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8 books match the query 'Twenty First Century'

cover of Beyond Shangri-La: America and Tibet's Move into the Twenty-First Century

Beyond Shangri-La

America and Tibet's Move into the Twenty-First Century

John Kenneth Knaus

Duke University Press, 2012

Beyond Shangri-La chronicles relations between the Tibetans and the United States since 1908, when a Dalai Lama first met with U.S. representatives. What was initially a distant alliance became more intimate and entangled in the late 1950s, when the Tibetan people launched an armed resistance movement against the Chinese occupiers. The Tibetans fought to oust the Chinese and to maintain the presence of the current Dalai Lama and his direction of their country. In 1958, John Kenneth Knaus volunteered to serve in a major CIA program to support the Tibetans. For the next seven years, as an operations officer working from India, from Colorado, and from Washington, D.C., he cooperated with the Tibetan rebels as they utilized American assistance to contest Chinese domination and to attain international recognition as an independent entity.

Since the late 1950s, the rugged resolve of the Dalai Lama and his people and the growing respect for their efforts to free their homeland from Chinese occupation have made Tibet's political and cultural status a pressing issue in international affairs. So has the realization by nations, including the United States, that their geopolitical interests would best be served by the defeat of the Chinese and the achievement of Tibetan self-determination. Beyond Shangri-La provides unique insight into the efforts of the U.S. government and committed U.S. citizens to support a free Tibet.

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cover of Heggie and Scheer's Moby-Dick: A Grand Opera for the Twenty-first Century

Heggie and Scheer's Moby-Dick

A Grand Opera for the Twenty-first Century

Robert K. Wallace

University of North Texas Press, 2013

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cover of Mex-Ciné: Mexican Filmmaking, Production, and Consumption in the Twenty-first Century

Mex-Ciné

Mexican Filmmaking, Production, and Consumption in the Twenty-first Century

Frederick Luis Aldama

University of Michigan Press, 2013

Mex-Cinéoffers an accessibly written, multidisciplinary investigation of contemporary Mexican cinema that combines industrial, technical, and sociopolitical analysis with analyses of modes of reception through cognitive theory. Mex-Cinéaims to make visible the twenty-first century Mexican film industry, its blueprints, and the cognitive and emotive faculties involved in making and consuming its corpus. A sustained, free-flowing book-length meditation, Mex-Ciné enriches our understanding of the way contemporary Mexican directors use specific technical devices, structures, and characterizations in making films in ways that guide the perceptual, emotive, and cognitive faculties of their ideal audiences, while providing the historical contexts in which these films are made and consumed.
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cover of Pan–African American Literature: Signifyin(g) Immigrants in the Twenty-First Century

Pan–African American Literature

Signifyin(g) Immigrants in the Twenty-First Century

Li, Stephanie

Rutgers University Press, 2018

2019 Choice Outstanding Academic Title

The twenty-first century is witnessing a dynamic broadening of how blackness signifies both in the U.S. and abroad. Literary writers of the new African diaspora are at the forefront of exploring these exciting approaches to what black subjectivity means. Pan-African American Literature is dedicated to charting the contours of literature by African born or identified authors centered around life in the United States. The texts examined here deliberately signify on the African American literary canon to encompass new experiences of immigration, assimilation and identification that challenge how blackness has been previously conceived. Though race often alienates and frustrates immigrants who are accustomed to living in all-black environments, Stephanie Li holds that it can also be a powerful form of community and political mobilization. 
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cover of Politicizing Islam in Austria: The Far-Right Impact in the Twenty-First Century

Politicizing Islam in Austria

The Far-Right Impact in the Twenty-First Century

Farid Hafez

Rutgers University Press, 2024

Among its Continental peers, Austria has stood out for its longstanding state recognition of the Muslim community as early as 1912. A shift has occurred more recently, however, as populist far-right voices within the Austrian government have redirected public discourse and put into question Islam’s previously accepted autonomous status within the country. 

Politicizing Islam in Austria examines this anti-Muslim swerve in Austrian politics through a comprehensive analysis of government policies and regulations, as well as party and public discourses. In their innovative study, Hafez and Heinisch show how the far-right Austrian Freedom Party (FPÖ) adapted anti-Muslim discourse to their political purposes and how that discourse was then appropriated by the conservative center-right Austrian People’s Party (ÖVP). This reconfiguration of the political landscape prepared the way for a right-wing coalition government between conservatives and far-right actors that would subsequently institutionalize anti-Muslim political demands and change the shape of the civic conditions and public perceptions of Islam and the Muslim community in the republic. 
 
