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6 books match the query 'Tacitus, Cornelius'

cover of Conspiracy Theory in Latin Literature

Conspiracy Theory in Latin Literature

By Victoria Emma Pagán

University of Texas Press, 2012

Conspiracy theory as a theoretical framework has emerged only in the last twenty years; commentators are finding it a productive way to explain the actions and thoughts of individuals and societies. In this compelling exploration of Latin literature, Pagán uses conspiracy theory to illuminate the ways that elite Romans invoked conspiracy as they navigated the hierarchies, divisions, and inequalities in their society. By seeming to uncover conspiracy everywhere, Romans could find the need to crush slave revolts, punish rivals with death or exile, dismiss women, denigrate foreigners, or view their emperors with deep suspicion. Expanding on her earlier Conspiracy Narratives in Roman History, Pagán here interprets the works of poets, satirists, historians, and orators—Juvenal, Tacitus, Suetonius, Terence, and Cicero, among others—to reveal how each writer gave voice to fictional or real actors who were engaged in intrigue and motivated by a calculating worldview.

Delving into multiple genres, Pagán offers a powerful critique of how conspiracy and conspiracy theory can take hold and thrive when rumor, fear, and secrecy become routine methods of interpreting (and often distorting) past and current events. In Roman society, where knowledge about others was often lacking and stereotypes dominated, conspiracy theory explained how the world worked. The persistence of conspiracy theory, from antiquity to the present day, attests to its potency as a mechanism for confronting the frailties of the human condition.

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cover of History after Liberty: Tacitus on Tyrants, Sycophants, and Republicans

History after Liberty

Tacitus on Tyrants, Sycophants, and Republicans

Thomas E. Strunk

University of Michigan Press, 2017

Roman historian Tacitus wrote a damning critique of the first century CE Roman empire. The emperors in Tacitus’ works are almost universally tyrants surrounded by flatterers and informants, and the image Tacitus creates is of a society that has lost the liberty enjoyed under the Roman Republic. Yet Tacitus also poignantly depicts those who resist this tyranny and seek to restore a sense of liberty to Rome. In his portrayal of autocrats, sycophants, and republicans Tacitus provides an enduring testament to the value of liberty and the evils of despotism.
 
History after Liberty explores Tacitus’ political thought through his understanding of liberty. Influenced by modern republican writers such as Quentin Skinner and Philip Pettit, this study defines Tacitean libertas as the freedom from the rule of a dominus and as freedom to participate in the traditional politics of Rome through military service, public service in the senate and magistracies, and public speech. All of these elements are balanced in Tacitus’ writings with examples of those resisting the corruption of politics in an effort to restore a sense of free civic engagement. The work concludes with an exploration of Tacitus’ own writings as an act of restoring liberty. In contrast to most studies on Tacitus, History after Liberty argues that Tacitus is a republican who writes both to demonstrate that Rome had become a tyranny and to show a way out of that tyranny.
 
History after Liberty addresses the political thought of Tacitus’ writings. As such it will be of most interest to those who study the history and historiography of the early Roman empire, namely classicists and ancient historians. The work will also be of use to those interested in the antecedents to modern political thought, particularly the history of republicanism and freedom; readers from this category will include political scientists, philosophers, and modern historians.
 

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cover of Humor in the Historical Works of Tacitus

Humor in the Historical Works of Tacitus

Emma Warhover

University of Michigan Press, 2026

Emma Warhover’s Humor in the Historical Works of Tacitus explores how the ancient Roman historian Tacitus incorporated humor into his historical works, and unveils the significance of these humorous motifs. Since the historian is one of the most important ancient sources on Rome’s emperors Tiberius, Claudius, and Nero, readers of Tacitus have long been challenged by his purposely opaque style, full of unbalanced grammatical constructions and end-of-the-sentence surprises. Tacitus’ strange prose style reflects the remarkable times about which he writes, when emperors made bizarre and contradictory demands on their subjects and told obvious lies to cover up the cruelty of their regimes.
In serious texts like Tacitus’ historical works, humor can expose hypocrisy in the powerful, demonstrate the absurdity of imperial pronouncements, and simultaneously communicate why such offenses were allowed to stand. Warhover argues that major elements of Tacitus’ distinctive style, such as variatio, appendix sentences, and sententiae, create humor, and that Tacitus used humor deliberately to emphasize the incongruities that emerged from the principate. By employing humor, Tacitus followed Roman rhetorical traditions evident in Cicero and Quintilian, who agree that humor is an important tool for criticism. For Tacitus, humor is therefore not an amusement or decoration, but an integral part of his historiographic construction.
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cover of Provincial Soldiers and Imperial Instability in the Histories of Tacitus

