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Mahan and Baekje is a pioneering study of the Korean past from the perspective of everyday objects: ceramics made, used, and left behind by ancient Koreans themselves. Focusing on the third to fifth centuries CE in southwestern Korea, this book reexamines the social, political, and economic construction of the interconnected societies known as Mahan and the kingdom of Baekje. Pottery, which played central roles in Mahan’s and Baekje’s culinary practices, community gatherings, trade, and ritual, now sheds new light on the origins of Korean civilization. 

Using advanced archaeological and geochemical techniques, this book traces the production, exchange, and use of pottery from Mahan and Baekje. The patterns reveal the shared underpinnings of Mahan and Baekje political economy, showing that the Baekje kingdom developed locally and not as the result of outside forces. Long-distance trade in Mahan and Baekje suggest a cosmopolitan ethos with roots in the deep past, while smaller scale exchanges hint at the complex web of social interactions that typified early Korean societies. Mahan and Baekje provides exciting new details of life at an epochal moment in ancient Korea.

Korea’s history is divided into four periods: the Three Kingdoms of Koguryo (37 bc–ad 668), Shilla (57 bc–ad 668), and Paekche (18 bc–ad 660); Unified Shilla (668–935); Koryo (935–1392); and Choson (1392–1910). Kevin O’Rourke’s The Book of Korean Poetry traces Korean poetry from the pre-Shilla era to the end of Korea’s golden poetry period in the Koryo dynasty.There are two poetry traditions in Korea: hanshi (poems by Korean poets in Chinese characters) and vernacular poems, which are invariably songs. Hanshi is a poetry to be read and contemplated; the vernacular is a poetry to be sung and heard. Hanshi was aimed at personal cultivation, vernacular poetry primarily at entertainment. Hanshi was a much more private discipline; vernacular poetry was composed for the most part against a convivial background of wine, music, and dance.In this comprehensive treatment of the poetry of Shilla and Koryo, O’Rourke divides one hundred fifty poems into five sections: Early Songs, Shilla hanshi, Shilla hyangga, Koryo kayo, and Koryo hanshi and shijo. Only a few pre-Shilla poems are extant; O’Rourke features all five. All fourteen extant Shilla hyangga are included. Seventeen major Koryo kayo are featured; only a few short, incantatory pieces that defied translation were excluded. Fourteen of the fewer than twenty Koryo shijo with claims to authenticity are presented. From the vast number of extant hanshi, O’Rourke selected poems with the most intrinsic merit and universal appeal. In addition to introductory essays on the genres of hanshi, hyangga, Koryo kayo, and shijo, O’Rourke interleaves his graceful translations with commentary on the historical backgrounds, poetic forms, and biographical notes on the poets’ lives as well as guides to the original texts, bibliographical materials, and even anecdotes on how the poems came to be written. Along with the translations themselves, O’Rourke’s annotations of the poems make this volume a particularly interesting and important introduction to the scholarship of East Asian literature.