Results by title
4 books match the query 'Sikhism'
Between Colonialism and Diaspora
Sikh Cultural Formations in an Imperial WorldTony Ballantyne
Duke University Press, 2006
Bringing South Asian and British imperial history together with recent scholarship on transnationalism and postcolonialism, Tony Ballantyne offers a bold reevaluation of constructions of Sikh identity from the late eighteenth century through the early twenty-first. Ballantyne considers Sikh communities and experiences in Punjab, the rest of South Asia, the United Kingdom, and other parts of the world. He charts the shifting, complex, and frequently competing visions of Sikh identity that have been produced in response to the momentous social changes wrought by colonialism and diaspora. In the process, he argues that Sikh studies must expand its scope to take into account not only how Sikhism is figured in religious and political texts but also on the battlefields of Asia and Europe, in the streets of Singapore and Southall, and in the nightclubs of New Delhi and Newcastle.
Constructing an expansive historical archive, Ballantyne draws on film, sculpture, fiction, and Web sites, as well as private papers, government records, journalism, and travel narratives. He proceeds from a critique of recent historiography on the development of Sikhism to an analysis of how Sikh identity changed over the course of the long nineteenth century. Ballantyne goes on to offer a reading of the contested interpretations of the life of Dalip Singh, the last Maharaja of Punjab. He concludes with an exploration of bhangra, a traditional form of Punjabi dance that diasporic artists have transformed into a globally popular music style. Much of bhangra’s recent evolution stems from encounters of the Sikh and Afro-Caribbean communities, particularly in the United Kingdom. Ballantyne contends that such cross-cultural encounters are central in defining Sikh identity both in Punjab and the diaspora.
[more]
Sikh Kirtan and Its Journeys
Instruments, Theories, TechnologiesGurminder Kaur Bhogal
University of Chicago Press, 2025
An unprecedented portrait of Sikh devotional music demonstrating how musical traditions shift to meet changing needs.
Kirtan—the sung expression of sacred verses—spans the Indian subcontinent, but it plays a unique role in the Sikh faith. In Sikh Kirtan and ItsJourneys, musicologist Gurminder Kaur Bhogal introduces the devotional tradition of kirtan, examining it alongside the writings of holy figures, the Sikh Gurus and Bhagats, and its practice among musicians. The long-established tradition of kirtan originated in a canon of instruments and songs, each of which produces a singular spiritual and worldly effect when kirtan is sung. However, the realities of colonization and migration have necessitated changes to these canonical practices. Bhogal offers a deep exploration of the traditions that gave rise to kirtan and a robust portrait of the many transformations kirtan has undergone, particularly in the wide-ranging Sikh diaspora, dedicating special attention to marginal kirtan players such as women and innovators developing digital techniques and styles. A practicing kirtaniya, Bhogal has spent her life studying and performing this music, steeped in the histories and controversies her book describes.
Through a rigorous explanation of the traditions and evolutions of kirtan, Bhogal ultimately shows that kirtan is fluid, multi-faceted, and ever-changing because it reflects the shifting spiritual needs and musical tastes of devotees and practitioners across the world. Moreover, wherever kirtan is offered and received, it heightens corporeal vibrations between practitioners and devotees to motivate a sense of social purpose, social responsibility, and selfless service.
Kirtan—the sung expression of sacred verses—spans the Indian subcontinent, but it plays a unique role in the Sikh faith. In Sikh Kirtan and ItsJourneys, musicologist Gurminder Kaur Bhogal introduces the devotional tradition of kirtan, examining it alongside the writings of holy figures, the Sikh Gurus and Bhagats, and its practice among musicians. The long-established tradition of kirtan originated in a canon of instruments and songs, each of which produces a singular spiritual and worldly effect when kirtan is sung. However, the realities of colonization and migration have necessitated changes to these canonical practices. Bhogal offers a deep exploration of the traditions that gave rise to kirtan and a robust portrait of the many transformations kirtan has undergone, particularly in the wide-ranging Sikh diaspora, dedicating special attention to marginal kirtan players such as women and innovators developing digital techniques and styles. A practicing kirtaniya, Bhogal has spent her life studying and performing this music, steeped in the histories and controversies her book describes.
Through a rigorous explanation of the traditions and evolutions of kirtan, Bhogal ultimately shows that kirtan is fluid, multi-faceted, and ever-changing because it reflects the shifting spiritual needs and musical tastes of devotees and practitioners across the world. Moreover, wherever kirtan is offered and received, it heightens corporeal vibrations between practitioners and devotees to motivate a sense of social purpose, social responsibility, and selfless service.
[more]
Textual Sources for the Study of Sikhism
Edited by W.H. McLeod
University of Chicago Press, 1990
"McLeod is a renowned scholar of Sikhism. . . . [This book] confirms my view that there is nothing about the Sikhs or their religion that McLeod does not know and there is no one who can put it across with as much clarity and brevity as he can. In his latest work he has compressed in under 150 pages the principal sources of the Sikh religion, the Khalsa tradition and the beliefs of breakaway sects like the Nirankaris and Namdharis. . . . As often happens, an outsider has sharper insight into the workings of a community than insiders whose visions are perforce restricted."—Khushwant Singh, Hindustan Times
[more]
The Construction of Religious Boundaries
Culture, Identity, and Diversity in the Sikh TraditionHarjot Oberoi
University of Chicago Press, 1994
In this major reinterpretation of religion and society in India, Harjot Oberoi challenges earlier accounts of Sikhism, Hinduism and Islam as historically given categories encompassing well-demarcated units of religious identity. Through a searching examination of Sikh historical materials, he shows that early Sikh tradition was not concerned with establishing distinct religious boundaries. Most Sikhs recognized multiple identities grounded in local, regional, religious, and secular loyalties. Consequently, religious identities were highly blurred and several competing definitions of what constituted a Sikh were possible.
In the closing decades of the nineteenth century, however, the Singh Sabha, a powerful new Sikh movement, began to view the multiplicity in Sikh identity with suspicion and hostility. Aided by social and cultural forces unleashed by the British Raj, the Singh Sabha sought to recast Sikh tradition and purge it of diversity. The ethnocentric logic of a new elite dissolved alternative ideals under the highly codified culture of modern Sikhism.
A study of the process by which a pluralistic religious world view is replaced by a monolithic one, this important book calls into question basic assumptions about the efficacy of fundamentalist claims and the construction of all social and religious identities. An essential book for the field of South Asian religions, this work is also an important contribution to cultural anthropology, postcolonial studies, and the history of religion in general.
In the closing decades of the nineteenth century, however, the Singh Sabha, a powerful new Sikh movement, began to view the multiplicity in Sikh identity with suspicion and hostility. Aided by social and cultural forces unleashed by the British Raj, the Singh Sabha sought to recast Sikh tradition and purge it of diversity. The ethnocentric logic of a new elite dissolved alternative ideals under the highly codified culture of modern Sikhism.
A study of the process by which a pluralistic religious world view is replaced by a monolithic one, this important book calls into question basic assumptions about the efficacy of fundamentalist claims and the construction of all social and religious identities. An essential book for the field of South Asian religions, this work is also an important contribution to cultural anthropology, postcolonial studies, and the history of religion in general.
[more]