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Bertell Ollman has been hailed as "this country's leading authority on dialectics and Marx's method" by Paul Sweezy, the editor of Monthly Review and dean of America's Marx scholars. In this book Ollman offers a thorough analysis of Marx's use of dialectical method.
 
Marx made extremely creative use of dialectical method to analyze the origins, operation, and direction of capitalism. Unfortunately, his promised book on method was never written, so that readers wishing to understand and evaluate Marx's theories, or to revise or use them, have had to proceed without a clear grasp of the dialectic in which the theories are framed. The result has been more disagreement over "what Marx really meant" than over the writings of any other major thinker.
 
In putting Marx's philosophy of internal relations and his use of the process of abstraction--two little-studied aspects of dialectics--at the center of this account, Ollman provides a version of Marx's method that is at once systematic, scholarly, clear and eminently useful.
 
Ollman not only sheds important new light on what Marx really meant in his varied theoretical pronouncements, but in carefully laying out the steps in Marx's method makes it possible for a reader to put the dialectic to work in his or her own research. He also convincingly argues the case for why social scientists and humanists as well as philosophers should want to do so. 
 

 
“Old stories are universal and want to be told.  To bring those stories out into the world as a vehicle for navigating sobriety and recovery is a glorious thing.
I was hired to be an addictions counselor for the therapeutic community at the Frederick County Adult Detention Center. Susan Gordon encouraged me to tell them stories. I thought she was crazy, but I trusted her judgment and told them stories. The impact those stories had on those men changed my life. I worked in addictions for 15 years, taking those stories with me to very agency in which I worked.  The women at the Center 4 Clean Start in Salisbury, MD were every bit as receptive to story as the men who were in jail.”
            --Beth Ohlsson
 

Nili Gold, who was born in Haifa to German-speaking parents in 1948, the first year of Israeli statehood, here offers a remarkable homage to her native city during its heyday as an international port and cultural center. Spanning the 1920s and ’30s, when Jews and Arabs lived together amicably and buildings were erected that reflected European, modernist, Jewish, and Arab architectural influences, through 1948, when most Arabs left, and into the ’50s and ’60s burgeoning of the young state of Israel, Gold anchors her personal and family history in five landmark clusters. All in the neighborhood of Hadar HaCarmel, these landmarks define Haifa as a whole. In exquisite detail, Gold describes Memorial Park and its environs, including the border between the largest Jewish and Arab neighborhoods in Haifa; the intersection of Herzl and Balfour Streets, whose highlight is the European/Middle Eastern Technion edifice; Talpiot Market, recalling Haifa as a lively commercial hub; Alliance High School and the Great Synagogue, the former dedicated to instilling a love of intellectual pursuits, while the synagogue was an arm of the dominant Israeli religious establishment; the Ge’ula Elementary School and neighboring buildings that played a historical role, among them, the Struck House, with its Arab-inspired architecture—all against the dramatic backdrop of the mountain, sea, and bay, and their reverberations in memory and literature. Illustrated with more than thirty-five photographs and six maps, Gold’s astute observations of the changing landscape of her childhood and youth highlight literary works that portray deeply held feelings for Haifa, by such canonical Israeli writers as A. B. Yehoshua, Sami Michael, and Dahlia Ravikovitch.

 

Gregory Bateson was a philosopher, anthropologist, photographer, naturalist, and poet, as well as the husband and collaborator of Margaret Mead. In 1972, he published this career-spanning collection, and it has remained highly influential in multiple fields ever since. Ranging across anthropology, psychology and psychiatry, cybernetics, and much more, Bateson addresses culture, the self and the mind, addiction, the then-nascent field of computer science, and the very components of thought itself. This edition offers a new foreword by his daughter Mary Catherine Bateson reflecting on his career and thought, showing why this astonishing book continues to delight and inform readers, decades after its original publication.

Walking the Steps of Cincinnati: A Guide to the Queen City’s Scenic and Historic Secrets is a revised and updated version of Mary Anna DuSablon’s original guidebook, first published in 1998. This new edition describes and maps thirty-four walks of varying lengths and levels of difficulty around the neighborhoods of Cincinnati, following scenic or historic routes and taking in many of the city’s more than four hundred sets of steps. Some of these walks follow the same routes laid out by DuSablon in the first edition of the guide; others have been revised to reflect changes in the city and its neighborhoods, the physical condition of the steps, and the scenic views of Cincinnati that they afford; and still others are altogether new.

In writing their descriptions of the walks, authors Connie J. Harrell and John Cicmanec have retraced each path and taken all new photographs of the steps as well as architectural and natural landmarks along the way. Cartographer Brian Balsley has drawn a fresh set of maps, and Roxanne Qualls, vice-mayor of Cincinnati, has graciously written a new foreword.