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7 books match the query 'Violence in mass media'

cover of Don't Look Away: Art, Nonviolence, and Preventive Publics in Contemporary Europe

Don't Look Away

Art, Nonviolence, and Preventive Publics in Contemporary Europe

Brianne Cohen

Duke University Press, 2023

In Don’t Look Away Brianne Cohen considers the role of contemporary art in developing a public commitment to end structural violence in Europe. Cohen focuses on art activism of the early twenty-first century that confronts the slow violence perpetuated against precarious peoples. Exploring the work of German filmmaker Harun Farocki, Swiss artist Thomas Hirschhorn, and the art collective Henry VIII’s Wives, Cohen argues that their recursive art practices offer a more sustained counter to the violence undergirding the public sphere than do artworks premised on immediate rupture. Their art reflects on a variety of flashpoints of violence and vulnerability in Europe, from the legacy of the Holocaust to Islamophobia and rising anti-immigrant sentiment. Because this violence has often cultivated fear-based publics, Cohen contends that art must foster ethical and civil relations between strangers across physical and virtual borders. In contrast to art-critical practices that privilege direct action in contemporary art activism, Cohen advocates for the imaginative, messier, often more elusive potential of art to change mindsets and foster a nonviolent social imaginary.
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cover of Don't Mention the War: Northern Ireland, Propaganda and the Media

Don't Mention the War

Northern Ireland, Propaganda and the Media

David Miller

Pluto Press, 1994

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cover of Language Wars: The Role of Media and Culture in Global Terror and Political Violence

Language Wars

The Role of Media and Culture in Global Terror and Political Violence

Jeff Lewis

Pluto Press, 2005

Language Wars is a fascinating account of the relationship between the media, culture and new forms of global, political violence. Using an innovative approach, Jeff Lewis shows how language and the media are implicated in global terrorism and the US-led reprisals in the war on terror. Through an examination of the language of terrorism and war, Lewis illuminates key events in the current wave of political violence---the 9/11 attacks on New York and the Pentagon, the Beslan siege, the invasion of Afghanistan and Iraq, the Bali bombings and the ongoing occupation in the Middle East. He argues that the language used to report incidents of violence has changed, not just in official channels but in wider cultural contexts, and shows the impact this has on social perceptions. Lewis deconstructs these new discourses to reveal how Islam has been construed as the antagonist of freedom, democracy and the rule of law. Ideal for students of media studies and cultural studies, this is a subtle account of the relation between language and culture that exposes a dangerous new east-west divide in popular discourse.

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cover of The Crisis of School Violence: A New Perspective

The Crisis of School Violence

A New Perspective

Marianna King

Michigan State University Press, 2020

The Crisis of School Violence is the only interdisciplinary book about school violence. It presents a broad and in-depth approach to the key questions about why bullying continues at an unprecedentedly high rate and why rampage school shootings continue to shock the nation. Based on extensive research, The Crisis of School Violence investigates human nature and its relation to aggressive behavior, with a special focus on the culture of violence that predicates school violence (including rampage shootings) and perpetuates industries that profit from violence. Marianna King presents the considerable psychological and neuroscientific research that investigates the effects of violent entertainment media on the brain and, subsequently, on behavior, which clearly reveals a causal connection between exposure to violent electronic entertainment media—especially violent video games—and increased aggressive and violent behavior. The book also reveals a more specific connection between exposure to violent video games and rampage school shootings. Ultimately this volume is a call to action that includes recommendations for parents, teachers, decision makers, and citizens alike.
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cover of Violence As Obscenity: Limiting the Media's First Amendment Protection

