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As the University of Cincinnati celebrates its bicentennial, students, faculty, staff, and alumni look back on the university’s remarkable past and its progression as a pioneer in higher education. From the Temple of Zeus to the Hyperloop: University of Cincinnati Stories reflects the breadth and diversity of the University of Cincinnati over its rich and eventful history, emphasizing just what makes UC’s history so special and inspiring—its stories.

Former Ohio Governor Bob Taft remembers his law school days in a building named for his great-grandfather. Broadway star Faith Prince recalls her musical theater start at UC’s College-Conservatory of Music. More than thirty-five contributors provide their own unique perceptions of this extraordinary urban university. Some are well-known names like Taft and Prince, while others are current students and alumni whose education and futures were profoundly shaped by memorable experiences connected to UC. Clark Beck recounts the struggles he initially faced upon coming to UC and offers readers an inspiring story of perseverance and tenacity. Sid Thatham gives a captivating tale of his move from India and the home base he made in Cincinnati with UC graduate students. Other contributors celebrate the relationships, such as that between the strong-willed duo of Jack Rouse and Helen Laird, that give UC its storied past.

In From the Temple of Zeus to the Hyperloop, anyone can find a person, whether it be the trailblazing Lucy Braun or the celebrated Carl Blegen, or a place, be it the changing landscape of Ludlow Avenue or the new frontier for the DAAP College, to which he or she can relate. Such figures, places, and stories present a sampling of the UC experience. From the Temple of Zeus to the Hyperloop offers readers an inside look at the many lives that have influenced UC and the opportunity to envision how their own stories can be a part of its future.

Just as Hand titles his introduction, “a dedicated crew of bearcats assembled this book,” the University of Cincinnati and its story continue to be a community effort, deeply intertwined with the lives of the people who have made up the university and its two-hundred years.
 

This collection raises timely questions about peace and stability as it interrogates the past and present status of international relations.

The post–World War II liberal international order, upheld by organizations such as the United Nations, the North Atlantic Treaty Organization, and similar alliances, aspired to ensure decades of collective security, economic stability, and the rule of law. All of this was a negotiated process that required compromise—and yet it did not make for a peaceful world.

When Winston Churchill referred to the UN framework as “the temple of peace” in his famous 1946 Iron Curtain speech, he maintained that international alliances could help provide necessary stability so free people could prosper, both economically and politically. Though the pillars of international order remain in place today, in a world defined as much by populism as protest, leaders in the United States no longer seem inclined to serve as the indispensable power in an alliance framework that is built on shared values, human rights, and an admixture of hard and soft power.

In this book, nine scholars and practitioners of diplomacy explore both the successes and the flaws of international cooperation over the past seventy years. Collectively, the authors seek to address questions about how the liberal international order was built and what challenges it has faced, as well as to offer perspectives on what could be lost in a post-American world.

Built between 1855 and 1860, the Oxford University Museum of Natural History is the extraordinary result of close collaboration between artists and scientists. The architect Benjamin Woodward consulted with two groups on the design and decoration of the building: a panel of Oxford scientists and dons, and the society of artists known as the Pre-Raphaelite Brotherhood. The museum's decorative art was modeled on the Pre-Raphaelites' principle of meticulous observation of nature, itself indebted to science. The structure was an experiment in using architecture and art to communicate natural history, modern science, and natural theology.  Temple of Science sets out the history of the campaign to build the museum before taking the reader on a tour of the art found in the museum itself. It looks at the façade and the central court, the natural history carvings and marble columns illustrating different geological strata, and the meticulously carved sculptures of influential scientists. With unique insights and lavish illustrations, Temple of Science tells the story of one of the most remarkable collaborations between scientists and artists in European art.