new culture based on market principles. With its provocative glimpse into the sex lives of young Chinese, then, Opening Up offers something even greater: a thoughtful consideration of China as it continues to develop into an economic superpower.
More and more men and women in China these days are having sex before marriage, creating a new youth sex culture based on romance, leisure, and free choice. The Chinese themselves describe these changes as an "opening up" in response to foreign influences and increased Westernization. Farrer explores these changes by tracing the basic elements in talk about sex and sexuality in Shanghai. He then shows how Chinese youth act out the sometimes-contradictory meanings of sex in the new market society. For Farrer, sexuality is a lens through which we can see how China imagines and understands itself in the wake of increased globalization. Through personal storytelling, neighborhood gossip, and games of seduction, young men and women in Shanghai balance pragmatism with romance, lust with love, and seriousness with play, collectively constructing and individually coping with a new culture based on market principles. With its provocative glimpse into the sex lives of young Chinese, then, Opening Up offers something even greater: a thoughtful consideration of China as it continues to develop into an economic superpower.
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Shadow Modernism
Photography, Writing, and Space in Shanghai, 1925-1937William Schaefer
Duke University Press, 2017
During the early twentieth century, Shanghai was the center of China's new media culture. Described by the modernist writer Mu Shiying as "transplanted from Europe" and “paved with shadows,” for many of its residents Shanghai was a city without a past paradoxically haunted by the absent past’s traces. In Shadow Modernism William Schaefer traces how photographic practices in Shanghai provided a forum within which to debate culture, ethnicity, history, and the very nature of images. The central modernist form in China, photography was neither understood nor practiced as primarily a medium for realist representation; rather, photo layouts, shadow photography, and photomontage rearranged and recomposed time and space, cutting apart and stitching places, people, and periods together in novel and surreal ways. Analyzing unknown and overlooked photographs, photomontages, cartoons, paintings, and experimental fiction and poetry, Schaefer shows how artists and writers used such fragmentation and juxtaposition to make visible the shadows of modernity in Shanghai: the violence, the past, the ethnic and cultural multiplicity excluded and repressed by the prevailing cultural politics of the era and yet hidden in plain sight.
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Shanghai Nightscapes
A Nocturnal Biography of a Global CityJames Farrer and Andrew David Field
University of Chicago Press, 2015
The pulsing beat of its nightlife has long drawn travelers to the streets of Shanghai, where the night scene is a crucial component of the city’s image as a global metropolis. In Shanghai Nightscapes, sociologist James Farrer and historian Andrew David Field examine the cosmopolitan nightlife culture that first arose in Shanghai in the 1920s and that has been experiencing a revival since the 1980s. Drawing on over twenty years of fieldwork and hundreds of interviews, the authors spotlight a largely hidden world of nighttime pleasures—the dancing, drinking, and socializing going on in dance clubs and bars that have flourished in Shanghai over the last century.
The book begins by examining the history of the jazz-age dance scenes that arose in the ballrooms and nightclubs of Shanghai’s foreign settlements. During its heyday in the 1930s, Shanghai was known worldwide for its jazz cabarets that fused Chinese and Western cultures. The 1990s have seen the proliferation of a drinking, music, and sexual culture collectively constructed to create new contact zones between the local and tourist populations. Today’s Shanghai night scenes are simultaneously spaces of inequality and friction, where men and women from many different walks of life compete for status and attention, and spaces of sociability, in which intercultural communities are formed. Shanghai Nightscapes highlights the continuities in the city’s nightlife across a turbulent century, as well as the importance of the multicultural agents of nightlife in shaping cosmopolitan urban culture in China’s greatest global city.
To listen to an audio diary of a night out in Shanghai with Farrer and Field, click here: http://n.pr/1VsIKAw.
The book begins by examining the history of the jazz-age dance scenes that arose in the ballrooms and nightclubs of Shanghai’s foreign settlements. During its heyday in the 1930s, Shanghai was known worldwide for its jazz cabarets that fused Chinese and Western cultures. The 1990s have seen the proliferation of a drinking, music, and sexual culture collectively constructed to create new contact zones between the local and tourist populations. Today’s Shanghai night scenes are simultaneously spaces of inequality and friction, where men and women from many different walks of life compete for status and attention, and spaces of sociability, in which intercultural communities are formed. Shanghai Nightscapes highlights the continuities in the city’s nightlife across a turbulent century, as well as the importance of the multicultural agents of nightlife in shaping cosmopolitan urban culture in China’s greatest global city.
To listen to an audio diary of a night out in Shanghai with Farrer and Field, click here: http://n.pr/1VsIKAw.
