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For years this distinguished series has provided scholars and practitioners with timely, cross-disciplinary reviews of research on some of today's most pressing policy issues. Volume 25 includes articles by Jeffery A. Fagan and Richard B. Freeman on crime and work; John Braithwaite on restorative justice; Josine Junger-Tas and Ineke Haen Marshall on self-report methodology in crime research; Roger Lane on the history of murder in America; and James B. Jacobs and Lauryn P. Gouldin on Cosa Nostra.

This volume begins to show why the current period in humanistic studies could be known as "The Age of Edward Said." The collection brings together outstanding intellectuals from the wide variety of fields to which Edward Said, the most important humanist of his generation, has made contributions: literary criticism, postcolonial studies, musicology, Middle Eastern Studies, anthropology, and journalism.

Featured is a new interview with Said, conducted by W. J. T. Mitchell, in which Said discusses the importance of the visual to his thinking, specifically the works of Goya and Caravaggio, which in turn made possible Said's valuable contributions to our understanding of photography and painting. Other contributions reflect on Said's influences on the American public sphere; the subtle personal politics that inform the relationship between music and emotion; Said's importance to a thinking about "race before racism" and the disappearance of the American; and jazz man Jim Merod reflects on Said's "sublime lyrical abstractions."

Covering with insight the many debates Said so deftly entered and formed, the distinguished contributors to this volume reflect upon his oeuvre to create an atmosphere of thoughtfulness, questioning, and interactivity.

The technological and intellectual impact of the digital humanities on the university is undeniable. Even as some observers hail the digital humanities as a savior of humanistic disciplines in crisis, critical questions about its nature and potential remain unanswered. The contributors to this special issue explicitly critique and engage the digital humanities, rather than simply celebrating the still-emerging field. This collection brings together scholars from the center of digital humanities initiatives and from the closely related fields of new media and software studies, among others, to interrogate some of the assumptions and elisions at play in previous discussions of the digital humanities and assess their impact on the humanities and the university at large. Topics include the national security state; games and “gamification”; the funding crisis in higher education and MOOCs; and issues of race, gender, and class marginalization in digital humanities research.

Contributors: Fiona M. Barnett, Wendy Hui Kyong Chun, Michael Dieter, Alexander R. Galloway, David Golumbia, Richard Grusin, Patrick Jagoda, Matthew Kirschenbaum, Adeline Koh, Brian Lennon, Tara McPherson, Rita Raley, Lisa Marie Rhody

Japanese and Korean are typologically similar, with linguistic phenomena in one often having counterparts in the other. The Japanese/Korean Linguistics Conference provides a forum for research, particularly through comparative study, on both languages. The papers in this volume are from the twenty-fifth conference, which was held at the University of Hawai’i at Mānoa. They include essays on the phonology, morphology, syntax, semantics, historical linguistics, discourse analysis, prosody, and psycholinguistics of both languages. Such comparative studies deepen our understanding of both languages and will be a useful reference for students and scholars in either field.

Published in 1989, Philip Mirowski’s More Heat Than Light: Economics as Social Physics, Physic’s as Nature’s Economics offered a challenge to historians of economics that could not be ignored. Neo-classical economics, he said, adopted certain analytical tools of mid-nineteenth-century physics, simply substituting “utility” for “energy,” and in so doing, chose a natural-world model which denied that economic knowledge might be essentially social and cultural. The essays in this collection represent the first collective effort to respond to Mirowski’s challenge by examining and assessing the Mirowski enterprise.
In addition to questioning the veracity of the connection between physics and economics, the contributors consider the far-reaching implications of Mirowski’s thesis for the history of economics. Mirowski shows that economic texts must be viewed in their relation to texts outside the field of economics and offers an alternative reading of economic texts as social and cultural inscriptions. As historians of economics respond to Mirowski’s challenge, the style and direction of their work will be changed. Utlimately, a careful assessment of More Heat Than Light may introduce historians of economics to recognize that the “discipline” of economics may not be the most appropriate category from which to proceed.

