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14 books match the query 'Volume One'

cover of History of the University of Alabama: Volume One, 1818-1902

History of the University of Alabama

Volume One, 1818-1902

James Benson Sellers

University of Alabama Press, 1953

The definitive and authorized history of the University of Alabama's birth and first century

Step into the rich heritage of one of America’s most storied institutions with the History of the University of Alabama, Volume One 1818 – 1902 by James Sellers. This definitive volume captures the legends, triumphs, and traditions that shaped the Capstone’s first century. From its earliest days on the frontier to its rise as a modern research university, Sellers weaves a narrative that celebrates the people, places, and pivotal moments that define the University of Alabama’s proud legacy.

Among the most dramatic chapters is the interruption of campus life during the closing days of the Civil War, when Union troops burned the university to the ground—a devastating blow that tested resilience and sparked a remarkable rebirth. Through vivid storytelling and meticulous research, Sellers honors the people and milestones that built the Crimson legacy.

Beautifully written and meticulously researched, this book is perfect as a gift for alumni, fans, and collectors. Whether displayed on a coffee table or shared with a fellow member of the Crimson Tide family, this book is more than history. It’s a tribute to the spirit of Alabama. Own the legend. Share the legacy. Celebrate the spirit of the Capstone for generations to come.

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cover of Madge's Mobile Home Park: Volume One of the Peavine Chronicles

Madge's Mobile Home Park

Volume One of the Peavine Chronicles

Jane F. Hankins

Parkhurst Brothers, Inc., 2012

This hilarious send-up of outlandish Southern characters includes a beautician, a luncheonette waitress, a radio evangelist, the widow of a gas and oil distributror and the residents of a fictional mobile home park in Arkansas as they find uproarious ways to enjoy life, needle each other, and remember the dear-departed. 

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cover of Open Access Musicology: Volume One

Open Access Musicology

Volume One

Louis Epstein

Lever Press, 2020

In the fall of 2015, a collection of faculty at liberal arts colleges began a conversation about the challenges we faced as instructors: Why were there so few course materials accessible to undergraduates and lay readers that reflected current scholarly debate? How can we convey the relevance of studying music history to current and future generations of students? And how might we represent and reflect the myriad, often conflicting perspectives, positions, and identities that make up both music’s history and the writers of history?

Here we offer one response to those questions. Open Access Musicology is a collection of essays, written in an accessible style and with a focus on modes of inquiry rather than content coverage. Our authors draw from their experience as scholars but also as teachers. They have been asked to describe why they became musicologists in the first place and how their individual paths led to the topics they explore and the questions they pose. Like most scholarly literature, the essays have all been reviewed by experts in the field. Unlike all scholarly literature, the essays have also been reviewed by students at a variety of institutions for clarity and relevance.

These essays are intended for undergraduates, graduate students, and interested readers without any particular expertise. They can be incorporated into courses on a range of topics as standalone readings or used to supplement textbooks. The topics introduce and explore a variety of subjects, practices, and methods but, above all, seek to stimulate classroom discussion on music history’s relevance to performers, listeners, and citizens.

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cover of Phenomenology and Deconstruction, Volume One: The Dream is Over

Phenomenology and Deconstruction, Volume One

The Dream is Over

Robert Denoon Cumming

University of Chicago Press, 1991

"Philosophy as . . . a rigorous science . . . the dream is over," Edward Husserl once declared. Heidegger (Husserl's successor), Derrida, and Rorty have propounded versions of "the end of philosophy." Cumming argues that what would count as philosophy's coming to an end can only be determined with some attention to disruptions which have previously punctuated the history of philosophy. He arrives at categories for interpreting what is at issue in such disruptions by analyzing Heidegger's and Husserl's break with each other, Heidegger's break with Sartre, and Merleau-Ponty's break with Sartre.

In this analysis Cumming deals with how a philosophy can be vulgarized (as Heidegger's was by Nazism but in Heidegger's own view by Sartre), with problems of periodization, with how the history of philosophy can be disinguished as a philosophical discipline from intellectual history. Cumming also elaborates an analogy between a philosophical method and style.
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cover of Teaching Artist Handbook, Volume One: Tools, Techniques, and Ideas to Help Any Artist Teach

Teaching Artist Handbook, Volume One

Tools, Techniques, and Ideas to Help Any Artist Teach

Nick Jaffe, Becca Barniskis, and Barbara Hackett Cox

University of Chicago Press, 2015

Teaching Artist Handbook is based on the premise that teaching artists have the unique ability to engage students as fellow artists. In their schools and communities, teaching artists put high quality art-making at the center of their practice and open doors to powerful learning across disciplines.
This book is a collection of essays, stories, lists, examples, dialogues, and ideas, all offered with the aim of helping artists create and implement effective teaching based on their own expertise and strengths. The Handbook addresses three core questions: “What will I teach?” “How will I teach it?” and “How will I know if my teaching is working?” It also recognizes that teaching is a dynamic process that requires critical reflection and thoughtful adjustment in order to foster a supportive artistic environment.
Instead of offering rigid formulas, this book is centered on practice—the actual doing and making of teaching artist work. Experience-based and full of heart, the Teaching Artist Handbook will encourage artists of every experience level to create an original and innovative practice that inspires students and the artist.
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cover of Texas Furniture, Volume One: The Cabinetmakers and Their Work, 1840-1880, Revised edition

