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3 books match the query 'Stone, Nomi'

cover of Beyond Ourselves: Contemporary Poets on Muriel Rukeyser

Beyond Ourselves

Contemporary Poets on Muriel Rukeyser

Catherine Gander

West Virginia University Press, 2026

Muriel Rukeyser has many faces: poet, biographer, theorist, playwright, novelist, story-writer, filmmaker, translator, ethnographer, and innovator of social, documentary poetics; feminist, queer, Jewish, single mother, and social justice activist. Yet above all, she was a poet. Threaded through her work, politics, and life was the conviction that poetry is an animating force that connects people and disciplines. Recent years have seen a surge of renewed interest in Rukeyser’s work, bringing her back into public consciousness as a crucial voice on the relations between poetry and social life in America and beyond. 

Beyond Ourselves is the first volume of its kind to comprehensively consider the continued urgency and lasting legacy of Rukeyser’s work as a key source and inspiration for poets working today. Volume editors Catherine Gander and Stefania Heim—both scholars and poets—have gathered critical and creative contributions from some of the most innovative, exciting, and socially engaged poets writing today. In lyric and braided essays, scholarly critique, hybrid investigations, documentary collages, and collaborative poetry, these poets dive deeply into Muriel Rukeyser’s work and life to interrogate, explore, and challenge the models she provides for thinking and writing in our own social, political, and poetic moment. These essays address a range of themes, from the transhistorical politics of motherhood and contemporary relational and feminist poetics of war to communal history via documentary film and the possibilities of coalition-building beyond borders. As in Rukeyser’s own work, the forms of these texts animate their inquiries.

Beyond Ourselves is a volume at the intersections of creative and critical thought, reflecting on how Rukeyser’s expansive body of work offers a vision for, as she writes, “a kind of imagination with which to meet the world.”

Contributors: Daniel Borzutzky, Susan Briante, Catherine Gander, Stacy Hardy, Stefania Heim, Erika Meitner, Philip Metres, Jena Osman, Deborah Paredez, Khadijah Queen, Solmaz Sharif, and Nomi Stone.

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cover of Kill class

Kill class

Nomi Stone

Tupelo Press, 2019

Kill Class is based on Nomi Stone’s two years of fieldwork in mock Middle Eastern villages at military bases across the United States. The speaker in these poems, an anthropologist, both witnesses and participates in combat training exercises staged at “Pineland,” a simulated country in the woods of the American South, where actors of Middle Eastern origin are hired to theatricalize war, repetitively pretending to bargain and mourn and die. Kill Class is an arresting ethnography of American military culture, one that allows readers to circle at length through the cloverleaf interchanges where warfare nestles into even the most mundane corners of everyday life.
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cover of Stranger's Notebook: Poems

Stranger's Notebook

Poems

Nomi Stone

Northwestern University Press, 2008

Stone's moving debut collection of verse is inspired by her encounter with perhaps the last cohesive, traditional Jewish community in the Middle East and North Africa. According to their story of origin, a handful of exiles arrived on the island of Djerba, Tunisia, in 586 B.C., carrying a single stone from the destroyed Temple in Jerusalem. Drawing from this cosmology, the poems follow a stranger who arrives into an ancient community that is both at home and deeply estranged on the island. Its people occupy the uneasy space of all insular communities, deciding when to let the world in and when to shut it out. The poems are about the daily lives and deeper cosmos of the Jews of Djerba as well as the Muslims next door. In her exploration, Stone sees vivid recurring images of keys, stones, homes, the laughter of girls, the eyes of men, the color blue, and the force of blood or bombs. With this journey of faith, doubt, longing, and home, Stone has brought readers a rare look into a story that resonates powerfully with questions of cultural preservation and coexistence.

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