Provincial Soldiers and Imperial Instability in the Histories of Tacitus

Jonathan Master

University of Michigan Press, 2016

Tacitus’ narrative of 69 CE, the year of the four emperors, is famous for its description of a series of coups that sees one man after another crowned. Many scholars seem to read Tacitus as though he wrote only about the constricted world of imperial Rome and the machinations of emperors, courtiers, and victims of the principate; even recent work on the Histories either passes over or lightly touches upon civil unrest and revolts in the provinces. In Provincial Soldiers and Imperial Instability in the Histories of Tacitus, Jonathan Master looks beyond imperial politics and finds threats to the Empire’s stability among unassimilated foreign subjects who were made to fight in the Roman army.

Master draws on scholarship in political theory, Latin historiography, Roman history, and ethnic identity to demonstrate how Tacitus presented to his contemporary audience in Trajanic Rome the dangerous consequences of the city’s failure to reward and incorporate its provincial subjects. Master argues that Tacitus’ presentation of the Vitellian and Flavian armies, and especially the Batavian auxiliary soldiers, reflects a central lesson of the Histories: the Empire’s exploitation of provincial manpower (increasingly the majority of all soldiers under Roman banners) while offering little in return, set the stage for civil wars and ultimately the separatist Batavian revolt.

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cover of Tacitus and the Incomplete

Tacitus and the Incomplete

Edited by Panayiotis Christoforou and Bram L. H. ten Berge

University of Michigan Press, 2026

Widely regarded as ancient Rome’s greatest historian, Tacitus has shaped much of early modern and modern thought on Rome and its emperors. Substantial portions of his major historical works Histories and Annals, however, have not survived, depriving us of his account of crucial episodes and developments in Rome's early imperial history. This first-of-its-kind volume seeks to fill those gaps, using a range of historical and linguistic approaches to reconstruct the missing portions of Tacitus’ work. The volume offers reconstructions of the fragmentary Tacitean emperors (Augustus, Caligula, Nero, Vespasian, Titus, and Domitian) and of important lost episodes such as the destruction of the Temple of Jerusalem and the eruption of Mt. Vesuvius.

By utilizing the concept of incompleteness as a narrative tool, Tacitus and the Incomplete provides novel insights into what Tacitus’ oeuvre might have been like if the lost books had survived, and also expands on recent work on counterfactual historiography, the influence of hindsight on historical writing, the use of prolepsis and other narrative techniques, and on the limitations of historiography in the imperial period.

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cover of Writing Imperial History: Tacitus from Agricola to Annales

Writing Imperial History

Tacitus from Agricola to Annales

Bram L. H. ten Berge

University of Michigan Press, 2023

The late first- and early second-century Roman senator and historian Cornelius Tacitus, whom Edward Gibbon described as “the first of the historians who applied the science of philosophy to the study of facts,” shaped the development of the modern understanding of history as a crucial vehicle for social analysis. The breadth of his thinking is fully revealed only through analysis of how the political, geographical, and rhetorical theories expounded in his early works influenced his later narrative of the evolution of the Roman monarchy. Tacitus, who was one of the oratorical luminaries of his time, produced a collection of works widely recognized as offering the most authoritative account of Rome’s early imperial history. His oeuvre traditionally is divided into the so-called minor and major works. Writing Imperial History offers the first comprehensive analysis of Tacitus’ five texts and their interconnections and serves to confront longstanding assumptions that have led to a fundamental misunderstanding of the nature and development of his oeuvre and historical thinking. Tracing many of the enduring themes and concerns that Tacitus explores across his works, the book shows how the vision articulated in his earlier texts persists in his later ones and how he used the former as sources for the latter.
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