Texas Furniture, Volume One

The Cabinetmakers and Their Work, 1840-1880, Revised edition

By Lonn Taylor and David B. Warren

University of Texas Press, 2012

The art of furniture making flourished in Texas during the mid-nineteenth century. To document this rich heritage of locally made furniture, Miss Ima Hogg, the well-known philanthropist and collector of American decorative arts, enlisted Lonn Taylor and David B. Warren to research early Texas Furniture and its makers. They spent more than a decade working with museums and private collectors throughout the state to examine and photograph representative examples. They also combed census records, newspapers, and archives for information about cabinetmakers. These efforts resulted in the 1975 publication of Texas Furniture, which quickly became the authoritative reference on this subject.

Now updated with an expanded Index of Texas Cabinetmakers that includes information that has come to light since the original publication and corrects errors, Texas Furniture presents a catalog of more than two hundred pieces of furniture, each superbly photographed and accompanied by detailed descriptions of the piece’s maker, date, materials, measurements, history, and owner, as well as an analysis by the authors. The book also includes chapters on the material culture of nineteenth-century Texas and on the tools and techniques of nineteenth-century Texas cabinetmakers, with a special emphasis on the German immigrant cabinetmakers of the Hill Country and Central Texas. The index of Texas cabinetmakers contains biographical information on approximately nine hundred men who made furniture in Texas, and appendices list information on the state’s largest cabinet shops taken from the United States census records.

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cover of The History of Cartography, Volume One: Cartography in Prehistoric, Ancient, and Medieval Europe and the Mediterranean

The History of Cartography, Volume One

Cartography in Prehistoric, Ancient, and Medieval Europe and the Mediterranean

Edited by J. B. Harley and David Woodward

University of Chicago Press, 1987

By developing the broadest and most inclusive definition of the term "map" ever adopted in the history of cartography, this inaugural volume of the History of Cartography series has helped redefine the way maps are studied and understood by scholars in a number of disciplines.

Volume One addresses the prehistorical and historical mapping traditions of premodern Europe and the Mediterranean world. A substantial introductory essay surveys the historiography and theoretical development of the history of cartography and situates the work of the multi-volume series within this scholarly tradition. Cartographic themes include an emphasis on the spatial-cognitive abilities of Europe's prehistoric peoples and their transmission of cartographic concepts through media such as rock art; the emphasis on mensuration, land surveys, and architectural plans in the cartography of Ancient Egypt and the Near East; the emergence of both theoretical and practical cartographic knowledge in the Greco-Roman world; and the parallel existence of diverse mapping traditions (mappaemundi, portolan charts, local and regional cartography) in the Medieval period.

Throughout the volume, a commitment to include cosmographical and celestial maps underscores the inclusive definition of "map" and sets the tone for the breadth of scholarship found in later volumes of the series.
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cover of The Mystic Fable, Volume One: The Sixteenth and Seventeenth Centuries

The Mystic Fable, Volume One

The Sixteenth and Seventeenth Centuries

Michel de Certeau

University of Chicago Press, 1992

The culmination of de Certeau's lifelong engagement with the human sciences, this volume is both an analysis of Christian mysticism during the sixteenth and seventeenth centuries and an application of this influential scholar's transdisciplinary historiography.
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cover of The Philosophy of Antonio Negri, Volume One: Resistance in Practice

The Philosophy of Antonio Negri, Volume One

Resistance in Practice

Edited by Timothy S. Murphy

Pluto Press, 2005

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cover of The Philosophy of Hegel as a Doctrine of the Concreteness of God and Humanity: Volume One: The Doctrine of God

The Philosophy of Hegel as a Doctrine of the Concreteness of God and Humanity

Volume One: The Doctrine of God

I. A. Il’in, Translated by Philip T. Grier

Northwestern University Press, 2010

This landmark two-volume translation from Russian of The Philosophy of Hegel as a Doctrine of the Concreteness of God and Humanity marks the first appearance in English of any of the works of Russian philosopher Ivan Aleksandrovich Il’in (Ilyin). Originally published in 1918, on the eve of the Russian civil war, Il'in's commentary on Hegel marked both an apogee of Russian Silver Age philosophy and a significant manifestation of the resurgence of interest in Hegel that began in the early twentieth century.

A. F. Losev accurately observed in the same year it appeared: “Neither the study of Hegel nor the study of contemporary Russian philosophical thought is any longer thinkable without this book of I. A. Il’in’s.” Some Hegel scholars may know this work through the abridged translation into German that Il’in produced himself in 1946. However, that edition omitted most of the original volume two. Noted Hegel scholar Philip T. Grier’s edition—with an introduction setting Il’in’s work in its proper historical, cultural, and philosophical contexts and annotation throughout—represents the first opportunity for non-Russian-speaking readers to acquaint themselves with the full scope of Il’in’s still provocative interpretation of Hegel.