Contributors. Jack Birner, Marcel Boumans, A. W. Coats, Avi J. Cohen, I. Bernard Cohen, Neil de Marchi, Steve Fuller, Clifford G. Gaddy, Wade Hands, Albert Jolink, Arjo Klamer, Robert Leonard, Philip Mirowski, Theodore M. Porter, Margaret Schabas, E. Roy Weintraub

In light of the very public debate on the federal budget this year between Democrats and Republicans, the economic ramifications of tax policy are now more than ever a focus of national attention. Tax Policy and the Economy, Volume 25 is thus an invaluable tool, publishing current academic research findings on taxation and government spending, which informs important policy debates with rigorous economic analysis. The papers in Volume 25 include a review of current fuel economy taxation; research on implicit taxes on work from Social Security and Medicare; an analysis on how future increases in aggregate health care expenditures will impact future tax rates required to support Medicare and Medicaid; and two papers that analyze the implications of large and sustained budget deficits on the economy.

The Collected Letters of Thomas and Jane Welsh Carlyle offer a window onto the lives of two of the Victorian world’s most accomplished, perceptive, and unusual inhabitants. Scottish writer and historian Thomas Carlyle and his wife, Jane Welsh Carlyle, attracted to them a circle of foreign exiles, radicals, feminists, revolutionaries, and major and minor writers from across Europe and the United States. The collection is regarded as one of the finest and most comprehensive literary archives of the nineteenth century.

This is the second of three volumes documenting Rhode Island's public and private debates about the Constitution. This documentary series is a research tool of remarkable power, an unrivaled reference work for historical and legal scholars, librarians, and students of the Constitution. The volumes are encyclopedic, consisting of manuscript and printed documents-contemporary newspapers, broadsides, and pamphlets-compiled from hundreds  of sources, copiously annotated, thoroughly indexed, and often accompanied  by microfiche supplements.
 Pulitzer Prize-winning historian Michael Kammen has noted that The Documentary History of the Ratification of the Constitution series "will be of enduring value centuries hence" and described it as "one of the most interesting documentary publications we have ever had."  The American Bar Association Journal has stated, "Each new volume now fills another vital part of the mosaic of national history."

This special issue of Social Text examines the self-perpetuating nature of postmodern war and war culture. It looks at the instrumental nature of war discourse as a political force and challenges its vision of endless warfare as the means to control both domestic and foreign populations in an era of globalization. Essays analyze the historical and material interests that war serves and challenge the seductive mythology of high-tech precision warfare, which allows the traumatic effects of war to be considered at a great distance. The issue also argues that the increasing tendency to discuss war metaphorically—as in the phrases “War on Drugs” and “War on Terror”—blurs the boundaries between civilian and soldier and between combatant and noncombatant and defers the human cost of permanent warfare.

The contributors to this special issue—drawing on cultural studies, anthropology, economics, psychoanalysis, gender studies, postcolonial studies, and war literature—target the blind spots in current debates about war. One essay examines the financing of war, challenging the myth that our military-industrial complex generates economic bounty. Another contributor addresses strategies of high-tech urban warfare now being developed by the U.S. military and warns of the historical limits of colonial policing techniques that build on practices of surveillance. Other essays discuss the eroticization of “consent” embodied in the practice of torture at Abu Ghraib; the paradoxes of paramilitary policing and popular resistance along the militarized Mexico-U.S. border; and the continuities between the permanent war economy that emerged in the United States during World War II and the current disastrous confluence of militarism, global outsourcing, and economic depletion.

Contributors. Ashley Dawson, Patrick Deer, Jonathan Michael Feldman, Kennan Ferguson, Jean Franco, Randy Martin, Leerom Medovoi, Rosalind C. Morris, Gilberto Rosas

In the eighteenth century the category of the aesthetic sought to bridge the gap between the prevalent dualities of Cartesian thought: art and science, history and science, prejudice and truth. This special issue of boundary 2 addresses current debates about the status of art in the context of global modernity. The range of arguments represented here cover a broad historical scope—from Cartesianism to present-day global modernity—of cultural discourse on the aesthetic to bring a focus to contemporary discussions of the corollary concepts of beauty, virtue, taste, and truth. These essays present a rich and provocative account of the place of the aesthetic in late-twentieth-century culture.

Included in this volume are considerations of the relation between theories of art and the avant-garde; art’s relation to cognition; the aesthetic as history; the aesthetic as a unique access to modernity; and its impact on problems of identity formation, ideology, and resistances to the institutional powers inherent in dominant social formations.

Contributors. Charles Altieri, Peter Burger, David Carroll, Anthony J. Cascardi, Howard Caygill, Allen Dunn, Eric Gans, Agnes Heller, Ronald A. T. Judy, Marie-Rose Logan, Daniel T. O’Hara, Donald E. Pease, Alan Singer