Violence As Obscenity

Limiting the Media's First Amendment Protection

Kevin W. Saunders

Duke University Press, 1996

This timely and accessible volume takes a fresh approach to a question of increasing public concern: whether or not the federal government should regulate media violence. In Violence as Obscenity, Kevin W. Saunders boldly calls into question the assumption that violent material is protected by the First Amendment. Citing a recognized exception to the First Amendment that allows for the regulation of obscene material, he seeks to expand the definition of obscenity to include explicit and offensive depictions of violence.
Saunders examines the public debate on media violence, the arguments of professional and public interest groups urging governmental action, and the media and the ACLU’s desire for self-regulation. Citing research that links violence in the media to actual violence, Saunders argues that a present danger to public safety may be reduced by invoking the existing law on obscenity. Reviewing the justifications of that law, he finds that not only is the legal history relied on by the Supreme Court inadequate to distinguish violence from sex, but also many of the justifications apply more forcefully to instances of violence than to sexually explicit material that has been ruled obscene. Saunders also examines the actions that Congress, states, and municipalities have taken to regulate media violence as well as the legal limitations imposed on such regulations by the First Amendment protections given to speech and the press. In discussing the current operation of the obscenity exception and confronting the issue of censorship, he advocates adapting to the regulation of violent material the doctrine of variable obscenity, which applies a different standard for material aimed at youth, and the doctrine of indecency, which allows for federal regulation of broadcast material.
Cogently and passionately argued, Violence as Obscenity will attract scholars of American constitutional law and mass communication, and general readers moved by current debates about media violence, regulation, and censorship.
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cover of Violence and the Mimetic Unconscious, Volume 2: The Affective Hypothesis

Violence and the Mimetic Unconscious, Volume 2

The Affective Hypothesis

Nidesh Lawtoo

Michigan State University Press, 2023

Representations of violence have subliminal contagious effects, but what kind of unconscious captures this imperceptible affective dynamic in the digital age? In volume two of a Janus-faced diagnostic of the cathartic and contagious effects of (new) media violence, Nidesh Lawtoo traces a genealogy of a long-neglected, embodied, relational, and highly mimetic unconscious that, well before the discovery of mirror neurons, posited mirroring reactions as a via regia to a phantom ego. Rather than being the product of a solipsistic discovery, the unconscious turns out to have haunted philosophers, psychologists, and artists for a long time. This book proposes a genealogy of untimely philosophical physicians that goes from Plato to Nietzsche, Bernheim to Féré, Freud to Bataille, Arendt to Girard, affect theory to the neurosciences. In their company, Lawtoo promotes the transdisciplinary field of mimetic studies by reevaluating the unconscious actions and reactions of homo mimeticus. As a new theory of mimesis emerges, Violence and the Mimetic Unconscious offers a searching diagnosis as to why the pathos of (new) media violence—from film to video games, police murders to the storming of the U.S Capitol—continues to cast a material shadow on the present and future.  
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cover of Visuality of Violence: Witnessing the Policing of Race

Visuality of Violence

Witnessing the Policing of Race

Ofelia Ortiz Cuevas

Temple University Press, 2025

Visuality of Violence unpacks the way visual documentations and depictions of the practice of racial violence are used in imperialism, capitalism, and neoliberalism in the United States. Ofelia Ortiz Cuevas traces the continuity of racial value through the shifting narratives of race by examining the long-running TV series, COPS, and the museum exhibition, Without Sanctuary, which features photographs of lynching. These case studies provide an innovative holistic mapping of the policing and incarceration of Black and Brown people.  

Addressing the frequently ignored experiences of Asian and Native Americans, among others, in its comparative undertaking, Visuality of Violence exceeds intersectional mapping to uniquely charge the spectacle of racial violence as a foundational practice in its continued presence in contemporary society. Cuevas argues that the visual presentations of the racial body throughout history requires a reckoning and acknowledgement of the material and legal effects of the images, narratives, and practices used to maintain hegemonic racial order and inequality.

In holding a theoretical mirror to history, Visuality of Violence reveals liberal mythical reliance on the ideals of western law and its rationalities as the location of justice and freedom, thereby presenting its readers with a new understanding in the quest for peace and liberation.

In the series Critical Race, Indigeneity, and Relationality
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