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One of Shakespeare’s late plays rewritten in contemporary language.
 
In her modern translation of Cymbeline, Andrea Thome takes up one of Shakespeare’s most complex plays. Thome’s update brings the play’s language into the present, highlighting new resonances and providing a more accessible version of Shakespeare’s play for today’s audiences. One of Shakespeare’s final plays, Cymbeline tells the story of the British king Cymbeline and his daughter, Imogen. It is a tale of deceit and jealousy, with accusations of infidelity that often draw comparisons to Othello and The Winter’s Tale.

This translation of Cymbeline was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.

"This text richly captures people making use of and growing with the intricacies of bi-nuclear families." --Journal of Marital and Family Therapy This is the first book to describe the unique and varied experiences and perspectives of women in stepfamilies as told by the women themselves. Through letters, journal entries, poetry, fiction, personal narratives, interviews, and analytic essays, this anthology brings a feminist perspective to the experience of millions of women now involved in stepfamilies. "Women and Stepfamilies confronts these myths head-on. Through political theory, fiction and poetry, a wide range of contributors look at living arrangements that are considered atypical. Particularly moving is the fact that the book includes a variety of perspectives: that of stepmother, stepgrandmother, stepsister and stepdaughter . [The book] helps, both in a personal sense and in terms of analyzing family norms. As the first book to focus on the unique, varied perspectives of women, told in their own words, it goes a long way toward addressing the myriad issues raised when people come together out of love and try to forge cohesive living units out of disparate, non-biologically related parts. Equally important, the editors deserve kudos for the inclusivity of the volume. It is multinational, multiclass and reflects the perspectives of both lesbian and heterosexual stepmothers and stepdaughters.... I read it with glee, putting it down only to answer a call, or break up a fight between siblings not of my loins." --Eleanor J. Bader, New Directions for Women