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Shanghai Rising
State Power and Local Transformations in a Global MegacityXiangming Chen
University of Minnesota Press, 2009
Analyzing a Chinese city’s dazzling rise to global megacity status
Until around 1990, Shanghai was China’s premier but sluggish industrial center. Now at the beginning of the twenty-first century, the joint impact of global forces and state power has turned Shanghai into a dynamic megacity. Shanghai’s remarkable growth in economy, infrastructure, and global presence has prompted questions about the Shanghai “miracle.” This collection places the city’s unprecedented rise in a rare comparative examination of U.S. cities, as well as with Asian megacities Singapore and Hong Kong, providing a nuanced account of how Shanghai’s politics, economy, society, and space have been transformed by macro- and micro-level forces.
Contributors: Stephen W. K. Chiu, Chinese U of Hong Kong; K. C. Ho, National U of Singapore; John D. Kasarda, U of North Carolina; Hanlong Lu, Shanghai Academy of Social Sciences; Tai-lok Lui, Chinese U of Hong Kong; Ann R. Markusen, U of Minnesota; Anthony M. Orum, U of Illinois, Chicago; Yuan Ren, Fudan U Shanghai; Saskia Sassen, Columbia U; Jiaming Sun, Texas A&M U, Commerce; Fulong Wu, Cardiff U; Pingkang Yu, George Washington U; Tingwei Zhang, U of Illinois, Chicago; Zhenhua Zhou, Development Research Center, Shanghai Municipal Government.[more]
Shanghai and the Edges of Empires
Meng Yue
University of Minnesota Press, 2006
Even before the romanticized golden era of Shanghai in the 1930s, the famed Asian city was remarkable for its uniqueness and East-meets-West cosmopolitanism. Meng Yue analyzes a century-long shift of urbanity from China’s heartland to its shore. During the period between the decline of Jiangnan cities such as Suzhou and Yangzhou and Shanghai’s early twentieth-century rise, the overlapping cultural edges of a failing Chinese royal order and the encroachment of Western imperialists converged. Simultaneously appropriating and resisting imposing forces, Shanghai opened itself to unruly, subversive practices, becoming a crucible of creativity and modernism.
Calling into question conventional ways of conceptualizing modernity, colonialism, and intercultural relations, Meng Yue examines such cultural practices as the work of the commercial press, street theater, and literary arts, and shows that what appear to be minor cultural changes often signal the presence of larger political and economic developments. Engaging theories of modernity and postcolonial and global cultural studies, Meng Yue reveals the paradoxical interdependence between imperial and imperialist histories and the retranslation of culture that characterized the most notable result of China’s urban relocation—the emergence of the international city of Shanghai.
Meng Yue is assistant professor of East Asian languages and literature at the University of California, Irvine.
Calling into question conventional ways of conceptualizing modernity, colonialism, and intercultural relations, Meng Yue examines such cultural practices as the work of the commercial press, street theater, and literary arts, and shows that what appear to be minor cultural changes often signal the presence of larger political and economic developments. Engaging theories of modernity and postcolonial and global cultural studies, Meng Yue reveals the paradoxical interdependence between imperial and imperialist histories and the retranslation of culture that characterized the most notable result of China’s urban relocation—the emergence of the international city of Shanghai.
Meng Yue is assistant professor of East Asian languages and literature at the University of California, Irvine.
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Shanghai
A Novel by Yokomitsu RiichiYokomitsu Riichi; Translated with a Postscript by Dennis Washburn
University of Michigan Press, 2001
Published serially between 1928 and 1931, Shanghai tells the story of a group of Japanese expatriates living in the International Settlement at the time of the May 30th Incident of 1925. The personal lives and desires of the main characters play out against a historical backdrop of labor unrest, factional intrigue, colonialist ambitions, and racial politics.
The author, Yokomitsu Riichi (1898–1947), was an essayist, writer, and critical theorist who became one of the most powerful and influential literary figures in Japan during the 1920s and 1930s. In 1924 Yokomitsu joined with Kataoka Teppei and Kawabata Yasunari to found the Shinkankaku-ha (New Sensation School), artists who looked to contemporary avant-garde movements in Europe—Dadaism, futurism, surrealism, expressionism—for inspiration in their effort to explode the conventions of literary language and to break free of what they saw as the prisonhouse of modern culture. A key feature of the school’s experiments was the use of jarring imagery that originated in the visual effects of cinema.
Yokomitsu incorporated the striking visuality of his early experimental style into a realistic mode that presents a disturbing picture of a city in turmoil. The result is a brilliant evocation of Shanghai as a gritty ideological battleground where dreams of sexual and economic domination are nurtured.
