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10 books match the query 'Technology in literature'
Gears and God
Technocratic Fiction, Faith, and Empire in Mark Twain's AmericaNathaniel Williams
University of Alabama Press, 2018
In Gears and God: Technocratic Fiction, Faith, and Empire in Mark Twain’s America, Nathaniel Williams analyzes the genre of technology-themed exploration novels—dime novel adventure stories featuring steam-powered and electrified robots, airships, and submersibles. This genre proliferated during the same cultural moment when evolutionary science was dismantling Americans’ prevailing, biblically based understanding of human history.
While their heyday occurred in the late 1800s, technocratic adventure novels like Twain’s A Connecticut Yankee in King Arthur’s Court inspired later fiction about science and technology. Similar to the science fiction plotlines of writers like Jules Verne and H. Rider Haggard, and anticipating the adventures of Tom Swift some decades later, these novels feature Americans using technology to visit and seize control of remote locales, a trait that has led many scholars to view them primarily as protoimperialist narratives. Their legacy, however, is more complicated. As they grew in popularity, such works became as concerned with the preservation of a fraught Anglo-Protestant American identity as they were with spreading that identity across the globe.
Many of these novels frequently assert the Bible’s authority as a historical source. Collectively, such stories popularized the notion that technology and travel might essentially “prove” the Bible’s veracity—a message that continues to be deployed in contemporary debates over intelligent design, the teaching of evolution in public schools, and in reality TV shows that seek historical evidence for biblical events. Williams argues that these fictions performed significant cultural work, and he consolidates evidence from the novels themselves, as well as news articles, sermons, and other sources of the era, outlining and mapping the development of technocratic fiction.
How Did Poetry Survive?
The Making of Modern American VerseJohn Timberman Newcomb
University of Illinois Press, 2013
This book traces the emergence of modern American poetry at the turn of the nineteenth century. With a particular focus on four "little magazines"--Poetry, The Masses, Others, and The Seven Arts--John Timberman Newcomb shows how each advanced ambitious agendas combining urban subjects, stylistic experimentation, and progressive social ideals. While subsequent literary history has favored the poets whose work made them distinct--individuals singled out usually on the basis of a novel technique--Newcomb provides a denser, richer view of the history that hundreds of poets made.
Profiles and Plotlines
Data Surveillance in Twenty-first Century LiteratureKatherine D. Johnston
University of Iowa Press, 2023
In Profiles and Plotlines, Katherine Johnston engages this energetic reformation of contemporary literature to account for a society and economy of frenetic counting. Fiction and poetry are capable of addressing precisely that for which algorithms cannot or do not account: the effects of profile culture; the ideologies and supposed truth-power of data; the gendered and racialized dynamics of watching and being watched; and the politics of who counts and what gets counted. Johnston analyzes prescient work by contemporary authors such as Jennifer Egan, Claudia Rankine, Mohsin Hamid, and William Gibson to probe how the claims of data surveillance serve to make lives seem legible, intelligible, and sometimes even expendable.
Reproduction by Design
Sex, Robots, Trees, and Test-Tube Babies in Interwar BritainAngus McLaren
University of Chicago Press, 2012
Robo Sacer
Necroliberalism and Cyborg Resistance in Mexican and Chicanx DystopiasDavid S. Dalton
Vanderbilt University Press, 2023
Harvey L. Johnson Publication Award, Southwest Council of Latin American Studies, 2026
Premio Alambique, Alambique: Revista Académica de Ciencia Ficción y Fantasía, 2025
Robo Sacer engages the digital humanities, critical race theory, border studies, biopolitical theory, and necropolitical theory to interrogate how technology has been used to oppress people of Mexican descent—both within Mexico and in the United States—since the advent of the North American Free Trade Agreement (NAFTA) in 1994. As the book argues, robo-sacer identity emerges as transnational flows of bodies, capital, and technology become an institutionalized state of exception that relegates people from marginalized communities to the periphery.
And yet the same technology can be utilized by the oppressed in the service of resistance. The texts studied here represent speculative stories about this technological empowerment. These texts theorize different means of techno-resistance to key realities that have emerged within Mexican and Chicano/a/x communities under the rise and reign of neoliberalism. The first three chapters deal with dehumanization, the trafficking of death, and unbalanced access to technology. The final two chapters deal with the major forms of violence—feminicide and drug-related violence—that have grown exponentially in Mexico with the rise of neoliberalism. These stories theorize the role of technology both in oppressing and in providing the subaltern with necessary tools for resistance.
