Results by title

Thirty years ago, a social movement helped bring down one of the most powerful British Prime Ministers of the 20th Century. For the 30th anniversary of the Poll Tax rebellion, Simon Hannah looks back on those tumultuous days of resistance, telling the story of the people that beat the bailiffs, rioted for their rights and defied a government.

Starting in Scotland where the 'Community Charge' was first trialled, Can't Pay, Won't Pay immerses the reader in the gritty history of the rebellion. Amidst the drama of large scale protests and blockaded estates a number of key figures and groups emerge: Neil Kinnock and Tommy Sheridan; Militant, Class War and the Metropolitan Police. 

Assessing this legacy today, Hannah demonstrates the centrality of the Poll Tax resistance as a key chapter in the history of British popular uprisings, Labour Party factionalism, the anti-socialist agenda and failed Tory ideology.

An original history of the popular movement against the War on Terror—the greatest case of “we told you so” in modern political history.
 
Just after 9/11, President George W. Bush climbed the rubble where the World Trade Center had stood. Surrounded by shouts of anger, he said, “The people who knocked these buildings down will hear all of us soon!” With these words, Bush ushered in the War on Terror. Quickly, a global protest movement mobilized against it, reshaping the political, moral, and media landscape.

Jeremy Varon’s Our Grief Is Not a Cry for War is the definitive history of that movement. Millions of Americans participated in thousands of acts of protest, from demonstrations to civil disobedience to peace encampments in Iraq. On February 15, 2003, up to 30 million people worldwide took to the streets in the largest protest in human history. But this enormous outcry was not enough to stop the US invasion of Iraq. Varon explores the limits to the movement’s power but also shows how it worked to make opposition to the Iraq War a part of public debate, hastening its end and limiting the broader War on Terror. In the book, you’ll meet the families of the 9/11 victims, Iraq War veterans, and Gold Star families who spoke out against war.

Written with a lively and revelatory voice, Our Grief Is Not a Cry for War illuminates the passion of the peace movement, the mark it made, and the enduring legacies of the War on Terror.

A delightful blend of memoir, opinion, and sports from an Alabama original.

For 31 years, Clyde Bolton wrote four sports columns per week for the Birmingham News. By his estimation, this makes him the most widely read Alabamian in history. He may be right.

In Stop the Presses (So I Can Get Off) he takes the reader along on a joyride through more than three decades of Alabama sports. Unsurprisingly, tales of Bear Bryant and Shug Jordan, Roll Tide and War Eagle, dominate, but at one point or another, Clyde covered just about every type of sporting event in the state. Personalities and events from the realms of high school sports, minor league baseball, college basketball, and Nextel Cup Racing are just some of the many facets of his personal and professional life that he shares in this, his 17th book.

In relating the outlines of his life, Bolton pays homage to his mentors, including famed sports editor Benny Marshall, and shares some insights he’s gained after a lifetime in the newspaper game. But throughout the book, he never forgets that any good journalist—any good writer—is in the business of telling stories. And oh, what stories!

Bolton writes of meeting Michael Jordan during the basketball star’s year with the Birmingham Barons; of having dinner with Muhammad Ali at the Lambda Chi Alpha fraternity house at Auburn University; of walking incognito down sunny Birmingham sidewalks with Hall-of-Famer Johnny Unitas. He explains why Bear Bryant, in his opinion, is the greatest football coach ever, tells of interviewing Joe Namath in the men’s bathroom, and reveals why his grandmother watched professional wrestling on her hands and knees on the floor in front of the television.

Stop the Presses (So I Can Get Off) is a joyous romp through the SEC, the Nextel Cup Circuit, and, in the end, life itself.