Results by title

A substantially updated edition of Video Coding: An Introduction to Standard Codecs (IEE, 1999, winner of IEE Rayleigh Award), this book discusses the growth of digital television technology and the revolution in image and video compression (such as JPEG2000, broadcast TV, video phone). It highlights the need for standardisation in processing static and moving images and their exchange between computer systems. ITU and ISO/IEC standards are now widely accepted in the picture/video coding field. The book gives an authoritative explanation of picture and video coding algorithms, working from basic principles through to the advanced video compression systems now being developed. It discusses the reasons behind the introduction of a standard codec for a specific application and its chosen parameter. This book will enable readers to appreciate the fundamentals needed to design a video codec for any given application and should prove to be a valuable resource for engineers working in this field.

A substantially updated edition of Video Coding: An introduction to standard codecs (IEE 1999, winner of IEE Rayleigh Award as the best book of 2000), this book discusses the growth of digital television technology, from image compression to advanced video coding. This third edition also includes the latest developments on H.264/MPEG-4 video coding and the scalability defined for this codec, which were not available at the time of the previous edition (IEE 2003). The book highlights the need for standardisation in processing static and moving images and extensively exploits the ITU and ISO/IEC standards defined in this field. The book gives an authoritative explanation of pictures and video coding algorithms, working from basic principles through to the advanced video compression systems now being developed. It discusses the reasons behind the introduction of a standard codec for a specific application and its chosen parameters. Each chapter is devoted to a standard video codec, and chapters are introduced in an evolutionary manner complementing the earlier chapters. This book will enable readers to appreciate the fundamentals needed to design a video codec for any given application and should prove a valuable resource for managers, engineers and researchers working in this field.

A new generation of video standards promises lossless storage of digital objects for future generations. Jimi Jones and Marek Jancovic document the development and adoption of JPEG 2000, FFV1, MXF, and Matroska while investigating the social and material aspects of their design and the forces driving their journeys from niche to ubiquity.

Drawing on interviews with archivists and developers, Jones and Jancovic reveal the archive as a dynamic space where deeply entrenched social practices produce disagreements but also resourceful collaborations. They contrast the unprecedented rise of archivist-driven standardization and controversies around non-standard technology with the historical dominance of the film and broadcast industries. Throughout, the authors clarify the role of tech companies, software developers, film pirates, hackers, and other players with poorly understood roles in the process.

A timely look at the state of audiovisual preservation, The Future of Memory provides a history of recent innovations alongside a snapshot of a field in the midst of profound technological change.

Digital video compression has revolutionised the broadcast industry. Its implementation has been the vital key to the expansion of video via satellite, cable, internet and terrestrial TV. However, new technologies not only enable new applications, they also create new challenges such as how to measure video quality, and how to maintain video quality in concatenated compression systems.