Robo Sacer builds on the previous studies of Sayak Valencia, Irmgard Emmelhainz, Guy Emerson, Achille Mbembe, and of course Giorgio Agamben, but it differentiates itself from them through its theorization on how technology—and particularly cyborg subjectivity—can amend the reigning biopolitical and necropolitical structures of power in potentially liberatory ways. Robo Sacer shows how the cyborg can denaturalize constructs of zoē by providing an outlet through which the oppressed can tell their stories, thus imbuing the oppressed with the power to combat imperialist forces.
Techno-Orientalism
Imagining Asia in Speculative Fiction, History, and MediaRoh, David S.
Rutgers University Press, 2015
Technophobia!
Science Fiction Visions of Posthuman TechnologyBy Daniel Dinello
University of Texas Press, 2006
Techno-heaven or techno-hell? If you believe many scientists working in the emerging fields of twenty-first-century technology, the future is blissfully bright. Initially, human bodies will be perfected through genetic manipulation and the fusion of human and machine; later, human beings will completely shed the shackles of pain, disease, and even death, as human minds are downloaded into death-free robots whereby they can live forever in a heavenly "posthuman" existence. In this techno-utopian future, humanity will be saved by the godlike power of technology.
If you believe the authors of science fiction, however, posthuman evolution marks the beginning of the end of human freedom, values, and identity. Our dark future will be dominated by mad scientists, rampaging robots, killer clones, and uncontrollable viruses. In this timely new book, Daniel Dinello examines "the dramatic conflict between the techno-utopia promised by real-world scientists and the techno-dystopia predicted by science fiction."
Organized into chapters devoted to robotics, bionics, artificial intelligence, virtual reality, biotechnology, nanotechnology, and other significant scientific advancements, this book summarizes the current state of each technology, while presenting corresponding reactions in science fiction. Dinello draws on a rich range of material, including films, television, books, and computer games, and argues that science fiction functions as a valuable corrective to technological domination, countering techno-hype and reflecting the "weaponized, religiously rationalized, profit-fueled" motives of such science. By imaging a disastrous future of posthuman techno-totalitarianism, science fiction encourages us to construct ways to contain new technology, and asks its audience perhaps the most important question of the twenty-first century: is technology out of control?
The Assault on Progress
Technology and Time in American LiteratureJ. Adam Johns
University of Alabama Press, 2008
A belief in progress is a fundamental ethos in American history and culture. The Assault on Progress probes American literary works that challenge the prevailing notion of technology as a manifestation of progress. J. Adam Johns argues that the idea of technology-as-destiny has long been explored—and undercut—in American literary works and that literature remains a crucial site for ongoing debates in this area.
Johns studies the phenomenon by which each generation comes to regard itself as the hinge upon which history turns. He explores several works by historians of technology, focusing in detail on the works of literary critic Lewis Mumford, whose examinations of Herman Melville’s novels provide an early example of critical interest in the abandonment of progress as a value.
He goes on to study the works of William Faulkner and Ralph Ellison, focusing on the convergence of technology and race—machines and slavery, and highlights the ways that these writers have portrayed humans as reduced to machines, evidence that technological “progress” is not always progressive, or liberating to humanity.
The conclusion argues for a shift in our understanding of the relationship between technology and time. According to Johns, writers like Melville, Faulkner, and Ellison help us to think of technology separate from notions of progress, and therefore help us to escape from a perilous ideological bind that forever situates humankind at the end of history.
The Cyborg Caribbean
Techno-Dominance in Twenty-First-Century Cuban, Dominican, and Puerto Rican Science FictionSamuel Ginsburg
Rutgers University Press, 2023
The Cyborg Caribbean examines a wide range of twenty-first-century Cuban, Dominican, and Puerto Rican science fiction texts, arguing that authors from Pedro Cabiya, Alexandra Pagan-Velez, and Vagabond Beaumont to Yasmin Silvia Portales, Erick Mota, and Yoss, Haris Durrani, and Rita Indiana Hernandez, among others, negotiate rhetorical legacies of historical techno-colonialism and techno-authoritarianism. The authors span the Hispanic Caribbean and their respective diasporas, reflecting how science fiction as a genre has the ability to manipulate political borders. As both a literary and historical study, the book traces four different technologies—electroconvulsive therapy, nuclear weapons, space exploration, and digital avatars—that have transformed understandings of corporality and humanity in the Caribbean. By recognizing the ways that increased technology may amplify the marginalization of bodies based on race, gender, sexuality, and other factors, the science fiction texts studied in this book challenge oppressive narratives that link technological and sociopolitical progress.
The Souls of Cyberfolk
Posthumanism as Vernacular TheoryThomas Foster
University of Minnesota Press, 2005