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Strange Haven
A Jewish Childhood in Wartime ShanghaiSigmund Tobias
University of Illinois Press, 1998
In the wake of Kristallnacht, November 9, 1938, Sigmund Tobias and his parents fled their home in Germany and relocated to one of the few cities in the world that offered shelter without requiring a visa: the notorious pleasure capital, Shanghai. Seventeen thousand Jewish refugees flocked to Hongkew, a section of Shanghai ruled by the Japanese, and they created an active community that continued to exist through the end of the war. Tobias's coming-of-age story unfolds within his descriptions of Jewish life in the exotic sanctuary of Shanghai. Depleted by disease and hunger, constantly struggling with primitive and crowded conditions, the refugees faced shortages of food, clothing, and medicine. Tobias also observes the underlife of Shanghai: the prostitution and black market profiteering, the brutal lives of the Chinese workers, the tensions between Chinese and Japanese during the war, and the paralyzing inflation and the approach of the communist "liberators" afterward. Richly detailed, Strange Haven opens a little-documented chapter of the Holocaust and provides a fascinating glimpse of life for these foreigners in a foreign land. An epilogue describes the changes Tobias observed when he returned to Shanghai forty years later as a visiting professor.
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Surrealism from Paris to Shanghai
Lauren Walden
Hong Kong University Press, 2024
Surrealism through the lens of China.
Surrealism from Paris to Shanghai is the first English language book dedicated to introducing Chinese Surrealism, enlarging the geographical authority of Surrealist studies beyond a Eurocentric prism of analysis. The book reveals the mutual cultural influence between China and the Western avant-garde, moving beyond notions of “copying from the West.” Utilizing primary source materials, particularly periodicals, Lauren Walden reveals the underexplored dissemination of Surrealism in Shanghai. Highlighting how Surrealism was applied across a broad political spectrum in Shanghai including anti-colonialism, communism, and nationalism, Walden also demonstrates why Shanghai’s former French concession became the birthplace of Surrealism in China.
Surrealism from Paris to Shanghai is the first English language book dedicated to introducing Chinese Surrealism, enlarging the geographical authority of Surrealist studies beyond a Eurocentric prism of analysis. The book reveals the mutual cultural influence between China and the Western avant-garde, moving beyond notions of “copying from the West.” Utilizing primary source materials, particularly periodicals, Lauren Walden reveals the underexplored dissemination of Surrealism in Shanghai. Highlighting how Surrealism was applied across a broad political spectrum in Shanghai including anti-colonialism, communism, and nationalism, Walden also demonstrates why Shanghai’s former French concession became the birthplace of Surrealism in China.
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The Classical Gardens of Shanghai
Shelly Bryant
Hong Kong University Press, 2016
In The Classical Gardens of Shanghai, Shelly Bryant looks at five of Shanghai’s remaining classical gardens through their origins, changing fortunes, restorations, and links to a wider Chinese aesthetic. Shanghai’s classical gardens are as much text as space; they exist in art, poetry, and literature as much as in stone, rock, and earth. But these gardens have not remained static entities. Rather, they have been remodelled constantly since their inception. This book reflects this process within the constancy of traditional Chinese horticulture and reveals Shanghai’s remaining classical gardens as places representing wealth and social status, social and dynastic shifts, through falling family fortunes and political revolutions to search for a recovery of China’s ancient culture in the modern day.
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The Worlds of Victor Sassoon
Bombay, London, Shanghai, 1918–1941Rosemary Wakeman
University of Chicago Press, 2024
An interpretative history of global urbanity in the 1920s and 1930s, from the vantage point of Bombay, London, and Shanghai, that follows the life of business tycoon Victor Sassoon.
In this book, historian Rosemary Wakeman brings to life the frenzied, crowded streets, markets, ports, and banks of Bombay, London, and Shanghai. In the early twentieth century, these cities were at the forefront of the sweeping changes taking the world by storm as it entered an era of globalized commerce and the unprecedented circulation of goods, people, and ideas. Wakeman explores these cities and the world they helped transform through the life of Victor Sassoon, who in 1924 gained control of his powerful family’s trading and banking empire. She tracks his movements between these three cities as he grows his family’s fortune and transforms its holdings into a global juggernaut. Using his life as its point of entry, The Worlds of Victor Sassoon paints a broad portrait not just of wealth, cosmopolitanism, and leisure but also of the discrimination, exploitation, and violence wreaked by a world increasingly driven by the demands of capital.
