8 books match the query 'Twenty First Century'
John Kenneth Knaus
Duke University Press, 2012
Since the late 1950s, the rugged resolve of the Dalai Lama and his people and the growing respect for their efforts to free their homeland from Chinese occupation have made Tibet's political and cultural status a pressing issue in international affairs. So has the realization by nations, including the United States, that their geopolitical interests would best be served by the defeat of the Chinese and the achievement of Tibetan self-determination. Beyond Shangri-La provides unique insight into the efforts of the U.S. government and committed U.S. citizens to support a free Tibet.
Robert K. Wallace
University of North Texas Press, 2013
Frederick Luis Aldama
University of Michigan Press, 2013
Li, Stephanie
Rutgers University Press, 2018
Farid Hafez
Rutgers University Press, 2024
James T. Bradley
University of Alabama Press, 2019
Julianne Couch
University of Iowa Press, 2016
Stefka G. Mihaylova
University of Michigan Press, 2023
Honorable Mention: American Society for Theatre Research Barnard Hewitt Award | November 8, 2024
Conventional notions of avant-garde art suggest innovative artists rebelling against artistic convention and social propriety, shocking unwilling audiences into new ways of seeing and living. Viewers in Distress tells a different story. Beginning in the tumultuous 1990s, after the fall of the Berlin Wall and in the wake of the Los Angeles riots, rebellious spectators in American and British theaters broke with theater decorum and voiced their radical interpretations of shows that were not meant to be radical. In doing so, audiences tried to understand the complex racial, gender, and religious politics of their times, while insisting that liberal societies fulfill their promise of dignity for all. Stefka Mihaylova argues that such non-conforming viewing amounts to an avant-garde of its own: a bold reimagining of how we live together and tell stories of our lives together, aimed to achieve liberalism’s promise. In telling this story, she analyzes the production and reception politics of works by Susan-Lori Parks, Sarah Kane, Forced Entertainment, Gurpreet Kaur Bhatti, and Young Jean Lee, as well as non-theatrical controversies such as the conflict over Halloween costumes at Yale in 2015. At the core of spectators’ discontent, this book suggests, is an effort to figure out how to get along with people different from ourselves in the diverse U.S. and British societies in which we live.