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4 books match the query 'Stratton, Kate'
Digital Preservation Essentials
Christopher Prom
Society of American Archivists, 2016
Digital Preservation Essentials is part of the series Trends in Archives Practice. It includes two modules by Erin O'Meara and Kate Stratton:
Module 12: Preserving Digital Objects
Explores concepts of digital preservation in the archival context, focusing on standards and metadata required to make digital objects accessible and understandable over time.
Module 13: Digital Preservation Storage
Provides an introduction to digital storage best practices for long-term preservation, including terminology, hardware, and configurations.
As University of Illinois Preservation Librarian Kyle R. Rimkus notes in the introduction, "The successful archivist needs a grounding in the fundamental concepts of digital preservation, a command of its key terminology and practices, and an ability to build effective programs and practices. These modules provide an excellent point of entry."
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Module 12
Preserving Digital ObjectsErin O'Meara
Society of American Archivists, 2016
Explores concepts of digital preservation in the archival context, focusing on standards and metadata required to make digital objects accessible and understandable over time.
[more]
Module 13
Digital Preservation StorageErin O'Meara
Society of American Archivists, 2016
Provides an introduction to digital storage best practices for long-term preservation, including terminology, hardware, and configurations.
[more]
Theatre Symposium, Vol. 21
Ritual, Religion, and TheatreEdited by E. Bert Wallace
University of Alabama Press, 2013
Volume 21 of Theatre Symposium presents essays that explore the intricate and vital relationships between theatre, religion, and ritual.
Whether or not theatre arose from ritual and/or religion, from prehistory to the present there have been clear and vital connections among the three. Ritual, Religion, and Theatre, volume 21 of the annual journal Theatre Symposium, presents a series of essays that explore the intricate and vital relationships that exist, historically and today, between these various modes of expression and performance.
The essays in this volume discuss the stage presence of the spiritual meme; ritual performance and spirituality in The Living Theatre; theatricality, themes, and theology in James Weldon Johnson’s God’s Trombones; Jordan Harrison’s Act a Lady and the ritual of queerness; Gerpla and national identity in Iceland; confession in Hamlet and Measure for Measure; Christian liturgical drama; Muslim theatre and performance; cave rituals and the Brain’s Theatre; and other, more general issues.
Edited by E. Bert Wallace, this latest publication by the largest regional theatre organization in the United States collects the most current scholarship on theatre history and theory.
CONTRIBUTORS
Cohen Ambrose / David Callaghan / Gregory S. Carr
Matt DiCintio / William Doan / Tom F. Driver / Steve Earnest
Jennifer Flaherty / Charles A. Gillespie / Thomas L. King
Justin Kosec / Mark Pizzato / Kate Stratton
Whether or not theatre arose from ritual and/or religion, from prehistory to the present there have been clear and vital connections among the three. Ritual, Religion, and Theatre, volume 21 of the annual journal Theatre Symposium, presents a series of essays that explore the intricate and vital relationships that exist, historically and today, between these various modes of expression and performance.
The essays in this volume discuss the stage presence of the spiritual meme; ritual performance and spirituality in The Living Theatre; theatricality, themes, and theology in James Weldon Johnson’s God’s Trombones; Jordan Harrison’s Act a Lady and the ritual of queerness; Gerpla and national identity in Iceland; confession in Hamlet and Measure for Measure; Christian liturgical drama; Muslim theatre and performance; cave rituals and the Brain’s Theatre; and other, more general issues.
Edited by E. Bert Wallace, this latest publication by the largest regional theatre organization in the United States collects the most current scholarship on theatre history and theory.
CONTRIBUTORS
Cohen Ambrose / David Callaghan / Gregory S. Carr
Matt DiCintio / William Doan / Tom F. Driver / Steve Earnest
Jennifer Flaherty / Charles A. Gillespie / Thomas L. King
Justin Kosec / Mark Pizzato / Kate Stratton
[more]