Results by title

4 books match the query 'Theater, Yiddish'

cover of Messiahs of 1933: How American Yiddish Theatre Survived Adversity through Satire

Messiahs of 1933

How American Yiddish Theatre Survived Adversity through Satire

Joel Schechter

Temple University Press, 2008

Joel Schechter has rediscovered the funny and often politically-charged plays of the American Yiddish theatre of the 1930s. In Messiahs of 1933 he celebrates their satire, their radical imagination, and their commitment to social change. He introduces readers to the once-famous writers and actors—Moishe Nadir, David Pinski, Yosl Cutler, and others—who brought into artistic form their visions of peace, social justice, and satire for all.

Messiahs of 1933 greatly enlarges our understanding of Yiddish theatre and culture in the United States. It examines the innovative stage performances created by the Artef collective, the Modicut puppeteers, and the Yiddish Unit of the Federal Theatre Project. And it introduces to contemporary readers some of the most popular theatre actors of the 30s, including Leo Fuchs, Menasha Skulnik, and Yetta Zwerling. Throughout, it includes relevant photographs and contemporary comic strips, along with the first English-language publication of excerpts from the featured plays.

[more]
cover of Shakespeare on the American Yiddish Stage

Shakespeare on the American Yiddish Stage

Joel Berkowitz

University of Iowa Press, 2002

The professional Yiddish theatre started in 1876 in Eastern Europe; with the assassination of Tsar Alexander II in 1881, masses of Eastern European Jews began moving westward, and New York—Manhattan’s Bowery and Second Avenue—soon became the world’s center of Yiddish theatre. At first the Yiddish repertoire revolved around comedies, operettas, and melodramas, but by the early 1890s America's Yiddish actors were wild about Shakespeare. In Shakespeare on the American Yiddish Stage, Joel Berkowitz knowledgeably and intelligently constructs the history of this unique theatrical culture.

The Jewish King Lear of 1892 was a sensation. The year 1893 saw the beginning of a bevy of Yiddish versions of Hamlet; that year also saw the first Yiddish production of Othello. Romeo and Juliet inspired a wide variety of treatments. The Merchant of Venice was the first Shakespeare play published in Yiddish, and Jacob Adler received rave reviews as Shylock on Broadway in both 1903 and 1905. Berkowitz focuses on these five plays in his five chapters. His introduction provides an orientation to the Yiddish theatre district in New York as well as the larger picture of Shakespearean production and the American theatre scene, and his conclusion summarizes the significance of Shakespeare’s plays in Yiddish culture.
[more]
cover of Yiddish Culture in Greater Romania (1918-1940)

Yiddish Culture in Greater Romania (1918-1940)

Camelia Craciun

Central European University Press, 2025

Yiddish culture was an important part of the cultural landscape of Eastern Europe from the Baltic Sea to the Danube, connecting the scattered Ashkenazi Jewry, the overwhelming majority of the Jews living in this geographical area.
In the newly created Greater Romania, the Jewish community included more than half a million individuals still speaking Yiddish. Building on pre-war trends, the new nation-state faced an antisemitism problem since its inception. This continued in the period that followed, culminating in the horrors of the Holocaust, which destroyed most of the Yiddish-language community. Most survivors were discouraged from continuing to use a language that reminded them of a painful past.
This volume examines the socio-cultural mechanisms responsible for restructuring the Yiddish cultural life after the changes brought about by the end of World War I and the creation of Greater Romania. It describes how this process evolved until the political regimes banned the activity of Yiddish theaters, press and, ultimately, the usage of Yiddish, thus making cultural life impossible.

The four authors identify the main institutions, individuals and projects that promoted Yiddish cultural life in interwar Romania. They also trace the impact of Yiddish within Romanian society through joint projects, events, and initiatives. Special attention is given to Yiddish theater, which played a key role both within the community and in its interaction with the Romanian-speaking public.
[more]
cover of Yiddish Empire: The Vilna Troupe, Jewish Theater, and the Art of Itinerancy

Yiddish Empire

The Vilna Troupe, Jewish Theater, and the Art of Itinerancy

Debra Caplan

University of Michigan Press, 2018

Yiddish Empire tells the story of how a group of itinerant Jewish performers became the interwar equivalent of a viral sensation, providing a missing chapter in the history of the modern stage. During World War I, a motley group of teenaged amateurs, impoverished war refugees, and out- of- work Russian actors banded together to revolutionize the Yiddish stage. Achieving a most unlikely success through their productions, the Vilna Troupe (1915– 36) would eventually go on to earn the attention of theatergoers around the world. Advancements in modern transportation allowed Yiddish theater artists to reach global audiences, traversing not only cities and districts but also countries and continents. The Vilna Troupe routinely performed in major venues that had never before allowed Jews, let alone Yiddish, upon their stages, and operated across a vast territory, a strategy that enabled them to attract unusually diverse audiences to the Yiddish stage and a precursor to the organizational structures and travel patterns that we see now in contemporary theater. Debra Caplan’s history of the Troupe is rigorously researched, employing primary and secondary sources in multiple languages, and is engagingly written.
[more]