Results by title

A unique collection of Fitzgerald family photographs, many never before published, hand selected by a curator of the Scott and Zelda Fitzgerald Museum.

Enter the Jazz Age glamour of F. Scott and Zelda Fitzgerald and their daughter, Scottie. An Apprehension of Splendor is a rich pictorial biography that illuminates the lives of this brilliant literary family in 344 rare photographs, 180 of which have never been published.

The Fitzgeralds are chiefly known from a small number of iconic, posed images, but the dashing couple and their daughter amassed hundreds of candid snapshots now housed in archives and university library collections throughout North America. These rare photos reveal the full, vivid lives behind the icons—a Buffalo boy cradling a velvety puppy, a jaunty southern gamine in the shade of a loblolly pine laughing at a secret, the stoic gloom of an enlistee in a scratchy woolen uniform, a plot taking shape in the mind of a fledgling writer with bed-tousled hair, an amorous young couple struggling to light a cigarette in the chiaroscuro of a Riviera beach, an unhappy baby tugged through the snow in a laundry basket lashed to a sled, and a myriad of other images that will rekindle fascination with the Fitzgeralds and their time.

With unparalleled access to the family’s personal papers and photographs, Shawn Sudia-Skehan, former director of acquisitions at the Scott and Zelda Fitzgerald Museum, handpicked and annotated this collection of images that brings readers closer to the Fitzgeralds than any other work. Readers of Tender Is the Night, The Beautiful and Damned, and many other works by F. Scott and Zelda will recognize some of the places and experiences that inspired their unforgettable fictions.

A captivating portrait of Jazz Age celebrity, young passion, and artistic ambition, An Apprehension of Splendor returns the perfume to the luminous flower of the Fitzgeralds.
 

While the later work of the great Modernist poet Marianne Moore was hugely popular during her final two decades, since her death critics have condemned it as trivial. This book challenges that assessment: with fresh readings of many of the late poems and of the iconic, cross-dressing public persona Moore developed to deliver them, Apparition of Splendor demonstrates that Moore used her late-life celebrity in daring and innovative ways to activate egalitarian principles that had long animated her poetry. Dressed as George Washington in cape and tricorn and writing about accessible topics like sports, TV shows, holidays, love, activism, mortality and celebrity itself, she reached a wide cross-section of Americans, encouraging them to consider what democracy means in their daily lives, particularly around issues of gender, sexuality, racial integration, class, age, and immigration. Moore actively sought out publication in popular venues (like Vogue, The New Yorker, and the Saturday Evening Post, etc.) and wrote on material chosen to directly appeal to the audiences there, influencing younger contemporaries, including poets like Ashbery, O’Hara, and Bishop, and artists like Warhol, Yoko Ono, and Ray Johnson.

Published by the University of Delaware Press. Distributed worldwide by Rutgers University Press.

On August 6, 1993, Pope John Paul II promulgated the long-awaited encyclical on moral theology entitled Veritatis splendor. In this landmark encyclical, directed principally toward bishops, Pope John Paul II sought a reset of the discipline of Catholic moral theology after the Second Vatican Council in response to the theological dissent that had called into question the foundations of Catholic morality. More than thirty years after the promulgation of Veritatis splendor, the essays in this edited volume consider the major themes and topics of this encyclical as it seeks to contribute to the revitalization of moral theology today. These themes and topics include: the rich young man and the renewal of moral theology, freedom, nature, and law, conscience, intrinsically evil acts, the state of revisionism, the moral object, martyrdom and morality, evangelization, the role of the moral theologian, and the role of scripture in moral theology. Contributors include: William C. Mattison, III, Irene Alexander, Matthew Levering, Matthew Dugandzic, James W. Stroud, Stephen L. Brock, Patrick Clark, Timothy P. O’Malley, Jana Marguerite Bennet, John Grabowski, with a foreword by Archbishop of Sydney Anthony Fisher, OP.

Honorable Mention, Carr P. Collins Award for Best Book of Nonfiction, 2006

Grover Lewis was one of the defining voices of the New Journalism of the 1960s and 1970s. His wry, acutely observed, fluently written essays for Rolling Stone and the Village Voice set a standard for other writers of the time, including Hunter S. Thompson, Joe Eszterhas, Timothy Ferris, Chet Flippo, and Tim Cahill, who said of Lewis, "He was the best of us." Pioneering the "on location" reportage that has become a fixture of features about moviemaking and live music, Lewis cut through the celebrity hype and captured the real spirit of the counterculture, including its artificiality and surprising banality. Even today, his articles on Woody Guthrie, the Allman Brothers, the Rolling Stones concert at Altamont, directors Sam Peckinpah and John Huston, and the filming of The Last Picture Show and One Flew over the Cuckoo's Nest remain some of the finest writing ever done on popular culture.

To introduce Grover Lewis to a new generation of readers and collect his best work under one cover, this anthology contains articles he wrote for Rolling Stone, Village Voice, Playboy, Texas Monthly, and New West, as well as excerpts from his unfinished novel The Code of the West and his incomplete memoir Goodbye If You Call That Gone and poems from the volume I'll Be There in the Morning If I Live. Jan Reid and W. K. Stratton have selected and arranged the material around themes that preoccupied Lewis throughout his life—movies, music, and loss. The editors' biographical introduction, the foreword by Dave Hickey, and a remembrance by Robert Draper discuss how Lewis's early struggles to escape his working-class, anti-intellectual Texas roots for the world of ideas in books and movies made him a natural proponent of the counterculture that he chronicled so brilliantly. They also pay tribute to Lewis's groundbreaking talent as a stylist, whose unique voice deserves to be more widely known by today's readers.

Henri de Lubac, SJ, (1896-1991) is one of the most renowned theologians of the twentieth century. Numerous studies have been undertaken to examine his many contributions to theology, but little attention has been paid to the specific topic of the relationship of the Blessed Virgin Mary and the Church in his writings. This was a topic that gave rise to contentious discussion at the Second Vatican Council, and although the Council fathers approved the integration of Marian doctrine into the Dogmatic Constitution on the Church, this synthesis of Mariology and ecclesiology has been largely neglected in theology today. The Splendor of the Church in Mary retrieves de Lubac’s Marian ecclesiology and revives an understanding and appreciation of its enduring influence at the Vatican Council and beyond. The first part examines de Lubac’s pre-conciliar works which evince a steady biblical and patristic ressourcement of Marian themes. It also explores his writings on Teilhard de Chardin’s Eternal Feminine, Christian mysticism, and Amida Buddhism and discovers in them the essential building blocks of his Marian thought. The second part turns to the Second Vatican Council and post-conciliar developments. Rereading the debates and texts of Lumen Gentium through a Marian lens brings to light the extent of de Lubac’s influence: Méditation sur l’Eglise (1953), his principal work on Mary and the Church, anticipated the structure and content of Lumen Gentium a decade before the Council. De Lubac’s writings provided a theological compass for the Council fathers, and they continue to provide direction and orientation for ecclesiological discourse today. The Splendor of the Church in Mary culminates in a constructive analysis of one of the most pressing pastoral and ecclesiological questions of our times: the question of the relationship of the universal and particular churches. Directly engaging the crucial debate between then-Cardinal Ratzinger and Cardinal Kasper, it proposes that de Lubac’s Mariology effectively offers a new perspective and a refreshing path forward. Attentive to the mystical identification of Mary and the Church, de Lubac’s ressourcement has the potential to re-enchant and advance contemporary theology in new and significant ways.