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cover of Re-Creating Nature: Science, Technology, and Human Values in the Twenty-First Century

Re-Creating Nature

Science, Technology, and Human Values in the Twenty-First Century

James T. Bradley

University of Alabama Press, 2019

An exploration of the moral and ethical implications of new biotechnologies

Many of the ethical issues raised by new technologies have not been widely examined, discussed, or indeed settled. For example, robotics technology challenges the notion of personhood. Should a robot, capable of making what humans would call ethical decisions, be held responsible for those decisions and the resultant actions? Should society reward and punish robots in the same way that it does humans? Likewise, issues of safety, environmental concerns, and distributive justice arise with the increasing acceptance of genetically modified organisms (GMOs) in food production nanotechnology in engineering and medicine, and human gene therapy and enhancement. The problem of dual-use—when a technology can be used both to benefit and to harm—exists with virtually all new technologies but is central in the context of emerging 21st century technologies ranging from artificial intelligence and robotics to human gene-editing and brain-computer interfacing.

In Re-Creating Nature: Science, Technology, and Human Values in the Twenty-First Century, James T. Bradley addresses emerging biotechnologies with prodigious potential to benefit humankind but that are also fraught with ethical consequences. Some actually possess the power to directly alter the evolution of life on earth including human. Specifically, these topics include stem cells, synthetic biology, GMOs in agriculture, nanotechnology, bioterrorism, CRISPR gene-editing technology, three-parent babies, robotics and roboethics, artificial intelligence, and human brain research and neurotechnologies.

Offering clear explanations of these various technologies, a pragmatic presentation of the conundrums involved, and questions that illuminate hypothetical situations, Bradley guides discussions of these and other thorny issues resulting from the development of new biotechnologies. He also highlights the responsibilities of scientists to conduct research in an ethical manner and the responsibilities of nonscientists to become “science literate” in the twenty-first century.
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cover of The Small-Town Midwest: Resilience and Hope in the Twenty-First Century

The Small-Town Midwest

Resilience and Hope in the Twenty-First Century

Julianne Couch

University of Iowa Press, 2016

Most people in the United States live in urban areas; still, there are nearly fifty million people living in small towns of just a few thousand people or less. Some towns are within a short drive of a metropolitan area where people can work, shop, or go to school; some are an hour or more from any sort of urban hub. In this book, Julianne Couch sets out to illuminate the lives and hopes of these small-town residents.

The people featured live—by choice or circumstances—in one of nine small communities in five states in the Midwest and Great Plains: Iowa, Kansas, Missouri, Nebraska, and Wyoming. Daily they witness people moving out, heading to more urban areas, small businesses closing down, connected infrastructure drying up, entrepreneurs becoming discouraged, and more people thinking about leaving. This is the story we hear in the news, the story told by abandoned farms, consolidated schools, and boarded-up Main Streets.

But it’s not the whole story. As Couch found in her travels throughout the Midwest, many people long to return to these towns, places where they may have deep family roots or where they can enjoy short commutes, familiar neighbors, and proximity to rural and wild places. And many of the residents of small midwestern towns are not just accepting the trend toward urbanization with a sigh. They are betting that the tide of rural population loss can’t go out forever, and they’re backing those bets with creatively repurposed schools, entrepreneurial innovation, and community commitment. From Bellevue, Iowa, to Centennial, Wyoming, the region’s small-town residents remain both hopeful and resilient. 
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cover of Viewers in Distress: Race, Gender, Religion, and Avant-Garde Performance at the Turn of the Twenty-First Century

Viewers in Distress

Race, Gender, Religion, and Avant-Garde Performance at the Turn of the Twenty-First Century

Stefka G. Mihaylova

University of Michigan Press, 2023

Honorable Mention: American Society for Theatre Research Barnard Hewitt Award | November 8, 2024

Conventional notions of avant-garde art suggest innovative artists rebelling against artistic convention and social propriety, shocking unwilling audiences into new ways of seeing and living. Viewers in Distress tells a different story. Beginning in the tumultuous 1990s, after the fall of the Berlin Wall and in the wake of the Los Angeles riots, rebellious spectators in American and British theaters broke with theater decorum and voiced their radical interpretations of shows that were not meant to be radical. In doing so, audiences tried to understand the complex racial, gender, and religious politics of their times, while insisting that liberal societies fulfill their promise of dignity for all. Stefka Mihaylova argues that such non-conforming viewing amounts to an avant-garde of its own: a bold reimagining of how we live together and tell stories of our lives together, aimed to achieve liberalism’s promise. In telling this story, she analyzes the production and reception politics of works by Susan-Lori Parks, Sarah Kane, Forced Entertainment, Gurpreet Kaur Bhatti, and Young Jean Lee, as well as non-theatrical controversies such as the conflict over Halloween costumes at Yale in 2015. At the core of spectators’ discontent, this book suggests, is an effort to figure out how to get along with people different from ourselves in the diverse U.S. and British societies in which we live.

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