In this book, historian Rosemary Wakeman brings to life the frenzied, crowded streets, markets, ports, and banks of Bombay, London, and Shanghai. In the early twentieth century, these cities were at the forefront of the sweeping changes taking the world by storm as it entered an era of globalized commerce and the unprecedented circulation of goods, people, and ideas. Wakeman explores these cities and the world they helped transform through the life of Victor Sassoon, who in 1924 gained control of his powerful family’s trading and banking empire. She tracks his movements between these three cities as he grows his family’s fortune and transforms its holdings into a global juggernaut. Using his life as its point of entry, The Worlds of Victor Sassoon paints a broad portrait not just of wealth, cosmopolitanism, and leisure but also of the discrimination, exploitation, and violence wreaked by a world increasingly driven by the demands of capital.
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Tuberculosis Control and Institutional Change in Shanghai, 1911–2011
Rachel S. Core
Hong Kong University Press, 2023
An analysis of the lessons learned from tuberculosis control in Shanghai.
Tuberculosis Control and Institutional Change in Shanghai, 1911–2011 is the first book on the most widespread and deadly infectious disease in China, both historically and today. Weaving together interviews with data from periodicals and local archives in Shanghai, Rachel Core examines the rise and fall of tuberculosis control in China from the 1950s to the 1990s. Under the socialist work unit system, the vast majority of people had guaranteed employment, a host of benefits tied to their workplace, and there was little mobility—factors that made the delivery of medical and public health services possible in both urban and rural areas. The dismantling of work units amid wider market reforms in the 1980s and 1990s led to the rise of temporary and casual employment and a huge migrant worker population, with little access to health care, creating new challenges in TB control. This study of Shanghai will provide valuable lessons for historians, social scientists, public health specialists, and many others working on public health infrastructure on both the national and global levels.
Tuberculosis Control and Institutional Change in Shanghai, 1911–2011 is the first book on the most widespread and deadly infectious disease in China, both historically and today. Weaving together interviews with data from periodicals and local archives in Shanghai, Rachel Core examines the rise and fall of tuberculosis control in China from the 1950s to the 1990s. Under the socialist work unit system, the vast majority of people had guaranteed employment, a host of benefits tied to their workplace, and there was little mobility—factors that made the delivery of medical and public health services possible in both urban and rural areas. The dismantling of work units amid wider market reforms in the 1980s and 1990s led to the rise of temporary and casual employment and a huge migrant worker population, with little access to health care, creating new challenges in TB control. This study of Shanghai will provide valuable lessons for historians, social scientists, public health specialists, and many others working on public health infrastructure on both the national and global levels.
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Voices from Shanghai
Jewish Exiles in Wartime ChinaEdited by Irene Eber
University of Chicago Press, 2008
When Hitler came to power and the German army began to sweep through Europe, almost 20,000 Jewish refugees fled to Shanghai. A remarkable collection of the letters, diary entries, poems, and short stories composed by these refugees in the years after they landed in China, Voices from Shanghai fills a gap in our historical understanding of what happened to so many Jews who were forced to board the first ship bound for anywhere.
Once they arrived, the refugees learned to navigate the various languages, belief systems, and ethnic traditions they encountered in an already booming international city, and faced challenges within their own community based on disparities in socioeconomic status, levels of religious observance, urban or rural origin, and philosophical differences. Recovered from archives, private collections, and now-defunct newspapers, these fascinating accounts make their English-languge debut in this volume. A rich new take on Holocaust literature, Voices from Shanghai reveals how refugees attempted to pursue a life of creativity despite the hardships of exile.
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World Film Locations
ShanghaiEdited by John Berra and Wei Ju
Intellect Books, 2014
Celebrating Shanghai’s rich cinematic history, the films covered here represent a lengthy time period, from the first Golden Age of Chinese Cinema in the 1930s to the city’s status as an international production hub in 2013. Given the enduring status of Shanghai as the “Paris of the East,” World Film Locations: Shanghai emphasizes the city’s cosmopolitan glamour through locations that are steeped in cinematic exoticism, while also probing the reality behind the image by investigating its backstreets and residential zones. To facilitate this study of Shanghai’s dual identity through reference to film locations, the book includes films from both the commercial and independent sectors, with a balance between images captured by local filmmakers and the visions of Western directors who have also utilized the city for their projects.
With numerous essays that reflect Shanghai’s relationship to film and scene reviews of such iconic titles as Street Angel, Temptress Moon, Kung Fu Hustle, and Skyfall, World Film Locations: Shanghai is essential reading for all scholars of China’s urban culture.
With numerous essays that reflect Shanghai’s relationship to film and scene reviews of such iconic titles as Street Angel, Temptress Moon, Kung Fu Hustle, and Skyfall, World Film Locations: Shanghai is essential reading for all scholars of China’s urban culture.
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