73 books match the query 'Style' and 5 start with a

cover of A Karamazov Companion: Commentary on the Genesis, Language, and Style of Dostoevsky's Novel

A Karamazov Companion

Commentary on the Genesis, Language, and Style of Dostoevsky's Novel

Victor Terras

University of Wisconsin Press, 1981

    The text of The Brothers Karamazov is removed from English-speaking readers today not only by time but also by linguistic and cultural boundaries. Victor Terras’s companion work provides readers with a richer understanding of the Dostoevsky novel as the expression of a philosophy and a work of art.
     In his introduction, Terras outlines the genesis, main ideas, and structural peculiarities of the novel as well as Dostoevsky’s political, philosophical, and aesthetic stance. The detailed commentary takes the reader through the novel, clarifying aspects of Russian life, the novel’s sociopolitical background, and a number of polemic issues. Terras identifies and explains hundreds of literary and biblical quotations and allusions. He discusses symbols, recurrent images, and structural stylistic patterns, including those lost in English translation.
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cover of A Rhetoric of Style

A Rhetoric of Style

Barry Brummett

Southern Illinois University Press, 2008

Exploring style in a global culture


In A Rhetoric of Style, Barry Brummett illustrates how style is increasingly a global system of communication as people around the world understand what it means to dress a certain way, to dance a certain way, to decorate a certain way, to speak a certain way. He locates style at the heart of popular culture and asserts that it is the basis for social life and politics in the twenty-first century.

Brummett sees style as a system of signification grounded largely in image, aesthetics, and extrarational modes of thinking. He discusses three important aspects of this system—its social and commercial structuring, its political consequences, and its role as the chief rhetorical system of the modern world. He argues that aesthetics and style are merging into a major engine of the global economy and that style is becoming a way to construct individual identity, as well as social and political structures of alliance and opposition. It is through style that we stereotype or make assumptions about others’ political identities, their sexuality, their culture, and their economic standing.

To facilitate theoretical and critical analysis, Brummett develops a systematic rhetoric of style and then demonstrates its use through an in-depth exploration of gun culture in the United States. Armed with an understanding of how this rhetoric of style works methodologically, students and scholars alike will have the tools to do their own analyses. Written in clear and engaging prose, A Rhetoric of Style presents a novel discussion of the workings of style and sheds new light on a venerable and sometimes misunderstood rhetorical concept by illustrating how style is the key to constructing a rhetoric for the twenty-first century.

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cover of A THOUSAND WORDS: PORTRAITURE, STYLE, AND QUEER MODERNISM

A THOUSAND WORDS

PORTRAITURE, STYLE, AND QUEER MODERNISM

Jaime Hovey

The Ohio State University Press, 2006

A Thousand Words argues that there is such a thing as queer modernism, and that the (mostly) literary portrait—one of the more prominent forms of experimentalism in late-nineteenth- and early-twentieth-century writing—functions as one of its most important erotically dynamic aesthetic mechanisms, one modeled on visual portraiture’s relationships of looking between the artists, sitters, and spectators of paintings. Jaime Hovey looks at how the dynamic structure of visual portraiture was appropriated by modernist writers—including Oscar Wilde, Gertrude Stein, T. S. Eliot, Virginia Woolf, Ernest Hemingway, and Colette, among others, who used the self-conscious literary portrait.

Portraiture speaks to the complex relationship between identity, sexuality, and art, and the presence of so many portraits in this era suggests that sexual, gender, and racial aspects of character, personality, and personal identity were of major concern to most modernist writers. Yet it took most of the twentieth century for critical work to appear that meaningfully explored these themes, and very little has been said about the queerness of literary portraiture. This book demonstrates that literary portraiture is enamored of its own self-consciousness, with the pleasures of looking at itself seeing itself, and that its texts circulate this pleasure between writers, narrators and other characters, and readers as a perverse aesthetics
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cover of A Way With Words: Style in the Age of Artificial Intelligence

A Way With Words

Style in the Age of Artificial Intelligence

John Marsh

University of Michigan Press, 2026

A Way with Words helps readers learn the essentials of writing. Rather than lecturing about when to use who or whom, this book focuses on writing clear, concise, and lively prose: eliminating wordiness, using active verbs, avoiding run-on sentences. John Marsh applies his experience grading over 5,000 essays over a quarter century as a teacher to take readers through the issues he most commonly sees. While Marsh teaches in the humanities, the advice applies to writing regardless of discipline. 
 
Using examples from papers students might actually write, the book invites readers to apply what they have learned to quizzes that mix and match issues—vague pronouns, sentence fragments, punctuating quotations—from previous chapters. The book includes a thoughtful discussion about balancing the competing demands of writing well and fighting linguistic discrimination. Finally, A Way with Words prompts readers to consider what artificial intelligence programs like ChatGPT and Bard will mean for student writing. It offers advice about how writers can distinguish their writing from the assembly-line writing that artificial intelligence tends to generate, and how they can develop their style to stand out to their teachers, employers, and clients.
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cover of Archive of Style: New and Selected Poems

Archive of Style

New and Selected Poems

Cheryl Clarke

Northwestern University Press, 2024

A new retrospective of a titan of LGBTQ literature, activism, and Black feminism

Award-winning poet and essayist Cheryl Clarke’s illustrious career has spanned more than four decades and culminates in Archive of Style: New and Selected Poems, a long-awaited retrospective of the indelible work of a Black feminist, community and LGBTQ activist, and educator. This collection features carefully curated poems from Narratives: Poems in the Tradition of Black Women (1982), Living as a Lesbian (1986), The Days of Good Looks: Prose and Poetry 1980-2005 (2006), By My Precise Haircut (2016), and Targets (2019). Together these works show a brilliant thinker who has profoundly impacted generations of writers and activists.

Clarke’s poetry and essays, centered around the Black, lesbian, feminist experience, have attracted an audience around the world. Her essays, “Lesbianism: an Act of Resistance” and “The Failure to Transform: Homophobia in the Black Community” revolutionized the thinking about lesbians of color and the struggle against homophobia. Her poetry and non-fiction have been reprinted in numerous anthologies and assigned in women and sexuality courses globally. Having published since 1977, Clarke and her work have become a foundational part of LGBTQ literature and activism. Archive of Style is a celebration and homage to one of American literature’s Black Women literary warriors.
 
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