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3 books match the query 'Speltz, Mark'

cover of Bottoms Up: A Toast to Wisconsin's Historic Bars and Breweries

Bottoms Up

A Toast to Wisconsin's Historic Bars and Breweries

Jim Draeger

Wisconsin Historical Society Press, 2017

Bottoms Up celebrates Wisconsin’s taverns and the breweries that fueled them. Beginning with inns and saloons, the book explores the rise of taverns and breweries, the effects of temperance and Prohibition, and attitudes about gender, ethnicity, and morality. It traces the development of the megabreweries, dominance of the giants, and the emergence of microbreweries. Contemporary photographs of unusual and distinctive bars and breweries of all eras, historical photos, postcards, advertisements, and breweriana illustrate the story of how Wisconsin came to dominate brewing—and the place that bars and beer hold in our social and cultural history.
Seventy featured taverns and breweries represent diverse architectural styles, from the open-air Tom’s Burned Down Cafe on Madeline Island to the Art Moderne Casino in La Crosse, and from Club 10, a 1930s roadhouse in Stevens Point, to the well-known Wolski’s Tavern in Milwaukee. There are bars in barns and basements and brewpubs in former ice cream factories and railroad depots. Bottoms Up also includes a heady mix of such beer-related topics as ice harvesting, barrel making, bar games, Old-Fashioneds, bar fixtures, and the queen of the bootleggers. Now in paperback for the first time!

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cover of Fill 'er Up: The Glory Days of Wisconsin Gas Stations

Fill 'er Up

The Glory Days of Wisconsin Gas Stations

Jim Draeger

Wisconsin Historical Society Press, 2008

Step back to the day when a visit to the gas station meant service with a smile, a wash of the windshield, and the cheerful question, "Fill 'er up?" Since their unremarkable beginnings as cheap shacks and curbside pumps at the dawn of the automobile age, gas stations have taken many forms and worn many guises: castles, cottages and teepees, Art Deco and Streamline Moderne, clad with wood, stucco, or gleaming porcelain in seemingly infinite variety.
 
The companion volume to the Wisconsin Public Television documentary of the same name, Fill 'er Up: The Glory Days of Wisconsin Gas Stations visits 60 Wisconsin gas stations that are still standing today and chronicles the history of these humble yet ubiquitous buildings. The book tells the larger story of the gas station's place in automobile culture and its evolution in tandem with American history, as well as the stories of the individuals influenced by the gas stations in their lives.
 
Fill 'er Up provides a glimpse into the glory days of gas stations, when full service and free oil changes were the rule and the local station was a gathering place for neighbors. More importantly, Fill 'er Up links the past and the present, showing why gas stations should be preserved and envisioning what place these historic structures can have in the 21st century and beyond.
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cover of Marching West: The Los Angeles Civil Rights Movement in Photographs

Marching West

The Los Angeles Civil Rights Movement in Photographs

Karin L. Stanford

J. Paul Getty Trust, The, 2026

This volume presents the first visual history of the people and organizations that led the fight for change during the civil rights era in Los Angeles.

During a 1963 speech to a crowd of nearly forty thousand at Wrigley Field in Los Angeles, Dr. Martin Luther King Jr. addressed the question of how Angelenos could contribute to the civil rights movement: “The most important thing that you can do is to set Los Angeles free, because you have segregation and discrimination here, and police brutality.”

Marching West illuminates the dynamic history of civil rights activism in Los Angeles and explores how the medium of photography both witnessed and advanced the fight for Black equality. Over one hundred images, some of which have never been previously published, reveal connections between the local and national movements and document the actions of Western coalitions, religious leaders, Hollywood stars, and concerned citizens. Drawn from the Tom & Ethel Bradley Center at California State University, Northridge (CSUN), the Getty Research Institute, and other Southern California collections—including prints by Harry Adams, Howard Bingham, Charles Brittin, Joe Flowers, Vera Jackson, and Charles Williams—this unprecedented volume presents less familiar but essential stories about American progress toward social justice.

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