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When one thinks of the American Civil War, such names as Vicksburg, Gettysburg, and Chancellorsville come immediately to mind. Few recall the battles in the Trans-Mississippi theater.

Rugged and Sublime goes a long way toward filling regrettable blanks in our memory of Arkansas’s role in Civil War. It explore the major clashes and locales of the war, including the state secession convention, seizure of the Little Rock Arsenal, the Battle of Wilson’s Creek, the Pea Ridge campaign, Marmaduke’s invasion of Missouri, the Battle of Helena, and the fall of Little Rock, as well as other actions. Rounding out this new and very readable account are studies of the devolution of Arkansas society when bands of guerillas and jayhawkers menaced the state, the surrender of the Confederate armies, and an assessment of losses.

Throughout his life Turner was profoundly influenced by the eighteenth-century aesthetic theory of the "sublime." However, as Andrew Wilton now shows, the sublime was not merely a springboard for Turner's innovations; he reinterpreted the theory with great individualism and offered it to the world as a fresh and even more far-reaching philosophy of art.

The 140 illustrations, which include 32 in color, reproduce watercolors and prints that demonstrate the development of Turner's response to the sublime in areas as various as architecture, the picturesque, the "terrific," the sea, cities, mountains, and lakes. Many of the subjects have not previously been published.