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3 books match the query 'Taylor, Charles'

cover of Grace and Freedom in a Secular Age: Contingency, Vulnerability, and Hospitality

Grace and Freedom in a Secular Age

Contingency, Vulnerability, and Hospitality

Philip J. Rossi

Catholic University of America Press, 2022

In the course of a long and distinguished academic and civic career, the Canadian philosopher Charles Taylor has been, for articulate atheists and learned believers alike, an incisive, insightful, gracious, and challenging conversation partner on issues that arise at the intersection and interaction of religion, society, and culture. Grace and Freedom in a Secular Age offers a concise exposition of key ideas – contingency, otherness, freedom, vulnerability and mutuality – that inform his probing analyses of the dynamics of religious belief and religious denial in the pervasive contemporary culture he calls a “a secular age,” within which religious belief and practice have, for many, become just an option. Those ideas provide the basis from which Rossi argues that, despite a clear-eyed recognition of the deep fractures of meaning and the pervasive fragmentation of once stable societal connections that a secular age has brought in its wake, Taylor also sees and affirms strong grounds for hope in a healing of our broken and fractured world and for the possibilities—and the importance of—active human participation in that healing. Taylor points to signs indicative of potent re-compositions and renewals taking place in religious belief and practice from its interaction with the dynamics of secular culture, particularly ones that make possible radical enactments of deeper human solidarity and mutuality, of which the one most often potent is the reconciliation of enemies. In pointing out these signs, Taylor suggests a richly expansive reading of the Christian doctrine of Creation, as it marks the radical contingency of all that is upon a freely bestowed divine self-giving: Creation is the ongoing enactment of the divine hospitality of the Triune God.
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cover of Modern Social Imaginaries

Modern Social Imaginaries

Charles Taylor

Duke University Press, 2004

One of the most influential philosophers in the English-speaking world, Charles Taylor is internationally renowned for his contributions to political and moral theory, particularly to debates about identity formation, multiculturalism, secularism, and modernity. In Modern Social Imaginaries, Taylor continues his recent reflections on the theme of multiple modernities. To account for the differences among modernities, Taylor sets out his idea of the social imaginary, a broad understanding of the way a given people imagine their collective social life.

Retelling the history of Western modernity, Taylor traces the development of a distinct social imaginary. Animated by the idea of a moral order based on the mutual benefit of equal participants, the Western social imaginary is characterized by three key cultural forms—the economy, the public sphere, and self-governance. Taylor’s account of these cultural formations provides a fresh perspective on how to read the specifics of Western modernity: how we came to imagine society primarily as an economy for exchanging goods and services to promote mutual prosperity, how we began to imagine the public sphere as a metaphorical place for deliberation and discussion among strangers on issues of mutual concern, and how we invented the idea of a self-governing people capable of secular “founding” acts without recourse to transcendent principles. Accessible in length and style, Modern Social Imaginaries offers a clear and concise framework for understanding the structure of modern life in the West and the different forms modernity has taken around the world.

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cover of What You See in the Dark: A Novel

What You See in the Dark

A Novel

Manuel Muñoz and Charles Taylor

Northwestern University Press, 2025

A doomed love story unfolds alongside the production of Psycho in 1950s Bakersfield, California

Muñoz’s debut novel tells the story of Teresa, an aspiring singer too far away from Los Angeles to share the city’s glamour. In Dan Watson, the most desirable man in town, she believes she has found someone to help her realize those dreams. But when a famous actress arrives from Hollywood with a legendary director in tow, local gossip about Teresa and Dan turns to speculation about the celebrity visitors there to work on what will become an iconic, groundbreaking film of madness and murder at a roadside motel: Alfred Hitchcock’s Psycho. Framed by a foreword from film critic Charles Taylor, Muñoz’s haunting tale reflects “the slow winding down of everything that once seemed certain.”

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