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From ancient times to the present day, utopian social ideas have made the unity of humankind a central concern. In the face of the threats to civic peace and harmony caused by misrule, factions, inequality, and moral weakness, philosophical and religious traditions in antiquity gave considered attention to the attainment of oneness both as an ideal and as an embodied practice. In this volume, scholars of ancient history, early Judaism, and biblical studies come together to show that ideas of unity and practices of oneness were grounded in larger conceptions of worldview, cosmic order, and power, with theological ideas such as the oneness of God laying an important foundation. In particular, contributors focus on how early Christians, with their inherited Jewish, Greek, and Roman traditions, reinterpreted oneness in light of their new identity as “members of Christ” and how they put it into practice. Contributors are Stephen C. Barton, Anna Sieges-Beal, Max Botner, Andrew J. Byers, Carsten Claußen, Kylie Crabbe, Robbie Griggs, James R. Harrison, Walter J. Houston, T. J. Lang, Jutta Leonhardt-Balzer, John-Paul Lotz, Lynette Mitchell, Nicholas J. Moore, Elizabeth E. Shively, Julien C. H. Smith, and Alan Thompson.

Behind every apparently placid surface there lies an unruly ocean of complexity. Fractals, chaos theory, and dissipative structures bear witness to these hidden complexities of the universe. Complementing these ideas in the sciences, fiction from the likes of Jorge Luis Borges, Italo Calvino, Thomas Pynchon, and Samuel Beckett reveals our deep-seated desire for simplicity while we are obliged to learn to cope with complexity. And painting, especially since Paul Cézanne, exposes the complexity pervading what we often wish to take simply as what there is. Simplicity and Complexity is about simplicity and complexity, order and disorder, as seen through the lenses of fiction, the sciences, and works of art. Floyd Merrell offers a nonmathematical account of chaos theory, fractal geometry, and the physics of complexity insofar as they are relevant to crucial facets of literature and painting created over the past century. Though his account is informal, he addresses technical concepts and philosophical questions, and sheds new light on the authors and painters he discusses. His radically interdisciplinary approach is within the mainstream of postmodern practices, yet it criticizes the tendency toward facile conclusions and sweeping generalizations regarding relations between the arts, the humanities, and the sciences. It brings a collection of disciplines under an umbrella that is protective of particular theories, concepts, methods, and practices, while revealing connecting threads in the tenuously linked web of all human endeavors to know the product of the mind and of the world. "Merrell gives inter-disciplinarity a new horizon and continues the dialogue between the sciences and literature in a way I have not seen since Hegel tried to pull it all together in his Encyclopedia." --Eugen Baer, Professor of Philosophy, Hobart and William Smith Colleges