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Marking a formal reinvention for the poet, this collection addresses the strangeness of time, blending writers and images from the past with contemporary scenes.

This book-length sequence of turbulent sonnets follows their speaker's impulses and imagination through the seasons of their composition. Written between 2016 and 2022, Divers is a collection shaped by contradiction and marks a new period of lyric experimentation for poet Sam Amadon. These poems are rigorously constrained while also making space for improvisation. They hold to a decasyllabic line while moving in and out of meter. They sing of time, and struggle to understand it. They find words for our moment in the pages of old books. Lines from great writers of the past—including Gerard Manley Hopkins, Thomas Wyatt, and Michael Drayton—echo through Amadon's poems of contemporary menace and wonder. Here we see both the owls lining our fences and the black SUVs rolling down our streets. Out of these conflicts, Amadon’s sonnets step up, lift off, and dive into themselves.

“Every atom belonging to me as good belongs to you,” wrote Walt Whitman. Poets H. L. Hix and Jonathan Weinert adopted Whitman’s declaration as a guiding principle for Ghost Smoke. In this “Song of Themself,” Hix and Weinert merge their voices to create a spirited book-length hybrid poem that meditates on distance, listening, finitude, and different kinds of love. Fabricated of material collected from over two decades of correspondence and collaboration, Ghost Smoke borrows the structure of a crown of sonnets, completing a circuit that seeks to defeat the standard distinctions between question and answer, presence and absence, self and other. Is it possible to find a language that can allow us to become more porous to one another, to listen more deeply to one another and to respond in kind? Can we become each other’s ghosts, open to and inhabited by one another? What happens to us, and what happens between us, if we do?

A moving and sonically stunning exploration into the body and soul

David Barber’s masterful new book, NAKED, is powered by prolific feats of verbal prowess. With formal dexterity, nerve, and ingenious wordplay, these poems grapple with the serious business of soulmaking. In a spacious collection that enacts changes on the touch-and-go of innocence and experience, these poems are rife with inklings and reckonings in the name of muscle memory and mortal longing. Here, Hollywood meets Babylon in the Garden of Earthly Delights; Odysseus opts for a username; the naked eye goes toe-to-toe with the naked truth; American sonnets & ampersands run wild. NAKED is an all-out lovers’ quarrel over the give-and-take of the spirit and flesh—and Barber is all in.

This revised and updated bilingual edition of Sonnets and Other Poems offers a cross-section of lyric poetry by Portugal's Luís de Camões, author of The Lusiads (1572), the great Renaissance epic memoralizing Vasco da Gama's inaugural voyage to India (1497-99). A selection of forty sonnets is followed by poems using other metrical patterns and rhyme schemes, including terza rima, ottava rima, the sestina, the canzone, and the redondilha, a verse form typical of Portuguese poetry. Richard Zenith's fluid renditions, far from attempting to "update" Camões, closely adhere to the original text, employing modern English but resisting the temptation to expand on the relatively small and simple lexicon of the Portuguese. Along with discussing his method of translation, Zenith's illuminating introduction shows how Camões's life and work were intimately entwined.

Grappling with metaphysical questions of suffering, death, and infinity, Antero de Quental’s sonnets have been widely celebrated by writers and intellectuals around the world, with Fernando Pessoa calling him “one of the greatest poets of the nineteenth century.” Irreverent and nonconformist,  Antero became the ideologue and moving spirit behind the group of progressive intellectuals known as the Generation of 1870 who rebelled against tradition and attempted to reverse Portugal’s intellectual stagnation. This is the first bilingual (Portuguese-English) edition of Antero's sonnets and poems, as well as the first to assemble the translations by Aubrey F. G. Bell, Roy Campbell, Richard Garnett, George Monteiro, S. Griswold Morley, Fernando Pessoa, Edgar Prestage, and Richard Zenith in a single volume.