Volume 1 is "The Doctrine of God." Volume 2 is "The Doctrine of Humanity."

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cover of Typee: Volume One, Scholarly Edition

Typee

Volume One, Scholarly Edition

Herman Melville

Northwestern University Press, 1968

Almost from the time of its publication early in 1846, Melville's first book, based on his own travels in the South Seas, has been recognized as a classic in the literature of travel and adventure. From the beginning, however, there have been problems with the text. Due to disparities between the American and English editions, and revisions Melville had to make at his publisher's request concerning its racy style and attitude toward missionaries, the book has circulated in two versions.

This scholarly edition is based on collations of all editions published during his lifetime, incorporating many authorial readings that have often been omitted and some that have been misprinted in all previous editions. This edition is an Approved Text of the Center for Editions of American Authors (Modern Language Association of America).
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cover of Ukraine's Patronal Democracy and the Russian Invasion: The Russia-Ukraine War, Volume One

Ukraine's Patronal Democracy and the Russian Invasion

The Russia-Ukraine War, Volume One

Bálint Madlovics

Central European University Press, 2023

The Russian invasion of Ukraine in 2022 jeopardizes the country's independence and its chances for Western-style development. However, the heroic attitude of the Ukrainian people, combined with a solidifying national identity, makes the domestic foundations for a western turn stronger than ever. After the invasion, building strong foundations of liberal democracy will be a top priority. In addition to alleviating immediate problems, the country must also address its post-communist legacy and address the constraints of patronalism.

The authors of this edited volume, leading Ukrainian scholars supplemented by colleagues from Hungary, examine the chances of an anti-patronal transformation after the war. The book provides an overview of the development of Ukraine's political-economic system: color revolutions in 2004 and 2014 brought democratic transformation, but no change in the patronage system The result was patronal regime cycles instead of the emergence of a Western-type liberal democracy in the country. Building on the conceptual framework of the editors' The Anatomy of Post-Communist Regimes (CEU Press, 2020), the 12 chapters examine the impact of the war on patronal democracy, the relational economy, clientelist society, and the international environment in which Ukraine operates.

This collection is complemented by the book entitled Russia. Imperial Endeavor and Geopolitical Consequences.

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cover of Women and Slavery, Volume One: Africa, the Indian Ocean World, and the Medieval North Atlantic

Women and Slavery, Volume One

Africa, the Indian Ocean World, and the Medieval North Atlantic

Gwyn Campbell

Ohio University Press, 2007

The literature on women enslaved around the world has grown rapidly in the last ten years, evidencing strong interest in the subject across a range of academic disciplines. Until Women and Slavery, no single collection has focused on female slaves who—as these two volumes reveal—probably constituted the considerable majority of those enslaved in Africa, Asia, and Europe over several millennia and who accounted for a greater proportion of the enslaved in the Americas than is customarily acknowledged.

Women enslaved in the Americas came to bear highly gendered reputations among whites—as “scheming Jezebels,” ample and devoted “mammies,” or suffering victims of white male brutality and sexual abuse—that revealed more about the psychology of enslaving than about the courage and creativity of the women enslaved. These strong images of modern New World slavery contrast with the equally expressive virtual invisibility of the women enslaved in the Old—concealed in harems, represented to meddling colonial rulers as “wives” and “nieces,” taken into African families and kin-groups in subtlely nuanced fashion.

Women and Slavery presents papers developed from an international conference organized by Gwyn Campbell.

Volume 1 Contributors: Sharifa Ahjum, Richard B. Allen, Katrin Bromber, Gwyn Campbell, Catherine Coquery-Vidrovitch, Jan-Georg Deutsch, Timothy Fernyhough, Philip J. Havik, Elizabeth Grzymala Jordan, Martin A. Klein, George Michael La Rue, Paul E. Lovejoy, Fred Morton, Richard Roberts, Kirsten A. Seaver
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cover of Wright Studies, Volume One: Taliesin, 1911 - 1914

Wright Studies, Volume One

Taliesin, 1911 - 1914

Narciso G. Menocal

Southern Illinois University Press, 1992

This inaugural issue is devoted to studies of Taliesin I. Designed and constructed in 1911 upon Wright’s return to Wisconsin from Europe, Taliesin I burned in August 1914. It thus became the most difficult Wright residence for Wright scholars to examine.

In this volume’s critical essays, Neil Levine offers a view of the different layers of meaning of Taliesin I; Scott Gartner explains the legend of the Welsh bard Taliesin and its meaning for Wright; Anthony Alofsin considers the influence of the playwright Richard Hovey and the feminist Ellen Key on Wright’s and Cheney’s thought of the period; and Narciso G. Menocal suggests that the Gilmore and O’Shea houses in Madison, Wisconsin, are a collective antecedent to Taliesin I.

To conclude the volume, Anthony Alofsin has written what amounts to a catalogue raisonné of the drawings and photographs of Taliesin I. Surprisingly, he finds no photographs of the living area and argues that those that have been published are in fact of Taliesin II.

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